"Since ancient times, sketching and creation have been an inseparable topic, and how to deal with the relationship between the two is the key to whether the green landscape painter can create a good work." Of course, while inheriting the painting concepts and techniques of ancient artists, it is also necessary to keep pace with the times in order to maintain the contemporary painting language. A few days ago, young painter Wang Yongxu shared his experience and insights in the practice of green landscape painting creation with calligraphy and painting lovers at the "Painting Realm" young painters' works exhibition and online salon.
Wang Yongxu, a native of Tangshan, Hebei, currently lives in Beijing. He studied under the direction of the direction and bought the hongjun masters. Graduated from Peking University School of Art in the Chinese Painting Tutor Class. He is currently a researcher of the China Culture and Art Development Promotion Association, a member of the Henan Provincial Beauty Association, the vice president of the 90 Painting Society, and an assistant teacher in the Calligraphy and Painting Advanced Research Class of Tsinghua University.
Scene of the Painting Salon Wang Yongxu released his views
At the salon scene, Wang Yongxu pointed out that the green landscape presents the aesthetic perception of the beauty of the natural landscape Chinese, and through subjective creation combined with the form of painting, the visual experience of the painter's observation and experience is refined into a landscape painting scene, and the real nature is expressed in the picture.
Therefore, it has high requirements for the painter's brushwork, and it has higher requirements for the painter's personal color aesthetic. It stems from the moderate decorative charm it must carry, and it needs to directly follow the traditional painting method in antique painting, and it is also the height that the sages have already pioneered. However, if you master the techniques and practice diligently, you may be able to play like Wang Ximeng, Zhang Daqian, etc.
Wang Yongxu said that in the study and creation of landscape painting, it is necessary to study hard and unremittingly adhere to it to carry the traditional resources of literati painting. At the same time, walking into nature, Le takes creation as a teacher, reflects, understands and appreciates the superb techniques and profound realms of the predecessors through continuous sketching, handles the relationship between black and white and closeness through the skills mastered, and strives to show the aesthetic ideal of Chinese landscape painting from the aspects of schema structure and pen and ink methods, so that the viewer can deeply feel the wonderful artistic charm from the painting environment.
Chinese painting is characterized by "imagery" and does not require the picture itself to reproduce the scenery. Instead, it uses artistic lines to express the existence of objects, and uses methods such as virtual reality, thickness, lightness and weight of lines to reproduce the scene from subjective consciousness. Therefore, learning Chinese painting in copying, taking the ancients as teachers, and ultimately achieving the perfection of the creative method and the growth of the self.
Works by Wang Yongxu
The trinity of "tradition-sketching-creation" combines learning from tradition and going to nature and going deep into life, and consciously practices the path of landscape painters. Landscape painting is not only a training of the basic techniques and basic skills of landscape painting, but also a continuous accumulation of artistic accomplishment and artistic skills. Therefore, creation does not come out of thin air, sketching is the basis of creation, and creation is the artistic embodiment of sketching, which complements each other.
Wang Yongxu combines the classical charm and era temperament of green landscape painting into a unique picture style, he attaches great importance to the position management of the picture, the creation of artistic conception and the presentation of colors, and the strength of his pen and ink evenly focused, in the rich changes of chapters and shapes, showing a sense of the times with a unique interest.
His green landscape, with the prototype from the natural landscape sketch, more feeling and experiencing the creation of landscape situations, injecting contemporary feelings, giving contemporary artistic conception, and highlighting an inner wisdom and clear heart, reflecting his personality of landscape concept.
Wang Yongxu said bluntly that every contemporary person has his own aesthetic tendency to understand tradition. I love green mountains and green waters, and borrow the beautiful images of mountains and stones and trees in my creation to express my joy of praising nature. I will feel that this kind of landscape makes people relax. Because the mental pressure of people in society is relatively large now, I am willing to create some landscapes that have the tone of regulating people's spiritual world and making people feel relaxed.
"It's fun to be an art, because every piece of work will fully reveal your values, your character, and in the process, you know others and yourself." Wang Yongxu said that artists are definitely a combination of technology and concepts today. However, now that more and more people only have ideas and no technology, I prefer to be a craftsman. The goodness of motivation, coupled with the pursuit of excellence and the eternal exhaustion of one's own pursuit, is the most fundamental thing for a craftsman.