Since ancient times, there are clouds: "Books, heart books, paintings, heart paintings." The heart is right, the heart is right, and the heart is right. It can be seen from this that the appearance of an artist's painting is closely related to his inner spiritual atmosphere. From his paintings "Flowers Good Moon", "People Praise Good Colors", "Silver Dragon Wild Dance", "Plum Blossom Proud Snow", "All The Best", "Spring Dawn" and other works, Mr. Xu Yongsheng's brush shows another full of vitality. Although the object is human, its paintings are full of vitality and have the dignity of a husband. From the paintings, it can be seen that Mr. Xu Yongsheng is also a person with a broad temperament.
Xu Yongsheng, Zi Tiancheng, a native of Beijing. Since childhood, he has loved the art of calligraphy and painting, and has successively studied under the famous peony master Wang Shaohua, the master of the Four Gentlemen Liu Fulin and the famous flower and bird painter Zhao Shusen, and has been carefully guided by Xu Zhan, and has made great profits. Mr. Xu Yongsheng has held many solo exhibitions and auctions, and is well known in the art world. He has visited the United States, Singapore and Russia many times to communicate with Chinese artists and calligraphy and painting collectors, and his works have been collected by Chinese and foreign friends. Mr. Xu Yongsheng is good at freehand flowers and birds, especially plum blossoms, peonies and fish. He is currently a director of the China Artists Association, a director of the Chinese Calligraphy Artists Association, a member of the Research Institute of the Chinese General Minister's Calligraphy and Painting Academy, a member of the China Shenzhou Calligraphy and Painting Research Institute, a member of the China Guodian Calligraphy and Painting Institute, the secretary general of the Changping Branch of the Beijing List Writers Association, a visiting professor of the Calligraphy and Painting Association of North China University of Technology, and an advisor of the Beijing Longkuel Mountain International Calligraphy and Painting Institute. Won the gold medal of the 6th Calligraphy and Painting Art Appraisal in Nanchang, Jiangxi Province on the 95th anniversary of the founding of the Communist Party of China. Participated in the creation of the longest volume of the Guinness World Records of 2,500 meters of the National Classic Painting Academy.
In mr. Xu Yongsheng's plum blossom works, the plum blossoms painted are mischievous, ancient and old, with a pen, suddenly frustrated, sometimes with a little flying white, rich in texture, let people feel that the plum blossoms in his pen are full of imprints of the experience of fighting with wind, frost, rain and snow. It feels like the wind god is graceful and exciting. The plum branches of the tree are full of wind and vigorous, and the wind is sprinkled with charm, and there is a kind of masculine beauty that has been weathered by wind and frost, and it is mighty and indomitable. The plum blossom branches are changeable and regular, showing a strong sense of strength and rhythm of the lines.
Mr. Xu Yongsheng's peony, in the basics of the traditional painting school, has the courage to make breakthroughs, bold innovations, and gradually forms its own unique painting style in long-term artistic practice. In his pen, the classical spirit and modern taste blend together, showing a new era style in traditional themes. The ink rhyme is refreshing, the thick and light ink fu is just right, and the large peony flowers welcome spring. Sending blessings to come, it is more rich and luxurious, magnificent, especially for the peony "national color heavenly fragrance, the king of flowers" reputation.
In short, Mr. Xu Yongsheng's paintings have a good breath and a good realm. Of course, his technical language is equally good, and his paintings can be seen as cultural totems shaped by the spiritual yearning of his soul. It is precisely because of this that it has special value and significance that is worthy of reference and research by contemporary painting scholars.