"Everyone may know Huang Gongwang, or know his 'Fuchun Mountain Residence Map', but they don't necessarily know that either he himself or this work is related to Songjiang." Recently, the painter Wu Bin completed a "big project", in the form of murals, the "Fuchun Mountain Residence Map" was presented in the Yiyunge Art Space located in the old residence of Songjiang, a wall painting with a height of 2 meters and a width of 60 meters, enlarged and copied according to the proportions of the original work, and spent a whole month before and after, telling the story of Huang Gongwang and Songjiang in this special way, in Wu Bin's own words, "I 'invited' Huang Gongwang back to Songjiang." ”
In order to complete this work, Wu Bin consulted a lot of information: Huang Gongwang's original name was Lu Jian, his grandfather Lu Defu originally lived in Songjiang, and Huang Gongwang's father Lu Tong moved to Changshu due to the war and chaos, and later gave birth to his second child, named Lu Jian. A few years later, Lu Tong and his wife died of illness one after another, and the 6-year-old Lu Jian became the stepson of Huang Le, an old Man from Wenzhou who lived in Changshu. Huang Le's family was wealthy, but he had no children, and at the age of ninety, he had a stepson, and he sighed happily: "Huang Gongwangzi has been a long time." "Since then, Lu Jian has changed his name to Huang Gongwang, and the character has been long." Huang Gongwang is a native of Songjiang, and this is certain," Wu Bin told reporters, adding that someone once wrote a poem, writing "Huang Gongwang under the Nine Peaks Mountain."
Huang Gongwang is also related to the development of Songjiang calligraphy and painting: Huang Gongwang is a descendant of Lu Ji and Lu Yun, his teacher Zhao Mengfu is Songjiang's son-in-law, and he himself has a deep influence on Dong Qichang's paintings. As one of the representative painters of landscape painting in the Yuan Dynasty, Huang Gongwang only began to paint when he was more than 50 years old, and became a family of his own, the representative work "Fuchun Mountain Jutu" is one of the top ten famous paintings in ancient China, known as "the Orchid Pavilion in Painting" and "the first divine product of Chinese landscape painting". "The Fuchun Mountain Residence Map was completed in Songjiang." Wu Bin told reporters that the inscription on this painting is marked with "The Book of the Great Idiot Scholar in the Yunjian Xia's Zhizhi Hall", "The Great Fool" is Huang Gongwang's number, and the "Cloud" is Songjiang.
"Fuchun Mountain Residence Map" adopts the form of a long scroll, depicting the beautiful scenery of early autumn on both sides of the Fuchun River in Zhejiang Province, and the arrangement of mountains and waters on the screen is appropriate, the layers are clear, and a large blank space highlights the play of pen and ink interest. In the process of copying, Wu Bin also has a deeper understanding of "Fuchun Mountain Jutu": ""Fuchun Mountain Jutu" is not only a long river, in the history of a thousand years, flowing through shoals, rapids, peaks, he is not simply depicting the natural scenery, but the painter's spiritual appeal and disclosure, is the expression of the painter's attitude towards life, is the embodiment of the painter's pursuit of life. ”
The "Fuchun Mountain Residence Map" was originally collected by Huang Gongwang's disciple Zheng Fan (a useless teacher), and after several changes of hands, it was burned and broken into two sections, the first half of the volume was named "Leftover Mountain Map", which is now collected in the Zhejiang Provincial Museum; the second half of the volume is a useless master volume, which is now stored in the National Palace Museum in Taipei. When Wu Bin copied it, he reconnected the two sections together, separated by a turning point in the wall, naturally and without violation.
The old mansion where the Yiyunge Art Space is located is the former residence of the Songjiang calligrapher Wang Shangde, and the courtyard is full of ancient trees, lush trees, and hidden tree shadows, which are naturally integrated with the wall paintings, as if they are in the landscape and water mood depicted in "Fuchun Mountain Jutu". Wu Bin told reporters that he once turned on the flashlight at night, from the beginning of the painting to the end, and his eyes moved with the light, as if the long scroll was slowly opening, which was very interesting.
■ Wen Niu Lichao ■ Figure Jiang Huihui
■ Video Zhou Liang
■ Column editor Yang Lu
■ Column Editor-in-Chief Dai Qiying