<h1 class="pgc-h-arrow-right" data-track="1" > Shu Qunying historical archives</h1>
In September 1932, he secretly joined the Communist Party of China and served as the director of the Taonan Intelligence Station, and had the grace of knowing Xiao Jun and Xiao Hong.
In the early spring of 1938, he traveled from Shanghai to Yan'an, and successively served as a teacher and head of the literature department of Lu Xun Art Institute, and the editor-in-chief of the literary and art supplement of Jiefang Daily.
After the victory of the Anti-Japanese War in 1945, he led the Northeast Literary and Art Work Group to the north and served as the first director of the Northeast Film Studio.
In the summer of 1952, he came to Angang Steel and served as the party secretary of the large construction site.
In 1946, Shu Qun, director of Dongying (the predecessor of Changying), made a mobilization speech among the cast and crew.
From the holy land of revolution - Yan'an, gathered in the motherland steel capital - Anshan, a generation of famous writers Shu Qun and Luo Dan, Gongmu, Yu Min, Cao Ming, full of passion to devote themselves to the fiery steel life, closely tracking the historical journey of the eldest son of the Republic of Steel, and also deeply embedded their footprints in the hot land of Angang Steel.
In the early 1950s, the industrialization road of New China was opened, and the large-scale construction of Angang Steel led the way, which attracted national attention and was also wonderful. They are a group of pioneers, and they are also a group of "gold diggers". In their cultivation, under their clever pen, a period of glorious Angang history has become a masterpiece of industrial theme literature. While presenting the wonderful Angang Steel, their names have also inadvertently become part of the history of Angang Steel, blooming with different colors.
Following the arrival of the writer Luo Dan and the poet Gongmu, before the arrival of the playwright Yu Min and the writer Cao Ming, Shu Qun, then deputy secretary general of the China Federation of Literary and Art Circles and secretary general of the Chinese Writers Association, came to Angang in the summer of 1952. At that time, the famous "three major projects" of Angang Steel in the history of New China were being carried out one after another, and the construction site was full of people and hot. He and Ji Mingda, manager of the civil engineering company of Angang Infrastructure System, served as the party secretary and the director of the construction site of large construction sites respectively. During that time, he and Ji Mingda rode to the construction site together in the morning, commanded together on the spot during the day, often held meetings together, worked together, ate together, stayed up late together, and formed a deep friendship. Later, using this life experience as the material, Ji Mingda was the prototype of the protagonist Ji Ming in the work, and created a long novel "This Generation".
In 1946, Shu Qun participated in the construction of the new factory building of The East Film Company.
In the history of modern literature, Shu Qun is one of the outstanding representatives of the Northeast Writers Group.
In the 1930s, the stars of China's literary world were brilliant, and Xiao Jun and Xiao Hong went hand in hand, becoming two literary superstars rising from the black land. Shu Qun, a Manchu writer who came out of Acheng on the Banks of the Ashe River, had a bad relationship with "Erxiao", which can also be said to be a friend of Mo Rebellion. On the road of literature, he gave selfless help to "Erxiao"; in the northeast writers' group, the world of his activities was broader than that of "Erxiao". He is not only an accomplished modern writer, but also a revolutionary who persists in fighting for the cause of the liberation of the Chinese nation.
In 1913, Shu Qun was born in Acheng, Heilongjiang, to a poor working-class family and was named Li Shutang. At the age of 15, he was admitted to Harbin No. 1 Middle School with the 8th place, and was twice expelled from the school because he could not afford to pay for food; after graduating from middle school, he relied on two teachers who liked him to help him with surprise tuition, and he got a high school diploma for him, and he was admitted to the Northeast Merchant Marine School. In March 1932, Shu Qun, who dropped out of school halfway through, was introduced by a fellow student (an underground member of the Communist Party of China) to join the China Group of the Third International, and in September of the same year, he secretly joined the Communist Party of China and served as the director of the Taonan Intelligence Station, using the distribution office of the Harbin Five-Day Pictorial as a cover to collect and transmit intelligence. During this period, he published many poems and essays under the pseudonym of "Negro" in the supplements of the International Association Daily, Harbin Business Daily, and Datong Bao, and also established friendships with literary lovers such as Xiao Jun, Xiao Hong, Luo Feng, Seck, and Bai Lang. During that time, he used the money he had saved to help Xiao Jun and Xiao Hong publish their debut novel, the short story collection "Trek".
In early 1934, the underground party organization in Manchuria was destroyed, and Shuqun lost contact with the organization and was forced to leave Harbin for Qingdao. A few months later, Xiao Jun and Xiao Hong also went to Qingdao to join Shuqun, and he and his newlywed wife went to the dock to greet them, and the two young couples rented two houses in the lower part of a stone-blocked two-story building on Guanxiang Road, one by Shuqun and his wife, and one by "Erxiao". In Qingdao for half a year, "Erxiao" completed their own famous works: "The Field of Life and Death" and "The Countryside in August". In the autumn of that year, the Qingdao underground party organization was destroyed due to traitors' whistle-blowing, and Shu Qun and others were arrested, but because the Kuomintang Blue Jacket Society did not grasp his true identity, he was released a few months later. While in prison, he wrote his first novel, The Child Without a Fatherland.
▲ In April 1946, Shu Qun (left), Yuan Muzhi and Tian Fang presided over a meeting of the backbone members of Dongying Company.
After being released from prison, After several twists and turns, Shu Qun came to Shanghai in the summer of 1935. Knowing that "Erxiao" had become a new star in the literary world on the beach under the guidance of Lu Xun, he was very happy, took his manuscript "Children Without the Motherland", asked his old friend Xiao Jun to present Lu Xun on his behalf, and hoped to ask for advice in person through introduction. However, until Lu Xun's death, there was no following, which is a regret of a lifetime. Later, from Xiao Hong's mouth, he learned that because he was worried that Shu Qun's party background would endanger Lu Xun's safety, and Lu Xun's physical condition at that time was indeed very poor, Xiao Jun, out of various concerns, made Shu Qun lose the opportunity to approach Lu Xun. As a compensation, Xiao Hong generously gave Shu Qun the original manuscript of the famous work "The Field of Life and Death", which left Lu Xun's modified handwriting.
The unruly Xiao Jun, in addition to not daring to play with Lu Xun's temper in his life, there was another one, that is, Shu Qun. Many years later, in Harbin, Shu Qun once criticized Xiao Jun's inappropriateness toward Xiao Hong in front of many old friends, and Xiao Jun suppressed his temperament and did not have a seizure, and when he returned home, he said to his children: "Among the old friends, only your uncle Shu Qun can knock me and scold me in person!" ”
The novel "Child Without a Motherland" was not discovered by Lu Xun, but was appreciated by Lu Xun's disciple and female writer Bai Wei, and transferred to Zhou Yang. After the novel was published in Literature, Vol. 6, No. 5 under the pseudonym "Shu Qun", Zhou Yang and Zhou Libo both wrote articles praising it, which caused a sensation in the literary world for a while and was regarded as a representative work of "national defense literature". After that, Zhou Yang instructed the writer Sha Ting to take the initiative to contact Shu Qun, and Shu Qun also often submitted articles, and introduced Luo Feng and Bai Lang to publish many works.
After the July 7 Incident in 1937, the Progressives of the Cultural Circles organized by the Shanghai Underground Party organization were evacuated in two teams, and Shu Qun began to go to Chongqing with the first team, and then went to Yan'an with the second team of Zhou Yang and Ai Siqi. Passing through the office of the Eighth Route Army in Xi'an, he was also appointed by Lin Boqu to go to the headquarters of the Eighth Route Army in Shanxi with Zhou Libo as a reporter accompanying the army, accompanied by the American journalist Smedley. At the headquarters of the Eighth Route Army, he served as a secretary to Commander-in-Chief Zhu De for four months, participating in the coverage of the Battle of Pingxingguan commanded by Lin Biao. During a march, in the ruins of a building that was indiscriminately bombed by Japanese aircraft, Shu Qun unexpectedly found four books of Shakespeare's famous works "Hamlet", "Othello", "King Lear", and "A Midsummer Night's Dream", as well as two volumes of the fragments of "Shi Suo" and "Sanxitang".
In 1952, Ji Mingda (right), director of the large construction site of Angang Steel, and Shu Qun (left), secretary of the party committee of the large construction site, took a group photo.
In the early spring of 1938, Shu Qun came to Yan'an, the holy land of revolution, with these "treasures" that he had unexpectedly harvested. At the residence of Kaifeng, then deputy director of the Propaganda Department of the CPC Central Committee, he became acquainted with Zhu Guang, who was known as the "talented man of the Red Army" (later the propaganda director of the Political Department of the 129th Division of the Eighth Route Army). The two people are old friends of Seck at first sight, and the relationship is even more warm. One day, riding on the wine, Zhu Guang led Shu Qun and actually broke into Mao Zedong's residence with a big grin. Mao Zedong put down the work on the desk, and after Zhu Guang's introduction, he talked with Shu Quntian in the south of the South China Sea. Excited, Shu Qun poured out the "treasure" treasured in his satchel, and Mao Zedong was overjoyed at first sight. Unexpectedly, Zhu Guang, who was on the side, actually proposed to Mao Zedong that "the meeting should be divided in half." Mao Zedong listened, and his mouth repeatedly said, "How can this be true!" Outrageous! Zhu Guang and Mao Zedong did not give in to each other, and they fought over and talked about the past, and no one could convince anyone, so they had to give one step to each other, and finally "divide the autumn and the autumn color equally." Zhu Guang asked for the inscriptions of Othello and King Lear and Shi Suo, while Mao Zedong shook his head helplessly and left behind remnants of Hamlet, A Midsummer Night's Dream, and Sanxitang.
After leaving Yan'an for a time, Shu Qun was assigned to Wuhan by Ren Bishi to co-found the literary and art journal "Battlefield" with Ding Ling; when he withdrew from Wuhan to Guilin, he was dispatched by Li Kenong to do liaison work for the Korean volunteer army stationed in Qixingyan. Back in Yan'an, it was already 1940. He successively served as a faculty member and head of the Literature Department of Lu Xun Art College, and then officially succeeded Ding Ling on April 1, 1942, as the editor-in-chief of the literary and art supplement of Jiefang Daily. During the more than four months of editing the literary and art supplement, Shu Qun accompanied the newspaper director Bogu and others to Mao Zedong's residence in Zaoyuan to listen to the teachings. Shu Qun later recalled that all reprints were given by Mao Zedong himself, such as Guo Moruo's "Three Hundred Years of Jiashen Festival", Xu Beihong's "Ancient Yuan Woodcut", and so on; if the president Bo Gu reviewed and difficult to determine the manuscript, he was also designated to bring it to Mao Zedong for approval. In order to widely solicit manuscripts from supplements, Mao Zedong even personally formulated the "Method for Soliciting Papers" and set up a "Feast in the Jujube Garden" to invite cultural people to write or solicit opinions.
On July 8, 1941, Xiao Jun, the writer-in-residence of the "Cultural Resistance", wrote a letter to Mao Zedong, hoping to meet and talk and reflect the situation in some literary and art circles. 10 days later, Xiao Jun received a letter from Hu Qiaomu and went to Yangjialing on an appointment, and Mao Zedong had a conversation with him for more than 7 hours. After that, Mao Zedong interviewed a number of people in Yan'an's literary and art circles, such as Liu Baiyu, Xiao Jun, Ouyang Shan, Cao Ming, Ai Qing, etc., who repeatedly met and talked or wrote letters to solicit opinions, asking them to help collect materials and provide relevant literary and artistic opinions.
On April 10 of the following year, Mao Zedong proposed at a meeting of the Secretariat of the Central Committee that a forum of literary and art circles in Yan'an be convened in the name of Mao Zedong, Bogu, and Kaifeng. On April 27, Mao Zedong asked Shu Qun and others to draw up a list of participants in the forum, and added the names of some people he was worried about, and the General Office of the Central Committee distributed more than 100 invitations with pink glossy paper mimeographs according to the list, which read: "In order to exchange opinions on various aspects of the current literary and art movement, a symposium will be held at 1:30 p.m. on May 2 in the downstairs conference room of the Yangjialing General Office, and Jingxi will attend the meeting at that time." The signature is "Mao Zedong, Kaifeng".
In 1952, Shu Qun (back right) and other Soviet experts who assisted in the construction of Anshan Steel accompanied him on a tour of Anshan 219 Park.
The Yan'an Literary and Art Symposium held three meetings in Yangjialing before and after, and ended on May 16. At that time, Yan'an was very difficult, and it was still very luxurious to take photos at the meeting, but the literary and art forum took a group photo. On that precious group photo, Shu Qun, Gongmu, Caoming, and Yu Min, who later worked in Angang, were left behind.
After the victory of the War of Resistance Against Japanese Aggression in 1945, in order to open up literary and artistic work in the northeast, the Party Central Committee set up the Northeast Literary and Art Work Group with the Yan'an Lu Xun Art Institute as the center, with Shu Qun as the head of the troupe, leading nearly 50 people, including Sha Meng, Gongmu, Tian Fang, Hua Junwu, Yan Wenjing, Liu Chi, Lei Jia, Wang Dahua, Wang Jiayi, Yu Lan, and other famous people, to the northeast. After arriving in the northeast, Shu Qun served as the deputy director of the Cultural Committee of the Propaganda Department of the Northeast Bureau of the Communist Party of China, founded the Northeast Film Studio and served as the director of the factory, and served as the vice president of Northeastern University and the vice chairman of the Northeast Literary Association. In 1950, Shu Qun went to the Korean battlefield as a writer, working in the headquarters of the 116th Division of the 39th Army, and later wrote a novel "The Third Campaign".
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