一个侧脸，歪头、眼神转换，动作之间有一种饱满的张力，像一段流畅的舞蹈，完全没有仓促或者卡点。 在那短暂的镜头中竟有一丝猫的灵气。
Nearly thirty years old, he seems to have established a system of his own, no matter how fast the outside world operates, his methods and value system have allowed him to settle down enough to seize the continued learning in front of him and seriously hone acting as a craft.
He said that over the years there has been less communication with the outside world, rarely expressing himself, separating work and life, although he later laughed and explained why there was such a stereotype as "rebellion" on him, perhaps due to the lack of communication, Ou Hao has his own cognition and judgment, when we go to see his acting, it will affect the expectation of the role. Over the years, he deliberately kept a distance from the mass media, but also for the vague strangeness of the actor himself, and the audience first learned about him from a role.
When it comes to some variety shows, will it be a change? His answer is that this is also an attempt, usually the life of the crew is to some extent a vacuum, the scope of observation and experience is very limited, to contact different people, to understand the ideas of different people, who knows what the next role will need to prepare.
From the debut of "Happy Boy" in 13 years, people are familiar with the boy who sang on the stage, and seven or eight years have passed in the blink of an eye, and Ou Hao's works on the big screen are unconsciously presented in the audience's sight. From the initial campus love, to the villain in the movie "Stand Up and Take Risks", to "Captain China", "My Motherland and Me", and last year's annual pass and word-of-mouth "Eight Hundred", to the recently released "1921" and "Chinese Doctor" let the audience appreciate it. Recalling the process, he said it wasn't as clear as it started. At the end of the fast men's competition, he didn't fully understand how acting was at that time, until the play "Left Ear", he was serious about acting. After that, he sobered himself up along the way, no matter the size of the role, as long as it is a good team, the production team and the director, he is willing to try, he said: This is the process of learning.
For acting, those youth genre films made in the past, twenty-eight years old he thinks that the past age made the film that should be made at that age, now it seems that some of the performances may be too hard, but then it was the real state. He prefers to learn in practice, he has not been to the acting class for a day, all the learning is carried out on the set, and every actor he works with is his teacher. As you get older, even if you look back at the same role, your understanding will be different. Moreover, each audience's understanding is also different, this is a two-way process, and he can only grasp his own side and strive to improve his understanding and richness.
2像两人一样主动蜕变
Nowadays, in this increasingly truly truly man's world, in addition to the output of works in the unified industry system, actors assume the role of artists in a certain part, to cooperate with publicity, to have commercial value, to be interesting and informative. In a media environment where communication and communication channels are becoming more open, the web gives everyone the possibility of being seen and heard. Ordinary people are learning to edit, publish vlogs to express themselves, and the performing arts industry inherently has a spotlight effect and gives priority to attracting people's attention. Recalling the origin of the draft at that time, the competition had just ended, he was pushed into various jobs with all his attention, turned around and seven years later, Ou Hao kept a distance in such an environment, deliberately avoided the spotlight, and protected his identity as an actor, whether this was sober or a choice, it was a great courage.
The same relationship with fans, everything in the spotlight will be magnified and interpreted. Fans and idols can have real-time conversations, what used to be a voting machine in their hands is now a keyboard in their hands. Whether it is an idol or an actor, it is no longer a carefully shaped character behind the screen, but a living person who can communicate and interact in real time. Engagement or distancing is an active choice. It's about how you see yourself, how you embed your own small system into the big system of this era. Referring to those fans who have been in the fast boy period, Ou Hao rarely showed a sweet and gentle smile. "Well, although I rarely see them, after all, there are only a few movies a year." Now the hard work is to be worthy of yourself and worthy of people who like themselves.
The green astringency fades, and that understanding, persistence, and self-consciousness bring firmness and elegance. In this noisy noise in which the top stream takes turns to replace, everyone broadcasts live with goods, and the fan circle culture spreads freely, he said that he is still enjoying acting, enjoying the process, and being grateful. This young man, who lives in the crew for three hundred days a year, seems to have established a system of his own, a somewhat old-fashioned, somewhat craftsman-like way of dealing with the world. No matter how fast the outside world operates, his methodology and value system have allowed him to settle down enough, grasp the present, continue to learn, and carefully polish acting as a craft, around this choice of his path, and contact with the outside world. I would like to know what will happen to this young man in the next decade, and how the small system of Ouhao will be embedded in the big system of the times. In any case, at this moment, the young man's face was clean, thorough and serious. (The article comes from the Internet, please contact to delete the infringement)