Hongren Mountain Water Essence Appreciation!
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(Hongren, (1610~ 1663), commonly known as Jiang, was a monk named Hongren, self-proclaimed gradual river scholar, gradual river monk, known as "plum blossom ancient", Shexian people, is the founding master of the Xin'an school of painting. In china's modern painting world, Hongren's status is very high and his influence is far-reaching. He, along with Jia Yan (Shi Xi) and Yuan Ji (Shi Tao), was called the "Three High Monks" by later generations, or with the addition of the Bada Shanren (Zhu Yun), known as the "Four Great Monks". ）
Qing Hirohito Cliff bamboo plum
Hongren, (1610 ~ 1663), commonly known as Jiang, is the name of the monk Hongren, self-proclaimed gradual river scholar, gradual river monk, known as "plum blossom ancient", Shexian people, is the founding master of the Xin'an school of painting. In china's modern painting world, Hongren's status is very high and his influence is far-reaching. He, along with Jia Yan (Shi Xi) and Yuan Ji (Shi Tao), was called the "Three High Monks" by later generations, or with the addition of the Bada Shanren (Zhu Yun), known as the "Four Great Monks".
Among the four monks in the early Qing Dynasty, Hongren should be regarded as the most completely detached from the world after renunciation, he has a deep cultivation, after becoming a monk, he hangs a scoop and drags a staff every day, a man's shoe, or sits in the empty pool for a long day, or a lonely and dangerous person in the moon and night, like a worldly master who does not eat fireworks in the world.
Qing Hongren(清弘仁) lu tianyou pen intentions
Hongren landscape brush ink is exquisite, the pattern is simple, although the teacher Ni Zhan, but can "see the very thin place to see the plump, the very fine place to see the vigorous, although there is no light, but there is no afterglow". His painting attitude is serious, and he admires himself after each painting and does not easily flow out, so his works are less circulated, but they are a good composition.
Hongren Mountain Water Essence Appreciation
Painting style
In his early years, Hongren learned from Sun Wuxiu, middle-aged from Xiao Yuncong, from the Song and Yuan families, and later from the "Four Families of the Yuan Dynasty", You Chongni's painting method, and the works seen today, such as "Qingxi Yuji", "Qiulin Tu", "Ancient Cha Short Di Tu", etc., are fresh and fresh, and all have Yunlin's will. In the inscription poem, his admiration for Ni Zhan is also fully revealed, "The pen and ink are given to the family treasure, and the incense is burned for the teacher at the age". He is concise in composition, the pen and ink are vigorous and clean, and he makes good use of folding belts and dry pen thirsty ink, because he draws nourishment from the scenic scenery of the famous mountains of Huangshan and Wuyi and attaches importance to the nature of the teacher, so the style of the work is different from Ni Zhan, less desolate and lonely, and more fresh.
The direct teacher created, and the unique face, truly conveyed the beauty and novelty of the mountains and rivers, and the scenery of the Huangshan Mountains he made was not bound by Ni Zhan's painting method, but was deeply inspired by the magic of sketching and conveying the gods, full of life. For example, the Palace Museum's collection of "West Rock Pine Snow Chart Axis", the penmanship is sharp and concise, and the artistic conception is magnificent and beautiful, reflecting his own style. Hongren is famous for painting Huangshan, "to get the true temperament of Huangshan Mountain", deeply conveying the magic of god and sketching, the pen and ink are vigorous and clean, full of elegance, giving people a fresh feeling.
Together with Shi Tao and Mei Qing, he became the representative figures of the "Huangshan School". Cha Shibiao wrote in the title Hongren Landscape Painting Cloud: "Gradually painting into Wuyi and changing, returning to the Huangshan Mountains and a strange." Shi Tao said: "The longest public tour of Huangshan, so the true disposition of Huangshan, that is, a wood and a stone, are the true colors of Huangshan." "Hongren's landscape paintings, whether it is album sketches or long-form masterpieces, or field sketches, or ideas, Huangshan provides him with an inexhaustible source of creation.
Hongren's "Huangshan Map" has a total of 60 paintings, painting sixty scenic spots, and collecting all the scenic spots in Huangshan, it can be said that he is the first person to sketch in Huangshan. In addition to landscape painting, Hirohito loves to paint pine trees and plum blossoms. The painting is tangled and coiled, tall and majestic, with dangerous rocks and strange stones, and is also proud of the Huangshan Mountains. He once called himself "Plum Blossom Gugu" and left his friends to plant a variety of plums on the side of his tomb. The "Songmeitu" volume and the "Momeitu" axis are representative works of his paintings Of Song and Mei.
Its pine, the pen is dignified, the momentum is magnificent; the painting plum, the branches are like flex iron, and the dark incense flows. Song and Mei Chong are proud of the snow, and the spirit of high standard independence is the self-portrayal of Hongren's personality. At the same time, Hongren has a calm and stoic personality, when the nation is in danger, he stepped forward, after the death of the Ming Dynasty, he fled to the famous mountains, poetry and painting were happy, and he cherished his homeland, and there were many inscriptions, paintings, singing, and poems to reveal his thoughts in this regard. His painting was first studied by Huang Gongwang, and he was late at work with Ni Zhan, and he especially had a special love for Ni Zhan's works.
The influence of the collapse of the country and the personality of Hongren Jianzhen are certainly the main reasons for his preference for Ni Zhan's works, but also closely related to the specific regional background. In the late Ming Dynasty, Ni Zhan's reputation grew, and people rushed to buy his works to self-label Qingyi. The rise of Hui merchants brought Ni Zhan's works back to his hometown, which contributed to the collection of Ni Zhan's works in Anhui Province, and Hongren's imitation ni works also became popular in the market. Therefore, Zhou Lianggong's "Reading Picture Record" records that Hongren "likes to imitate the cloud forest and perfects the extremes." Jiangnan people have no fixed elegance, such as the heavy clouds of the past, and the salty means that the river is gradually enough to be a cloud forest. This constitutes the basic feature of Hongren's landscape painting.
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