Hongren was a landscape painter of the late Ming and early Qing dynasties, commonly known as Jiang, mingtao, the word Liuqi, also known as Fang, the word Gull League. After the death of the Ming Dynasty, he became a monk in Wuyi Mountain, Fujian Province, with the character Gradual river and the name Plum Blossom Gugu. He was one of the four painting monks in the early Qing Dynasty. Good at painting landscapes, beginners to learn the Song people, late Law Xiao Yuncong, Ni Zhan, etc., the brushwork is clean and simple, the meaning is high and clean and elegant. You are good at painting Huangshan pine stone, the founder of the "Xin'an Painting School", and Four people such as Cha Shibiao, Sun Yi, and Wang Zhirui are called "Xin'an Four Greats". He also wrote Mei Zhu, Gong Poems, and wrote "Painting".
Changlin Xiaoyao figure Qing Dynasty Hongren
In this painting, the author titles himself: "Spring wood smokes soft strips, and autumn old people shake down." Nearly half a hundred years strong, the taste of the world is also somo. What a long forest, free to untie yourself. Rongkuo listens to the timing and rests at will. Write this Lin Luanyi, Xiao Ran far away from the city of Guo. If you can delay, be careful not to delay. Gradually river. "钤" gradually river "Zhu Wenyin", "lazy" white text seal and the first printing "Pleasant Landscape". Gradually River This painting is mainly outlined by iron lines, "borrowing the land for white", slightly rendered, and the mountain stone leaves a large area of white space, which adds a bit of coldness to its painting.
Youting Xiumu tu Qing Dynasty Hongren
This picture was made by Hirohito in his later years when he was living at Wuming Temple in Shexian County. The painting style is a variation of Ni Zhan's lattice, making a flat and distant layout, with a near-sloped mao pavilion, with pine and fir miscellaneous trees towering in front of and behind the pavilion, omitting shallow water, making the prospect an independent subject, strengthening the performance of the mountain stone structure, and producing a relatively peaceful sense of intimacy. Paint the slope stone with a pen for Ni Zhan's unique folding belt, if it is light, bone strength is contained. The outline of the trees is also out of the simple brushwork, the center of the pen, the double pen rubbing, seemingly simple, but it contains a plump.
Nine Creek Peaks Chart Qing Dynasty Hongren
The shape of ren painting mountain stone is mostly taken from the familiar Huangshan and Wuyi mountains, which are hard and steep, and the stone surface is clean. With the pen folded in many directions, the ink color is dry and single, and the composition is concise, forming an empty and cold realm.
Yellow Sea Turquoise Figure Qing Dynasty Hongren
This picture takes the real scene of Huangshan Mountain, depicts the two pillar stones rising from the ground in the distance, the pine hanging upside down on the large cliff in the close-up view, and the old pine root system in the cliff is deeply rooted between the stone cracks, showing the tenacious vitality of the Huangshan pine trees. Technically, the hook is the mainstay, and the dye is substituted. In the composition, the close-up cliff occupies half of the picture, echoing the two stone pillars in the distance, and the whole picture is large and dense, counting white and black, opening and closing.
Rainy willow color figure Qing Dynasty Hongren
Lin Quan Chun Twilight Figure Qing Dynasty Hongren
Ancient Chakra Short Hagi Diagram Qing Dynasty Hongren
Xiyan Pine Snow Figure Qing Dynasty Hongren
This painting was painted in the eighteenth year of Qing Shunzhi (1661), when the painter was 52 years old. The picture is a local close-up of the majestic trend of the mountain peak, mainly to outline, painting the snow scene "borrowing the ground as white", slightly rendered, the yang side of the mountain stone is white, the yin side is inked, and the tree ink color is thicker. The composition is dense, the penmanship is clean and healthy, and the artistic conception is high and ancient. The picture depicts pine trees and white snow, which symbolize nobility and purity, and the image is simple, which is the shadow of the author's highly purified spirit, giving people a sense of majesty, tranquility, holiness and spotless beauty.
In his early years, Hongren learned from Sun Wuxiu, middle-aged from Xiao Yuncong, and from the Song and Yuan families, and later taught the "Four Families of the Yuan Dynasty", And You Chongni's painting method, framing fresh, all of which have Yunlin's will. He is concise in composition, the pen and ink are vigorous and clean, and he makes good use of folding belts and dry pen thirsty ink, because he draws nourishment from the scenic scenery of the famous mountains of Huangshan and Wuyi and attaches importance to the nature of the teacher, so the style of the work is different from Ni Zhan, less desolate and lonely, and more fresh. Straight master creation, and unique, truly convey the beauty of the mountains and rivers and novelty, he made the huangshan scenery is not bound by Ni Zhan's painting method, but deeply sketching the magic of the gods, full of life. For example, the Palace Museum's collection of "West Rock Pine Snow Chart Axis", the penmanship is sharp and concise, and the artistic conception is magnificent and beautiful, reflecting his own style. Hongren is famous for painting Huangshan, "to get the true temperament of Huangshan Mountain", deeply conveying the magic of god and sketching, the pen and ink are vigorous and clean, full of elegance, giving people a fresh feeling. Together with Shi Tao and Mei Qing, he became the representative figures of the "Huangshan School". Cha Shibiao wrote in the title Hongren Landscape Painting Cloud: "Gradually painting into Wuyi and changing, returning to the Huangshan Mountains and a strange." Shi Tao said: "The longest public tour of Huangshan, so the true disposition of Huangshan, that is, a wood and a stone, are the true colors of Huangshan." "Hongren's landscape paintings, whether it is album sketches or long-form masterpieces, or field sketches, or ideas, Huangshan provides him with an inexhaustible source of creation.