In the past few days, no one in the cross-talk industry has a small praise for Wu Hechen's fame, and the author hopes that Wu Hechen will be able to accept this special way of popularity on the day when he recovers from his illness and returns to the stage. According to Guo Degang's theory, first red and then say. Yes, Wu Hechen is now red through the major website platforms, and the news about him is overwhelming.
Therefore, the actor to be introduced in the cross-talk series written by the author this time is Zhao Dianxie.
Stage name: Zhao Yan
1. Versatile, mischievous and mischievous
Zhao Yan was born in Beijing in 1951, half a year younger than Jiang Kun. His life trajectory was highly overlapping with Jiang Kun at least before the age of forty. However, in his youth, Zhao Yan was more versatile and more mischievous than Jiang Kun.
From a young age, he loved to sing Peking Opera, so that the drama school wanted to be admitted, the mother did not let it, and the child wanted to go to college.
Like diving, horizontal bar, double pole, will do flips, play gymnastics to the point of winning awards, Bayi junior gymnastics pair and diving team to come to the door to admit, mothers do not let, children to enter the university
Love to play football, like to play bicycle skills, train Jet Li's Shichahai Sports School to persuade students, the mother is still that sentence, the child has to go to college.
Unexpectedly, the middle school was not finished, the movement began, and Zhao Yan could only go to the Heilongjiang Production and Construction Corps like Jiang Kun.
Second, unintentional willow insertion, time to run
Zhao Yan's father and mother are engaged in the machinery industry, so he has been familiar with machines since he was a child, he soon became a tractor driver in the corps, and because of his outstanding performance, he was also trained to become a Cambyn driver, which became the object of envy and admiration of many people.
Young people now may not understand what a Cambaine is, nor do they know how popular this thing was back then. Combine is actually a combine harvester, in the big farm decades ago, it was like a space-space fortress, and the people who can drive Cambein are no less than the current civil aviation pilots. If he had told Zhao Yan at that time to tell him not to open Kang Baiyin to talk to each other, he would not have agreed to kill him.
However, his versatility "harmed" him, because Zhao Yan's literary and artistic talents were outstanding, and the regiment repeatedly transferred him to the propaganda team, and finally even the leaders of the regiment personally came forward to drag him down from the high Khambine driving building.
Zhao Yan, who did a line of love and love, was like a fish in the propaganda team, drama, singing, performance, Peking opera, stand-up comedy, Hebei Zizi, Shandong Kuaishu almost everything can be afforded and put down, he became a celebrity of the corps, bayi factory, Heilongjiang Repertory Theatre and other units often pay attention to him as a training object, at this time he was actually a model for Jiang Kun, a comrade-in-arms of the corps, to learn.
In 1976, Zhao Yan, Jiang Kunshi Shengjie and others participated in the national opera performance, and they were all favored by the then China Broadcasting Rap Group Ma Ji, but the process of entering Beijing was full of twists and turns.
Ma Ji led Tang Jiezhong and others to the Heilongjiang Construction Corps to rely on the "bitter meat plan" of continuous condolence performance for more than ten days to take down Jiang Kun, and at that time Zhao Yan had been transferred to Langfang, the unit also refused to release people, Ma Ji used the way of sending people to stay and stalk for a long time and finally let the other party compromise, Zhao Yan also transferred into the Zhongguang Rap Troupe to become a cross-talk actor, among Ma Ji's apprentices, he became the second brother after Jiang Kun.
Third, the all-rounder who is buried by the praise
Zhao Yan's name was also changed at this time, before that he had called Zhao Dian Xie for more than twenty years, and the xie character was his five elements lacking fire. It's just that this name is not flattering for the actor, and it is quick to become His Highness Zhao, and those who do not know it are pronounced as Zhao Dianchang. So Ma Ji, whose original name was Ma Shu Huai, suggested that he change his name.
Zhao Yan's wife suggested that he change to Zhao Yan, so that he still carried fire, and as a result, Ma Ji thought that it was still a bit awkward, so he simply left two fires, and finally became the current Zhao Yan.
From the beginning of becoming a formal cross-talk actor, Zhao Yan, in addition to performing stand-up comedy, was designated as a praise for most of the time. To say that his level of praise can be said to be relaxed and not humble, but the author also wants to add another word to him, tepid.
The author thinks that Zhao Yan is quite suitable for teasing, we can see in "Five Senses Fighting" and "The Trainer", Zhao Yan's performance in the group mouth is very good, and his performance in some of the mouths of the mother and son is also very good. Positioning seems to have buried a lot of his talent.
Another area where Zhao Yan has performed well is film, "Nanyang Rich Man" and "Laughing Broken Love Network" he is the protagonist, especially "Laughing Broken Love Network", he just plays the role of teasing in the movie. From the three cross-talks of this movie, we can also appreciate the good strength of Zhao Yan's teasing. At that time, the author once thought that the combination of him and Zheng Jian could continue, but it was a pity.
Even with his praise, Zhao Yan was loved and recognized by audiences across the country, and he ranked fifth in the 1985 Top Ten Comedians, and the vote was almost the same as that of Hou Yaowen, who came in fourth place. Behind him are Shi Fukuan, Chang Baohua and other famous actors.
Fourth, sharp-eyed good temper
Zhao Yan's red fire at that time always seemed to be inseparable from his teacher and partner Ma Ji, and Ma Ji's most important apprentice was Jiang Kun, his favorite apprentice was Liu Wei, and the most reassuring apprentice was Zhao Yan.
That is to say, this reassurance indirectly "harmed" him, Ma Ji gave up going to the Spring Festival Gala with Zhao Yan in order to save the giant panda Liu Wei, and instead went to give Liu Wei a praise, and suddenly flashed Zhao Yan, and in the years that followed, Ma Ji also supported Liu Wei many times, which made Zhao Yan quite "hurt".
That is, after entering the 1990s, with the successive popularity of Jiang Kun Tang Jiezhong and the cattle herd Feng Gong, Zhao Yan seems to be slowly forgotten by the audience, except for Ma Jishida's "The Disciple", he rarely has a classic paragraph.
The good-tempered Zhao Yan gave praise to his brother or nephew many times after that, whether it was Zhou Wei or Fu Qiang, although his level was still the same, his helpless partner and good works were not good, and Zhao Yan's performance was more bland.
The most difficult for the author to accept is that the paragraph of "East, West, South and North Big New Year", which is probably the most boring cross-talk in the history of the Spring Festival Gala, the good-tempered and good-talking Zhao Yan is more like catching ducks on the shelves, in this cross-talk for a bunch of young people greasy sewing, really let the audience like him "cold".
However, Zhao Yan still maintained a love for cross-talk in his nearly ancient years. He once had a surprising statement in the jury of the cross-talk column, that is, today's cross-talk programs generally lack works that are deeply rooted in life, which is far from the sketches close to life.
On this comment alone, Teacher Zhao Yan can be described as a torch, looking back at the Spring Festival Gala in recent years and the now popular cross-talk business performances and cross-talk talent shows, the works that are really close to life and excavate materials from life are getting less and less, the actors are either picking up funny jokes from the Internet or playing some vulgar jokes of the turmoil, and the development of cross-talk can be described as moving from one extreme to the other.
The topic that was originally quite relaxed is heavy again.