#文史观天下 #
<h1>Saying poetic novels one by one from Mo Yan's "Dumpling Song" to Wen Jie and Guo Xiaochuan's narrative poems...</h1>
<h1>Xu Jiancheng</h1>
From online reading, the famous novelist Mo Yan won the China Long Poetry Award.
It is common for Mo Yan to win awards, domestic awards such as the Mao Dun Literature Prize, international awards such as the Nobel Prize for Literature have been spent on the Mo family, and it seems that it should be a natural thing to win a domestic long poetry award.
The evaluation of his "Dumpling Song", which won the Long Poetry Award, is also "horizontally looking at the peaks of the mountain side, and the heights of the distance and proximity are different", one by one, there are praises that have been praised by the five bodies, and some have criticized his celebrity effect to "monopolize" the sunshine of the award...
I read it from beginning to end and was deeply touched.
Such an award-winning long poem can only be written by Mo Yan!
This is an exploratory creation, an exploratory text, showing Mo Yan's innovative spirit that has never been conformist;
This is an exploratory text, and in the process of exploring innovative texts, there is not necessarily only successful experience...
Friends who say they can't read may not know much about literature, and the experts who shout it out loud may not be consciously or unconsciously promoting the poetry of Nobel Prize-winning novelists...
The process of reading literary works should also be an aesthetic process and a process of discussion.
It is worth discussing that he won the Long Poetry Award, and there are three titles for the genre of his work: long poem, poetic novel, and poetic drama. Long poetry is a kind of poetry, is the poetic novel a kind of poetry or a kind of novel? This is worth studying.
As far as I know, another term for narrative long poetry is: narrative poetry or long narrative poetry.
Readers of my kind are no strangers to narrative poetry (poetic fiction or poetic documentary). Leaving aside foreign literary classics such as Pushkin's poetic novel "Evgeny Onegin", Byron's poetic novel "Don Juan", etc., only in Chinese classical literature, we have read "Peacock Southeast Flying", "Mulan Ci", Du Fu", "Three Officials and Three Distinctions" and Bai Juyi's "Long Hate Song";
In Modern and Contemporary Chinese literature, we have also read Li Ji's "Wang Gui and Li Xiangxiang", Ruan Zhangjing's "Zhanghe Shui", Wen Jie's "Flame of Vengeance", Guo Xiaochuan's "General Trilogy", "One and Eight" (adapted into a movie", "Deep Valley", "Hymn of White Snow" and other long narrative poems (poetic novels). We know that narrative poetry (poetic fiction) should have a story, but also a poetry...
I remember when I first read the above Chinese and foreign poetic novels (narrative poems), it was between the ages of 15 and 25, before and after the Cultural Revolution. At that time, these books were not easy to come by, and when I first read them, it was like walking into an oasis in the desert, and the joy of reading was comparable to eating one meal after another of hard-to-eat pot meat.
Many years have passed, because of Mo Yan's award-winning long poems, I thought of many Chinese and foreign long poems that I had read, and I found the long poems of Guo Xiaochuan, Wen Jie and other great contemporary poets from the bookcase, and I wanted to enjoy the very beautiful feeling of reading their narrative poems decades ago.
But I know: "Who on the riverbank first saw the moon, and when did the river moon first shine?" "
The joy of reading in those years, I am afraid that I will never come back, just like my youth, like the thick black hair on my head...