Hu Shi in "The Age of Party Awakening" should occupy the most scenes since Hu Shi's image appeared in film and television dramas. Played by Zhu He Riyao (formerly known as Zhu Gang Riyao), who has played many intellectuals, has not been plagued or hot, this time starring Hu Shi, it is said that the light car is familiar with the road, in fact, it may be difficult for him. It is not as good as Hu Shi, played by Wu Yanzu in "The Great Cause of Party Building".
Who is Hu Shi? Heaven indulges his talents, learns from Both Chinese and Western, Huangzhong inner run, civilization external illumination, the right brand of the Republic of China master! Although Zhu He Riyao exerted great strength, after all, his learning and cultivation were not enough to let him go, compared with the roles of Chen Duxiu of Hewei, Li Dazhao of Zhang Tong, Cai Yuanpei of Ma Shaohua, and Gu Hongming of Bi Yanjun, the gap could not be calculated.
First of all, in terms of appearance, Zhu He Riyao and Hu Shi are quite different and congenitally insufficient. Hu Shi was a famous young and beautiful man at Peking University, now called the academic male god, with a face like a crown jade, a nose like a hanging gall, a square silhouette but rounded, and a resemblance to the famous Hong Kong singer Chen Baiqiang. The hairstyle of the top comb is not outdated. Gold-rimmed glasses with dressed horse clips, elegant and handsome, like a new cream boy. Although he wears a long shirt and a horse coat, he has no pedantic winter baking gas, and it is difficult to hide the celebrity style contained in the wind. Zhu He Riyao is handsome, his jaw is long and straight, but his face is melon-shaped, his shovel chin (such as playing Zhu Yuanzhang is a good candidate), the shuttle angle line is hard and straight, and the softness and warmth are insufficient. The height was even higher than Hu Shi by one or twenty centimeters. The gesture of raising hands and feet is stiff, stylized, and the adhesion is poor. The details are not cut enough, for example, Hu Shi is highly myopic, but Zhu He Riyao's two eyes are full of energy, there is no visual impairment, and the two glass lenses are always reflective, which is a big obstacle to viewing. Then there is Hu Shi's addiction to smoking, but Zhu He Riyao never smokes, he helped Hu Shi quit smoking.
Secondly, in terms of temperament, although Zhu He Riyao has played many intellectuals and has no lack of literary and polite temperament, Hu Shifei is not an idle scholar, but a mixed-race child cultivated by Chinese and Western culture, a pioneer of new chinese culture in modern China, a general of literary revolution, advocating the emancipation of personality, freedom of thought, both inside and outside cultivation, the humble gentleman of reputation is gentle as jade, the elegant person is profound, and the humble is self-shepherding, which makes Hu Shi look calm and atmospheric, elegant and skillful, and spontaneous. However, Hu Shi's temperament in "The Age of Awakening" has changed greatly, his grace has been lost, his square inches are often chaotic, his IQ is in arrears, and his demeanor is gone. In vain, he hugged the veneer, bowed as well, and got rid of a fake foreign devil. Among them, the response after being mocked by Gu Hongming did not know what to do, only knew how to bow, this catfish was also, not Hu Shiye.
Third, the emotional grasp is not accurate. Hu Shiqiren, who laughed and laughed in his life, spoke slowly and logically, and was moody and angry (Wu Yanzu played both forms and gods), so his popularity was excellent, and he had the ancient style of reading thousands of books and friends with the world's corporals, and there was a mantra in Beijing at that time: "My friend Hu Shizhi" (Lu Xun also quoted), which can be seen in its round and thick characteristics. Although Zhu He Riyao tried to pretend to laugh, he still felt that his affinity was insufficient, and he was reserved, especially sometimes the emotional fulcrum and dimension were not properly controlled, the release was unrestrained, the eyes were exposed, the face was red, the ears were red, and the fire attacked the heart, like a combative rooster. Especially with Chen Duxiu, Li Dazhao and other people there are too many battles, and they are facing each other, which is obviously not Hu Shi's gentle and calm style. In fact, at that time, everyone was mainly fighting pen battles. Otherwise, Peking University, where the old culture and the new culture violently collided, I am afraid that it would become a martial arts hall.
Finally, in terms of character setting, Hu Shi did not like to be an official in his early years, and he famously said that "talk less about doctrine and study more problems" and vowed not to talk about politics for 20 years. Although he later reneged on his promise, a look at the photo of him with Chiang Kai-shek on erlang's legs (see the end of the article, it is said that Chiang Kai-shek was angry), you can see his ambitions. He parted ways with Chen Duxiu and Li Dazhao, mainly because of social reformist ideas. Moreover, he always advocated that teachers and students, especially young students, should attach importance to academic study, should not participate in political movements, and should rely on the "good people's government" to handle military and state affairs. A naïve nerd is just a naïve nerd, not necessarily reprehensible. Hu Shi during the May Fourth period was generally sympathetic to patriotic students. But the Hu Shi we see in "The Age of Awakening" is often brought out to sing the right stage drama by something and nothing to do, and chen and Li face to face to compete with each other, and Chen and Li are all awake and drunk, and Hu Shi is simply a stumbling block to the counter-revolution of the great era. In particular, during the May Fourth Movement, he cowered and shrank, went out to Shanghai, opposed the general strike, and performed extremely poorly. Awakening seems to be a metamorphosis achieved on the basis of denying Hu Shi.
Throughout the play, Zhu He Riyao consistently recites those textbook lines that we are familiar with, locking Hu Shi in the range of traditional historical evaluation, and failing to absorb the research results of Hu Shi in recent decades and restore the real Hu Shi. And Zhu He Riyao originally had a role separation from Hu Shi, and then wore shoes and hats like this, which made the character image of Hu Shi more dry, conceptual, and facial, making it far less plump and vivid than Chen Duxiu, Li Dazhao, Cai Yuanpei and others, and the degree of restoration was high. Of course, this is the character of the script, not Zhu He Riyao's problem.