Ju Lian is a famous Chinese painter in the Lingnan region of modern China, who is good at painting flowers, birds, grass insects, and figures, and can paint with his fingers. "Qunfang Jingyan Album" was written in the mid-Autumn Festival of 1877, painting twelve kinds of Fanghui, all folded branches, written according to the seasonal order, the painting method directly follows Yun Nantian, the pen is fine, the color is beautiful and beautiful, super escape out of the dust, and the petal branches are written in the form of "hitting the water and hitting the powder", so that it is moist and transparent, and it is vivid.
Ju Lian's "Album of Qunfang Jingyan" twelve frames
Qunfang Jingyan Book - Ling Bo
Qunfang Jingyan Book - Youlan
Qunfang Jingyan Book - Spring Peach
Qunfang Jingyan Book - Peony
Qunfang Jingyan Book - Weeping Begonia
Qunfang Jingyan Album - Magnolia
Qunfang Jingyan Book - Fengxian
Qunfang Jingyan Book - Tuyen
Qunfang Jingyan Album - Begonias
Qunfang Jingyan Book - Han Li
Qunfang Jingyan Book - Huang Ju
Qunfang Jingyan Book - Bai Mei
The prints in the painting coincide with the flower materials
Each frame has the inscription of Cai Xiaoting Gongkai, with the title of twelve women, and the sub-books are described above, including the stunning "Boudoir" and "Poor Baby", as well as the chaste "Famous Lady", "Little Widow", the "Female Crown" and "Sword Man" with Xian Ge, the writing is many and the gods and monsters, and the poems are adopted, and the historical facts are attached to them.
Careful reading is to know that the twelve women are the personification of the flower, cover their names, temperament, and deeds, all quoted from the flower allusions, and the color of the women's clothes and shoes is more deliberately in line with the color of jushi's painting, calligraphy and painting, is not the reproduction of "Yerba Buena Beauty"!
The prints on the paintings are also specially selected to match the flowers, and their pen and ink are exquisite and the conception is ingenious, which can be called the god of juguquan flower book!
Images
The work was first collected by Julian's friend Zhang Jiamu, because he was similar in age to Julian and had a relationship with friends and teachers, and sometimes had the good story of "Julian Stone, Ding Minglan". According to the Tibetan seal on the painting, it can be known that this series was returned to Xiangjiang Zheng Defen and Li Qiyan. Later, the work was transferred to "Mei Jie Lou". For more than 100 years, the work has been passed down for four generations, all of which have belonged to Cantonese collectors, and the hardships and extraordinarys in the meantime are full of legend.
As a well-known art operating institution in contemporary China, Huaxia Treasure Museum has cooperated closely with the national cultural and expo sessions, major well-known museums, intangible cultural heritage protection institutions, arts and crafts associations, and Chinese craft masters of various categories for many years, especially in calligraphy and painting, ceramics, cloisonné, filigree inlay, Yixing purple sand and other art categories, and has explored the road of "protection, inheritance, development and promotion" of cultural artworks, so that culture can be inherited, intangible cultural heritage can be protected, and members can get benefits. It has not only achieved impressive social significance, but also allowed members to collect valuable art treasures.