Chen Weisong of the Qing Dynasty was born in 1625 and died in 1682 AD, and was a native of Yixing, Jiangsu Province. Chen Weisong of the Qing Dynasty was an outstanding lyricist, known as "the first person in the word world in the late Ming and early Qing dynasties". Chen Weisong has made great achievements in literature and is the leader of the Yang Envy School. Chen Weisong was born in 1625 AD, to be precise, Chen Weisong was born in the late Ming Dynasty and lived in the early years of the Qing Dynasty.
Chen Weisong
Chen Weisong was the son of Chen Zhenhui, one of the four sons of the late Ming Dynasty, who was deeply influenced by his father since childhood, so he laid the foundation for future literary achievements. When Chen Weisong was a teenager, he had become a famous local talent. When Chen Weisong was seventeen years old, he participated in the boy test and won the first place in the boy test.
Chen Weisong has his own unique views in the field of literature and poetry, which is praised by Wu Weiye as one of the "Three Fengs of Jiangzuo". At that time, along with Chen Weisong, there were Wu Zhaoqian and Peng Shidu. In addition, Chen Weisong has a good achievement in piao wen, so it is known as one of the "three families of the piao body" by the world. Chen Weisong loved freedom all his life, and his creative inspiration came from what he saw and heard.
After the fall of the Ming Dynasty, Chen Weisong also failed in the imperial examination. In 1658, Chen Weisong went to visit MaoXiang, who asked Chen Weisong to study in the deep green room in the Shuihua Nunnery, and asked Xu Ziyun to accompany him to read. In 1662, Chen Weisong went to Yangzhou and built the Zen Red Bridge with Wang Shizhen, Zhang Yangzhong and others.
In 1682, Chen Weisong died at the age of 58. Looking at the life experience of Chen Weisong in the Qing Dynasty, you will find that Chen Weisong's life was very plain. After the fall of the Ming Dynasty, Chen Weisong did not enter the career path, he focused his energy on creation, the main representative works are "The Complete Collection of Huhai Lou".
Chen Weisong Xu Ziyun
The story of Chen Weisong Xu Ziyun has been passed down to this day. Some people say that Chen Weisong Xu Ziyun's homosexual love has long been known to everyone, and Chen Weisong's most literary poem "He Groom Yunlang Hehe for This Word" was written for Xu Ziyun. Speaking of the story of Chen Weisong Xu Ziyun, what has to be mentioned is the risk of breaking through the frontier.
Xu Ziyun
In 1658, Chen Weisong went to visit Mao Peijiang, who let Chen Weisong study in the deep green room in the Shuihua Nunnery, and let Xu Ziyun be his companion. Since then, Chen Weisong and Xu Ziyun have launched a romantic love story. According to the records of ye history, Chen Weisong fell in love with Xu Ziyun at first sight, when the plum blossoms were in full bloom, Chen Weisong took Xu Ziyun to watch the plum blossoms every day, and since then the two people have been inseparable and accompanied day and night.
In the process of getting along with Xu Ziyun, he inspired Chen Weisong's creation, and he wrote a large number of poems for Xu Ziyun to show his admiration for Xu Ziyun. Among them, there are many strong sentimental words and phrases such as "sitting alone and waiting for the king to return, not returning to sit alone until dawn".
In addition, Chen Weisong also asked a famous painter at that time to paint a portrait of Xu Ziyun, and the famous "Purple Cloud Bathing Picture Scroll" was painted by Chen Weisong for Xu Ziyun. After the painting was completed, Chen Weisong also asked 74 famous people to inscribe poems on the scroll to show their admiration for Xu Ziyun.
Although Chen Weisong is a homosexual, he has wives and concubines and children. After Xu Ziyun became an adult, he also faced the important matter of marrying relatives. On the night that Xu Ziyun became a relative, Chen Weisong composed "He Groom Yunlang Hezuo to Give This Word" to show his longing for Xu Ziyun. After Xu Ziyun got married, she still had close contact with Chen Weisong. When Chen Weisong returned to Yixing with his family, Xu Ziyun also accompanied him.
Chen Weisong's style of words
As we all know, the Song Dynasty was the heyday of the development of word style, and in this era background, the style of words was mainly divided into the bold and gentle schools. Judging by this, Chen Weisong's style of words is undoubtedly extravagant. If you pay a little attention, you will find that Chen Weisong's word style is not limited to the flamboyant school, and his lyric works reveal a strong and domineering atmosphere.
The reason why Chen Weisong's style of words has such momentum is inseparable from his personal experience. When the Ming Dynasty fell, Chen Weisong was 20 years old, and then Chen Weisong traveled in all directions, pinning his heart on the mountains and rivers. Therefore, his style of words is mostly heroic and domineering, and exudes liberalism. Secondly, Chen Weisong is proficient in history, and most of his poetry works use the technique of looking at the ancient and modern, combining lyricism and narrative more together, giving people a feeling of deep meaning.
Although Chen Weisong is a representative of the bold and generous lyricist, Chen Weisong's style of words is different from the style characteristics of Su Shi and Xin Shuyi, which can be seen from Chen Weisong's lyrics. "Too breathless Shaohua, want to blow, out of thin air." Among them, storage, Handan song and dance, Yanqi technique. ”。
This poem is Chen Weisong's depiction of the life of King Xiao of Hanliang, in the upper part of the word, Chen Weisong borrowed allusions to portray the luxurious life scene of King Xiao of Hanliang, in order to lament that Shaohua is easy to pass away and the world changes.
Such as "Handan Song and Dance" is Chen Weisong's performance of borrowing allusions, during the Spring and Autumn Warring States period, Handan was the capital of the Zhao Kingdom, and the Zhao women living in the Zhao Kingdom were good at singing and dancing, so in this song, Chen Weisong borrowed some allusions, so that the imagery of the words was far-reaching, and the ideas expressed in the words were more intriguing.
Chen Weisong's achievements
Chen Weisong was a representative lyricist in the late Ming and early Qing dynasties, but Chen Weisong's achievements were not limited to lyrics, and Chen Weisong's achievements were also reflected in the writing of Piao and the creation of ancient poems. Chen Weisong has a high achievement in piao literature, so he is known as the "three families of the piao body" by the world.
Chen Weisong's works
Mao Xianshu once wrote a preface for Chen Weisong, commenting on Chen Weisong's works as "the strangeness of the dragon jumping tiger lying down" and "the cause of the song and the frustration", and it can be seen from the discourse that Mao Xianshu very much recognized Chen Weisong's achievements in the piaowen.
In addition, Chen Weisong also has good achievements in poetry, most of Chen Weisong's poems are included in the "Complete Collection of Poems and Words of Huhailou", Chen Weisong's poems are beautiful, full of beauty to read, and have high literary value and aesthetic value. Speaking of Chen Weisong's achievements, it is necessary to mention Chen Weisong's achievements in lyrics.
Later generations believe that Chen Weisong was a representative lyricist of the extravagant faction, and most of his lyrics were heroic and domineering, giving people a sense of casual freedom. Chen Weisong's style of lyrics has a lot to do with his life experience. Chen Weisong was the son of Chen Zhenhui, one of the four sons of the late Ming Dynasty, and in his early years, Chen Weisong lived a good life, so most of his lyrics were biased towards the beautiful works of the wind and moon.
After the fall of the Ming Dynasty, Chen Weisong's style of lyrics turned to extravagant, and the lyrics were uninhibited and wanton. Most of the lyric works written by Chen Weisong are included in the "Words of Huhai Lou", which has about 1600 songs.
Most of Chen Weisong's lyrics are based on reflecting the real society, highlighting the malicious oppression of the people by the government and the hardships and hardships of the people at the bottom. Therefore, on the other hand, Chen Weisong's lyrics pay attention to realism, which is a rare and valuable point.