Wen | Zhao Li
Edited | today
On October 21, the premiere ceremony of the film "Blood Oath" and the expert observation seminar jointly sponsored by the Propaganda Department of the Gansu Provincial Party Committee of the Communist Party of China and the China Film Archive were held in Beijing. Ming Zhenjiang, chairman of the China Film Producers Association, and Cao Rui, vice chairman of the Gansu Provincial Federation of Literary and Art Circles, attended the event and delivered speeches.
Ming Zhenjiang said that the "Oath of Blood" uses the image of film art to carry forward the great spirit of party building of "adhering to the truth, adhering to ideals, practicing the original intention, undertaking the mission, not being afraid of sacrifice, fighting heroically, being loyal to the party, and not living up to the people.", is a fine work of gifts to the centenary of the founding of the party, is an affectionate remembrance of the 85th anniversary of the victory of the Red Army's Long March, and will certainly play an important spiritual guiding role in educating the broad masses of audiences, especially young audiences, in revolutionary traditions and inheriting the red gene.
In his speech, Cao Rui expressed his tribute to the Western Route Army of the Chinese Workers' and Peasants' Red Army. She said, "The great Chinese workers' and peasants' Red Army officers and men of the Western Route Army, you understand your own limitations and face up to the possibility of failure. But you still choose to stick to your faith and practice your dream of exchanging your life for dawn! ”
The movie "Oath of Blood" is set against the background of the Battle of Liyuankou of the West Road Army of the Chinese Workers' and Peasants' Red Army, and shows the national integrity of the Yugur, Tibetan, and Han people in Hexi region who are kind, simple, and benevolent. Framed by small people, big backgrounds, big events, and big feelings, the film composes a magnificent epic poem of the Blood Spilled on the Hexi Corridor of the Workers' and Peasants' Red Army. This year coincides with the commemoration of the 85th anniversary of the victory of the Red Army's Long March, and the launch of the film "Oath of Blood" is not only a concrete practice of remembering, learning and carrying forward the spirit of the Great Long March, but also a new exploration of the creation of revolutionary historical films.
The film is directed by Song Yeming, who has created many excellent films such as "Armageddon - Liaoshen Campaign", "Rushing Out of the Amazon", "August 1st"; Cao Rui, vice chairman of the Gansu Provincial Federation of Literary and Art Circles, as the chief screenwriter and chief producer; Niu Xiuquan, who has created films such as "Dou Drum" and "Love on the Way Home"; Song Yu, Zhao Qin, Ren Shuai, Xu Yongge, Yang Zhi, Wang Xinjun, Xu Leizhi, Gao Xinsheng and other outstanding actors co-starred.
According to director Song Yeming, through examining a large number of historical facts and character materials, the film crew truly reproduced the history of the Red West Road Army's battle of holding the Position of Liyuankou and fighting the enemy's bloody battle to the end, praised the heroism of the Red West Road Army in not fearing hardships and dangers, fighting in blood, and the fearless spirit of heroic dedication for the party and the people, and is a red revolution theme feature film that carries forward the core socialist values and carries forward the main theme and positive energy.
After the premiere ceremony, Lian Ji, former president of the China Academy of Arts, Li Zhun, former vice chairman of the China Federation of Literary and Art Circles and famous literary and art critic, Zhong Chengxiang, former vice chairman of the China Federation of Literary and Art Circles and famous literary and art critic, Xiao Yusheng, a famous military history expert, Chen Xianyi, former deputy director of the Cultural Department of the People's Liberation Army Daily and a famous literary and art critic, La Peikang, vice chairman of the China Filmmakers Association and former chairman of China Film Co., Ltd., Li Daoxin, vice president of the School of Arts of Peking University, Zhang Wei, executive vice president of the China Film Critics Society, and Zhan Qingsheng, professor of the Military Culture College of the National Defense University. Zhao Weiguo, director of the Creative Joint Department of the China Film Producers Association, and other experts and scholars in the film and military circles discussed the theme intention, creative methods, and practical significance of the film. The seminar was presided over by Zhao Weiguo, director of the Creative Joint Department of the China Film Producers Association.
Experts attending the meeting believe that the film has explored the genre of the new main theme film, and through some typical character deeds, it artistically reproduces the magnificent and tragic history of the Western Route Army. This film is both righteous and innovative, both inherited and explored, and is a work full of human brilliance and touching people's hearts.
Xiao Yusheng, a famous expert in military history:
The film captures the pulse of major historical events
The movie "Oath of Blood" organically combines the magnificent and tragic history of the Western Route Army through some typical character events, and tells the audience the history of the Western Route Army in the form of film art. In the process of expressing history, the film not only talks about history and characters, but more importantly, it shows their inner spirit. The spirit of the Western Route Army is closely linked to the spiritual genealogy of our Party, and this spiritual genealogy is the banner and strength for our Party to further lead the masses of the people in their continued struggle. From this perspective, the film grasps the pulse of major historical events.
Watching a movie is to edify and re-study a period of history, whether it is writing a movie script or shooting a film, we must consider the whole picture of history, so that the details and plot of the film can be placed at a certain historical height, thus producing a social education function. So I think the film was a great success.
Former Deputy Director of the Cultural Department of the People's Liberation Army Daily,
Chen Xianyi, a famous literary critic:
The bloodiness and revolutionary spirit of the officers and men of the Western Route Army
This film is very bold and truthful to tell the story of the Western Route Army, which makes me very moved. It shows the unity and national cohesion of a nation in the face of catastrophes and calamities, and writes the spirit of our nation that is not afraid of pressure and has the courage to sacrifice.
The film focuses on the few remaining soldiers in a battalion, writes a "small detachment", sees the big picture in a small way, grasps it very well, and embodies the bloodiness and revolutionary spirit of the officers and men of the Western Route Army.
Professor Zhan Qingsheng of the Military Culture College of the National Defense University:
Created a new form of Western Road Army theme film
The history of the Western Route Army has given us strong enlightenment and educational significance, telling us that today's victory is not easy to come by, and we dare to teach the sun and the moon for a new day in order to sacrifice more heroically. At the same time, it also reveals the heroic spirit of the people's army in adhering to the revolution and not being afraid of hardships and dangers, as well as the spirit of heroic dedication to the party and the people.
The film shows the West Route Army still stubbornly fighting in the desperate situation of freezing cold, isolation and food, and it can be said that it has written an earth-shattering, singable and weeping heroic epic.
At the same time, the film also creates a new form of XiluJun theme film, integrating the elements of current innovation, typological creation methods, and adopting stories with original nature on the basis of real history.
Li Daoxin, Vice Dean of The School of Arts, Peking University:
The author's temperament and personality pursuit of war films
This film reminds me of Saving Private Ryan and there's a sense of empathy. The film not only praises and commemorates the songworthy history of the Bloody Struggle of the Western Route Army, but more importantly, expresses the praise of life based on the present, history and the future. The constant appearance of the sunset in the backlight and the misty sky in the film makes us feel a kind of authorial temperament and personality pursuit of war films.
The series of war films directed by Song Yeming not only show the scale of mainstream films, a kind of passion, a grand vision and the spirit of the Chinese nation, but also begin to form the personality style of Chinese war films and mainstream Chinese films, which is also very gratifying.
Zhang Wei, Executive Vice President of the China Film Critics Association:
Explore the "Aesthetics of Western Road Army Films"
A series of Western Route Army theme films such as "Echo of Qilian Mountain", "Life and Death Tengger", and "Shocking Sand" have a unique film aesthetic, the mountains are like the sea, the remnants of the sun are like blood, the lives of the soldiers are heroically sacrificed in the bloody sun, and their spirit is eternal, which is a tragic aesthetic. The film's directorial team grasped the tragic aesthetics of the War Theme Film of the Western Route Army and showed the indomitable revolutionary spirit of the Red Army.
The Western Route Army and the Red Army were always under the threat of the Horse Bandit Army, and from the narrative dynamics, the audience watched such war films with a desire to hope that the Red Army would survive. The Red Army is a great love, the Red Army is to save the weak, and the audience becomes one with the Red Army, projects itself onto the Red Army, and breathes with them to share the fate. At this time, when the Red Army was threatened by the Horse Bandit Army, the audience was always worried about the Red Army and was always struggling for the Western Route Army. The dynamics of this war film tightly attract the audience's aesthetic attention.
Vice Chairman of China Filmmakers Association,
La Peikang, former chairman of China Film Co., Ltd.:
It has an encouraging and motivating effect on the current audience
The film fully shows the story of the grass-roots soldiers of the Red Army fighting to the death with the enemy, and reflects their fearless heroism. Such a fearless spirit still has an encouraging and motivating effect on the current audience and for the young people who are committed to the construction of socialism in the new era. For us to firmly establish the four self-confidences, to enhance the courage and confidence to overcome all difficulties and defeat all enemies, this film should be said to have a very good effect.
The film is a very good teaching material for the study and education of party history at present, and it is a very good teaching material for young people to carry out patriotic education, red education, and revolutionary history education. The screenwriter of the film is very successful, condensing such a magnificent and tragic history into several battles. The actor's performance is really superior, there is no use of the so-called traffic star, and the use of strength, genuine actors, the performance is very in place.
Former Vice Chairman of China Federation of Literary and Art Circles,
Famous literary critic Li Zhun:
Bold and loyal, lofty in ambition
After reading the "Oath of Blood Bath", I was indeed very moved, extremely loyal, lofty in ambition, tragic and magnificent throughout, and it is a very rare teaching material for the study and education of party history. This film can be said to be a major breakthrough and achievement of the Film and Television Works of the West Road Army, the most important achievement of which is the overall conception, and the overall expression is very clever.
The film is very shocking, the action scenes are very colorful, and it is full of tears. The tragedy and tragedy of the story of the Western Route Army shown in the film are the most tests of the original intention, style, discipline and combat effectiveness of the commanders and fighters of the Red Army. In particular, the Western Route Army, in a desperate situation, scattered everywhere, and firmly believed in returning to Yan'an, reflecting the lofty spirit in the desperate situation, which is very remarkable.
Zhong Chengxiang, a famous literary critic:
Both form and god, profound artistic conception
Words and deeds, allegories
This film is a landmark work created by the Theme of the West Road Army in the new era. The significance of the symbol is that the artist handles and expresses the works of this theme well through his own political wisdom and artistic wisdom. What is aesthetic creation? It is the artist who takes the initiative to design an obstacle for himself, and uses artistic means to climb over this obstacle and transform the difficulty of artistic creation into the highlight of the theme presentation, which is aesthetic creation.
Literary and artistic works cannot only focus on the strong stimulation of the audiovisual senses brought about by scientific and technological means, but on the contrary dilute the depth of thought and spiritual strength. "Oath of Blood" tells the story of a small detachment and revolves around the story of a newborn, showing the noble spirit of the Western Route Army, which pays attention to both form and spirit, has a far-reaching artistic conception, pays attention to the support of things and words, and is allegorical.
Former President of the China Academy of Arts:
Adhere to the tragic genre and reflect the brilliance of human nature
The core part of the film's artistic logic is to adhere to the tragic genre. Life is tragedy, war is tragedy. The first is the tragic grandeur, which contradicts the tragic war of the Western Route Army and the faith and original intention of the Red Army to uphold, and the rule of the Kuomintang, and smashes this beauty to the audience, and the tragedy is a very important emotion. The second is sadness, the artistic expression of the film's picture is deep, vast, stout, cold, cruel, broken, and tense, and this lyricism is very suitable for the theme. The third is compassion, such as the relationship between the soldiers of the Red Army and the ordinary masses, and compassion is the embodiment of the brilliance of human nature.
(Sorted out in order of speech)
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