Use the most comical humor to ridicule the absurdity of the world
Use the comedic sense of entering the market to express the soberness of detachment
Use purple sand culture to connect ancient and modern
Awaken the most restless idealistic complex in your heart
Hilarious comedy
Don't Move! Huang Feihong's Purple Sand Pot
# Screenwriter | Zhao Xiucai
Senior screenwriter of film and television
He is a member of the Beijing Literary Association Youth Screenwriters Association
The works are meticulous and rigorous
Form your own unique language tone and style
The control of the comedic elements is like a fish
In the circle, there is a reputation of "comedy geeks"
magnum opus
Sitcoms
"Family with Children", "Funny Family"
The Story of Sheriff Horse
Drama
"Escape", "Kidnapping Mr. Dog"
Movie
"Chinese Medicine Detective", "Prison Break", "Watermelon Team"
"Horror Neighbor", "Daddy Took Me Home"
TV series
"The Last Martial Forest", "Divine Machine Camp"
"Heaven on the Left, Fiji on the Right"
Whether it is the previous "Kidnapping Mr. Dog" or "Peach Death", screenwriter Zhao Xiucai can always find a strange entry point to make the whole story unusual, from the design of each line to the exquisite narrative structure, it seems to form its own unique language tone and style, pure people exclaim or this taste.
In "Don't Move! In Huang Feihong's Purple Sand Pot, Zhao Xiucai injected a lot of interpretations and knowledge points about purple sand culture, which integrates the knowledge of traditional Chinese culture, which instantly crosses the ancient and modern, runs through the whole, echoes from beginning to end, and perfectly integrates into the plot, intriguing, and repeated touches.
Recently, we have published a new interest in "Don't Move! Teacher Zhao of Huang Feihong's Purple Sand Pot conducted an exclusive interview, combined with his more than ten years of creative experience, Teacher Zhao concisely expounded his profound insight into comedy.
Q&A
"Tell us about your original intentions"
This is a propositional essay, my friend Teacher Sun Qingshi wanted me to create a drama about the purple sand pot, and then I thought, how to express the purple sand pot, and then be liked by this audience.
It would be better to combine him with some famous people. One of the heroes I personally value most is Huang Feihong. So I put the purple sand pot and Huang Feihong together.
Then how can the theme of the performance be both around the word purple clay pot and not too boring?
A purple clay pot with a list of revolutionaries was engraved in it, and this purple sand pot put Huang Feihong in an extremely dangerous and embarrassing situation. Hence the story.
Crew rehearsal photos
"The image of Huang Feihong
How is it different from previous works of art? ”
The biggest difference between Huang Feihong and other Huang Feihong in this drama is that I don't want to write a chivalrous, tall and complete Huang Feihong, I want to use my own comedy techniques to shape him.
The setting of the comedic characters is similar to locking an elephant in a porcelain shop, so it is a state of comedy. Because when the elephant lives in nature, it moves at will, and the porcelain shop is OK, but when you put these two things together, it immediately produces a huge comedic and dramatic effect, because as soon as the elephant moves, it is sparse. This is the embarrassment of the elephant, and Huang Feihong is also such an embarrassing and dangerous state.
Huang Feihong wanted to keep this purple sand pot, resulting in all his living conditions being reversed, and he had to "turn against each other" with his wife and "whisper" with his apprentice. Including telling Naran Yuanshu, the Grand Master of the Admiralty, from a state of mutual admiration to a state of secretly having to treat each other as enemies, these are all theatrical settings for putting elephants into the porcelain shop.
Huang Feihong's role I also deliberately set up as a afraid wife, but also with some similar to Wei Xiaobao's silky temperament. I am equivalent to combining Huang Feihong and Wei Xiaobao, Jet Li and Zhou Xingchi.
Set makeup photos
"This story is for contemporary youth
Is there any reference significance? ”
The theme of my story is bad money driving out good money. Under an evil system, good people, or good generals, are often expelled and eliminated because of these worse opponents.
Now that the youth have read this story, I expect to reflect on it. You have to choose, first of all, you try not to choose those evil systems, so as not to be expelled from such a good currency; second, when you have to survive under such an evil system, you must have your own conscience and moral conduct.
"The script is in the works
What was the biggest difficulty I've ever encountered?"
The difficulty of creation is actually like this, my previous two drama works are based on the film script, but this time from the first word is a drama, to strictly follow the trinity, no editing, there will be no huge jump in time, scene arrangement, etc. These are very fixed. I had to invoke all my writing skills to make the scene less dull, to try to pick up and turn as much as possible, and to arrange a relatively fierce conflict in each scene.
"Compared to serious and profound drama
What is the point of the existence of comedy? ”
Compared to comedy and serious drama or tragedy, I don't think there's any difference.
For example, the high degree of combination of comedy and tragedy presented by many of Stephen Chow's comedies is a very, very rare artistic state, and I think that the vast majority of so-called tragic works, even some high-rated tragedies, I think they cannot reach the height of Stephen Chow's film art. So I insist that good comedy and good tragedy are the same, and there is no essential difference.
Good comedy must be like this, you think it through according to the logic of normal drama, this is the general serious drama, or tragedy, but the state of comedy should be that you fully explain this matter according to the positive logic, and then think backwards, and then narrate this event clearly, so that it is smart. It seems to me that this is more difficult than a serious tragedy, in other words, you have to have not only very clever logic, but you have to be counter-logical.
Synopsis
In Baozhilin, Foshan, Guangdong, Huang Feihong is being punished to kneel by his savage girlfriend Thirteenth Aunt who has returned from staying in England. Lu Haoran, Sun Yat-sen's female envoy who was preparing for the Guangzhou uprising, was chased and injured by Zhao Tianba, an eagle dog of the imperial court, and came to ask for help. Lu Haoran handed over to Huang Feihong a roster of rebels he had hidden.
In order not to let the roster fall into the hands of the Qing court, Huang Feihong asked his beloved disciple Zhang Lanzhou to imitate two sets of imitations with reference to the Ming Dynasty Zhengde Spring Purple Clay Pot collected by his father Huang Qiying, and secretly engraved the roster in one of them.
What I never expected was that these two sets of purple sand pots with fake chaos actually brought a series of big troubles to a generation of Grandmaster Huang Feihong!
First the thirteen aunts and pork Rong, then Zhao Tianba and Nalan Yuanshu took turns to appear, and finally, cao Chen, the governor of Liangguang, was also late, and everyone had their own thoughts and secrets, for a pot, Bao Zhilin was stirred up.
In the context of the alternation of the old and the new, in the context of the changes of the times, every individual, the state apparatus represented by the imperial court and the revolutionaries led by Dr. Sun Yat-sen clashed and constrained, and in the center of such a whirlpool, what kind of reactions and choices would Huang Feihong, a martial arts master who represented the inheritance of Chinese culture, make...
It's really --
Fake it is true or false, and the Feihong hanging pot can't move!
Creative team
Chief Producer Sun Qingshi
■ Senior media person
■ Founder of the Film Legends Museum of the Oral History Research Center of communication university of China
He has served as the production director of CCTV's 208 episode "Film Legend", the financial director of the large-scale documentary "Film Legend" and "My Long March", the documentary commentary of "Film Legend", "My War of Resistance", "The Tenth Anniversary of the Return of Hong Kong", the documentary commentary of CCTV's special "Red Rock Archives", and the commentary of "She Knows the Storm" (a five-episode documentary of the Golden Age of Cinema).
Screenwriter Zhao Xiucai
■ Senior screenwriter of film and television
■ Member of Beijing Literary Association Youth Screenwriters Association
He has participated in the compilation and planning of works such as "Family with Children", "Funny Family", "Heaven on the Left, Fiji on the Right", "I Am Legend" and other works, and his control over comedy elements is like a fish. He is now a member of the Beijing Literary Association Young Screenwriters Association. Over the years, he has created film scripts such as "Chinese Medicine Detective", "Prison Escape", "Horror Neighbor", "Daddy Take Me Home" (recommended by The 2012 Xia Yan Cup), "Watermelon Team" (2013 Film Association Cup Winning Works), etc., the long-form TV drama script "I Am Legend", "Heaven is on the Left, Fiji is on the Right", "Divine Machine Camp", etc., the drama script "Peach Dream", "Kidnapping Mr. Dog", participated in the screenwriting of the well-known sitcom "Family with Children", "Funny Family", "The Story of Sheriff Ma" and so on.
Directed by Ge Pengxiang
■ New generation and emerging directors, actors, screenwriters
■ Signed director of Shakespeare Theatre Studio and Premiere Group
The new generation of domestic and emerging directors, actors, screenwriters, Shakespeare Theatre Studio signed directors, First Film Group signed directors, has directed the film "My Dog", "Brave", "Nian Nian", "Watermelon Team" and so on. In 2016, he directed his first theatrical film "Watermelon Team", and in the same year, he cooperated with the famous screenwriter Zhao Xiucai to launch the blockbuster drama "Peach Of Dreams" in Beijing. In 2018, he collaborated again on the drama "Kidnapping Mr. Dog".
Producer Ye Yang
■ Actors, producers, executive producers
Actor, producer, executive producer, participated in the cinema film works "Watermelon Team" and "Broken Line", executive producer of the online movie "Battle of Eternal Life", developed the whole process of stage drama, participated in the CCTV documentary "Hot Snow", and served as the production director. Participated in stage plays, served as the producer of the drama works "Ma Meili", "Strange Thief Archimedes", and the executive producer of "Peach Of Dreams" and "Kidnapping Mr. Dog".
Art direction Xie Liang
■ National first-class actor and director
■ Senior performing artist
National first-class actor, director, from the arts for more than 50 years, senior performance artist. He has participated in many dramas such as "Xi'an Incident", "Sentinel under the Red Light", "Dawn", and directed many drama works such as "Graduation New Song", "Respectable Person", "New Organization Minister", "Warm Spring" and so on.
Associate Director Gong Ziwen
■ Master of Drama, Film and Television, College of Literature, Jilin University
■ Young screenwriters and contracted authors
Graduated from Jilin University College of Literature with a master's degree in drama and film, young screenwriter. Online literature writer, contracted author, majoring in the genre mode of Hollywood film and television works, plot structure, narrative rhythm, character shaping, familiar with camera language and scene scheduling. Veteran drama lover.
Cast
Huang Feihong - Played by Wang Gang
Thirteenth aunt - Tian Yixi / Wang Siyu
Zhang Lanzhou - played by Sun Zhiwei
Pork Rong - Played by Liu Min
Nalan Yuanshu - Played by Zhang Mingmin
Lu Haoran - Ding Yixuan
Zhao Tianba - Played by Wang Chengzu
Cao Chen as Xie Liang
Producer
Xingdechuan Cultural Tourism Development (Ningbo) Co., Ltd
Contracting units
Xiangshan used to have a mountain culture media studio
National style hilarious stage play
Don't Move! Huang Feihong's purple sand pot! 》
Hot tickets on sale
—Show Time—
September 20-21, 19:30-21:30
—Venue—
Beijing Tianqiao Art Center · Small theater
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