This morning, the Personnel Department of the Ministry of Culture and Tourism officially announced the appointment of leading cadres of the National Drama Theatre of China and the China Children's Art Theatre. Tian Qinxin was newly appointed president of the National Drama Theatre of China, Ge Dali was appointed artistic director of the National Theatre of China, Feng Li was appointed as the president of the China Children's Art Theatre, and Shan Zenghong was appointed artistic director of the China Children's Art Theatre. The artistic director, like the party secretary and dean of the theater, belongs to the same level.
Tian Qinxin, the new president of the National Theatre of China
Tian Qinxin was formerly the vice president of the National Drama Theatre of China, a national first-class director, a member of the 12th Central Committee of the China Democratic League, a deputy director of the Cultural Committee, a member of the 13th National Committee of the Chinese People's Political Consultative Conference, an expert enjoying special allowances from the State Council, and a "four batches" of talents of the Central Propaganda Department. Tian Qinxin graduated from the Directing Department of the Central Academy of Drama and is one of the most powerful and influential theater directors in contemporary China. Her theatrical works are unique on the Chinese theatrical stage, involving a new exploration of Chinese classical themes and world famous works, the form pays attention to the stage performance of the integration of contemporary art concepts and oriental aesthetics, attaches importance to the variability and fluidity transformation of the complex time and space structure of the stage, emphasizes the performance of the integration of dramatic body language expression and poetic language, and the stage visual pursuit of the oriental aesthetic expression of "image charm and posture fanaticism". Tian Qinxin's representative works include the drama "The Field of Life and Death", "Wild Ride", "The Orphan of Zhao", "Red Rose and White Rose", "Four Generations In the Same Hall", the opera "Long March", the song and dance drama "Poverty Alleviation Road", the Kunqu opera "1699 Peach Blossom Fan", the TV program "China in the Story" and so on.
Ge Dali, the new artistic director of the National Theatre of China
Ge Dali was formerly the vice president of the National Theatre of China and graduated from the Department of Drama and Literature of the Central Academy of Drama. Gogh's theatrical works, which Govey has served as a producer, have both good timing and market benefits, including "The Accidental Death of an Anarchist", "Rhinoceros in Love", "Copenhagen", "Call Me a Brother", "Very Mahjong", "Amber", "Opinions on the Life of Two Dogs", "Don Quixote" and so on.
Feng Li, the new director of the China Children's Art Theatre
Feng Li, the new president of the China Children's Art Theatre, was the former Secretary of the Party Committee and Vice President of the China Children's Art Theatre, and presided over the work of the theater. Feng Li is a national first-class screenwriter, graduated from the Department of Drama and Literature of the Central Academy of Drama, and her main stage plays include "Chinese Soldier", "Mu You Inch", "Goats Don't Eat Heavenly Grass", "Sandpiper Mussel Fish", "Where is the Mother of the Little Butterfly", etc., and published the novels "Beijing Summer" and "Hu Butterfly After the Shadow".
The new artistic director of the China Children's Art Theatre, Shan Zenghong
Shen Zenghong was formerly the vice president of the China Children's Art Theatre and a national first-class actor. Shen Zenghong graduated from the Central Academy of Drama, and his representative works include children's dramas such as "Ma Lanhua", "Moon Grass", "Blue Bird", "Treasure Ship" and so on.
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"Today, I will take the entrustment of the party group of the ministry to take up the post of president of the National Drama Theatre of China. I am well aware of the weight of this appointment, the responsibility and responsibility that I must assume. At this morning's appointment meeting, Tian Qinxin, president of the National Theatre of China, said in his inaugural speech.
"I entered the theater in December 1999 and it's been a full 21 years this year. During this period, I experienced the period when drama learned various theatrical ideological trends from the West, and also experienced domestic drama performances, from the painful period and market activity period of sending tickets one by one to the audience buying tickets, to the country entering a new era, under the guidance of the spirit of General Secretary Xi Jinping's speech at the literary and art forum, adhering to the people-centered creative orientation, and dedicating the people's literary and artistic concept with fine products, I saw the prospect of the great rejuvenation of the Chinese nation and the arrival of cultural self-confidence... Today, I stand at a new starting point for my career, thinking that it will not only be an individual artistic creation style, but the overall artistic production of the theater and the development plan for the future. First of all, we must have a public heart, that is, from the perspective of the theater and think about the theater, and secondly, we must maintain our original intention and maintain our love for the art of drama. ”
She said that in the next work, efforts will be made in four aspects: to enhance the political position, strengthen theoretical learning; promote theater art production, dedicate the people with fine products; improve the modern management ability of the theater and troupe, expand thinking, and create a vision of the development model of the national dialect. "We will continue to unite and cooperate with the leadership team of the hospital, enhance collective synergy, lead the national dialect, base ourselves on reality, and look to the future." Under the guidance of Xi Jinping Thought on Socialism with Chinese Characteristics for a New Era, the artistic ideals are integrated into the cause of the party and the people, and the theater is led to launch more excellent stage works that reflect the voice of the times, show the people's struggle, and invigorate the national spirit. The National Drama Theatre of China will help the spread of Chinese stories and the prosperity and development of Chinese drama! Help the participation, implementation and achievement of cultural powerhouses! ”
Source Beijing Daily Client | Reporter Wang Run
Edited by Jin Liwei
Process Editor Liu Weili