When I watch "The Chronicle of the Boat", I always flash back to the scene of being an editor in a publishing house. One editing room, three or four editors, silent when they buried their heads in the manuscript, and happy when they occasionally chatted, the relationship was simple and harmonious.
After watching more sensory stimulation and suspenseful film and television dramas, we seem to need such a clear heart, calm and peaceful movie to cleanse the noisy soul.
This just right return complements the current state of mind.
In fact, "The Chronicle of the Boat" is a very stuffy movie, the cute and boring male protagonist Ma Di, the boring dictionary editing work, the pace is slow enough. But somehow, in the process of watching the movie, there will always be a burst of happiness, mixed with envy for the male protagonist.
Grandma Zhu, the landlord of Ma Di, said to him: "It is so happy to find the job I want to do in this life at such a young age!" This may be the source of envy, after all, many people may not find a job they like all their lives. Nothing has been done, but a lifetime has been wasted.
"Dadu Hai", a dictionary of great significance of the times, a tool book compiled with life, the male protagonist Ma Has spent 15 years, day after day, creating an ordinary immortality.
Choosing one thing for a lifetime is the craftsman spirit that Japanese culture is very happy to promote, and it is also something that we want to find under the rapid development of society. Therefore, documentaries such as "I Repair Cultural Relics in the Forbidden City" will be deeply loved by the audience.
If you love books, this will also be a movie with the right taste. Although the compilation of entries and dictionaries has nothing to do with the book itself, seeing how much Ma Di pays attention to the paper used in the dictionary, it seems that he can smell the ink fragrance on the paper across the screen.
Perhaps the most attractive thing is the countless books of Ma Dijia, shuttled between bookshelves, wrapped in piles of books, indulging in the fragrance of books, which is the happiness of book lovers.
Commenting on such a movie, it is difficult to get started. Because the plot of this film is really as plain as boiling water, there is no swinging intestines, no good and evil beauty and ugliness. The plot of the flat and direct narrative is full of well-intentioned characters, and even the technique of the camera is basically a flat perspective shooting. Occasionally, there is a high-angle lens, which is exquisite.
Choose one thing, live your life. The length of life will eventually come to an end, and the flow of time will not stop for anyone. Like Mr. Matsumoto, the advocate of the compilation of the Otokai, he was unable to wait for the publication of the dictionary fifteen years later.
In this life, there are always too many things to do. We love books, but we can't read all the books; we love movies, and we can't watch all the movies. Although "Dadu Hai" contains many entries, it cannot be exhausted in the end, not to mention, after 15 years of baptism, some entries have been given new meanings by the times.
Therefore, at the grand publication ceremony of "Dadu Hai", our craftsman Ma Di was ready to enter the revision work. Perhaps, this is another 15 years of opening.
Resist the passage of time with the investment of the moment, ignore the return of the result with focused research, and capture the boundlessness of vocabulary with the inheritance of inheritance. Aren't the craftsmen in Japanese culture the fools of Chinese culture?
More than once in the film, the picture of the sea, the blue sea, occupies the entire screen. Even in Ma Di's dreams, he would indulge in the sea, but he was calm and calm.
The sea of "Dadu Hai" is an ocean of boundless words. "Dadu Hai" itself is a flat boat that leads the reader to swim in the ocean. The weaver is a dreamer who gives people to cross the sea.
Dadu Hai and Zhou Ji, which are asymmetrical two, have formed a closely related intertextuality.
The content of this film is far more profound than the film itself. This is also such a bland film, which can get a return of 8.6 ratings.
The weaver crosses the people, and even more crosses himself. When we sink our hearts to enjoy such a film, we may also be looking for the ultimate coordinates of our own life on the sea.
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