<h1 class="pgc-h-decimal" data-index="01" data-track="1" > most of Hong Kong's showbiz celebrities sent him off</h1>
In 2010, Wang Jing's father, Wang Tianlin, died of declining physical function.
Speaking of Wang Jing's father, many people may be confused, but when it comes to "The Legend of the Eagle Shooter", everyone will not be unfamiliar, and the director of this drama is Wang Tianlin.
In the Hong Kong showbiz circle, the name "Wang Tianlin" can be said to be known to everyone, because he is a "grandmaster" level figure in the circle.
He has praised Chow Yun Fat, Xie Xian, Andy Lau and other powerful actors, and has also trained eight well-known directors, saying that he alone has supported half of the Hong Kong film industry, which is no exaggeration.
Wang Tianlin
In the history of Chinese cinema, Wang Tianlin is a rare and prolific director. According to incomplete statistics, he has participated in or directed hundreds of film and television dramas, and this data is still beyond the reach of many people.
Therefore, with his strong influence and connections, Wang Tianlin's funeral was unprecedentedly grand, and famous directors and well-known actors such as Xie Xian, Huang Rihua, and Du Qifeng, who were carried out by him, all helped him.
Wang Tianlin was born in Shanghai in 1928. That year was the chinese Communist Party's meeting at Jinggangshan, and it was also a critical moment in the War of Resistance Against Japan, so Wang Tianlin grew up in the background of the war-torn era.
Wang Tianlin, who was born not long ago, has a relatively wealthy family, at least eating and wearing is not a problem. Until he was ten years old, the pillar of the family fell, his father died in that turbulent era, and the family's economic situation deteriorated.
Wang Jing and Wang Tianlin
Therefore, Wang Tianlin had not finished middle school, so he went to Guangdong with his uncle and earned living expenses by doing film compradors. When the business couldn't go on, he left his hometown for Hong Kong at the age of 17.
In 1941, Hong Kong fell to the sound of the 101st Christmas, a process that took only eighteen days. Former luxury hotels have also become shelters for citizens.
Wang Tianlin had no choice but to go to Guiyang. There he took a job as a juggler in the theater and did not return to Hong Kong until 1947. At this time, Hong Kong has become the hand of the British.
After returning to Hong Kong, Wang Tianlin still relied on his uncle's introduction to go to a film company to do film development work. After doing this job for a while, the recording position on the set was just short of people, so he replaced it and became a recording assistant, which was also the closest he had to film and television production.
Because Wang Tianlin has been engaged in work related to his acting career since he left home, he will also show different talents and ideas from others when doing recording work.
In this way, the assistant next to the director found that he should not be just a recording assistant, and suggested that he try a higher position. Wang Tianlin felt that it made sense, so he turned around and became a field reporter in the photography team, which was equivalent to being promoted to the preparatory position of assistant director.
Wang Tianlin was young
But it's a busier, more laborious and thankless job than anyone else on the crew, and it also requires endurance and concentration the most.
Wang Tianlin needs to record and report to the director about the script of each sub-shot, and list the actors' appearance list, and also count the completion of daily work, and even the placement of props, the actor's makeup, and the position are under his control.
Once there is a slight difference, the entire set will ask only him.
Wang Tianlin crew work
Although this time of making a note was hard, it laid the foundation for his later path as a director.
When Wang Tianlin faced the hardships that life gave him, he rarely complained, and always accepted all challenges peacefully in a rebellious manner, just take his first boss, Hong Shuyun.
Hong Shuyun
Hong Shuyun is a director with a very personality, but he has a big temper and a big shelf, and sometimes something happens on the set that makes him look unpleasant, and he will be angry on the spot.
The result is to let Wang Tianlin clean up the mess he left behind, so a play comes down, although the final director position of the film is hung with Hong Shuyun's name, but in fact, the entire movie is almost completed by Wang Tianlin.
Hong Shuyun movie
Experiences like this are not many for Wang Tianlin, who has also followed other directors after Hong Shuyun.
When they found out that Hong Shuyun's trick was tried and tested repeatedly, they began to be the hand-throwing treasurer, when they were in a good mood and had energy, they would go to the set to walk around twice, and even some simply got the script, and then directly dumped it to Wang Tianlin and let him be responsible for all affairs.
After receiving more such work, Wang Tianlin, who originally had no experience in drama shooting, also learned a lot of skills and shooting techniques from it.
Over time, he himself realized a set of rules. In this "hard-won" chore, he actually completed the process from quantitative change to qualitative change, and successfully "broke through five levels and six generals" all the way from the field record to stand in the position of assistant director.
Since then, he has almost always filmed, as long as the script is in his hand, he will definitely be able to give the audience an explanation.
And he almost does not refuse the theme of the script, whether it is comedy, tragedy or action movies, he can shoot it, and the control of multiple styles is even more handy.
Although he is not the most distinctive and top director, people who can have such a strong adaptability can be described as rare in the film and television circle.
Perhaps this is related to his resignation, and the cultivation of this character is inseparable from his experience of being displaced in the war since childhood.
After the success, Wang Tianlin's life was almost occupied by filming. But he loved the job, and it was because of this pure heart that he was able to export hundreds of works.
In 1973, Wang Tianlin entered the Hong Kong TVB, and it was at TVB that he received his first martial arts play.
In order to make the visual impact of this play stronger, and out of consideration for the personal safety of the actors, he made a groundbreaking decision in China, that is, to use "Weiya" in the process of filming the scene.
Hanging Weah
At the same time, he also pioneered the work of Hong Kong martial arts drama, and unconsciously, pushed TVB towards its "golden age". It has single-handedly forged one Hong Kong superstar after another.
In his later years, Wang Tianlin was not idle. Although he has retired from the position of director, he is not old,but he is still walking on the road of acting career.
Wang Tianlin in his later years
Wang Tianlin, who should have been at ease with his retirement, began to make cameos in the plays of his apprentices after training eight directors and countless well-known actors.
He especially likes to play the underworld boss "Dumbo" in the "Underworld" series of his beloved disciple Du Qifeng, and in the later film and television dramas he participated in, he never received remuneration, but only expressed his return in the form of red envelopes.
Wang Tianlin, who learned to live from old age to old age, won the last Golden Horse Award in his life with superb acting skills in his later years.
Wang Tianlin won the award
<h1 class="pgc-h-decimal" data-index="01" data-track="66" > son inherits his father's business, why did a generation of famous directors cultivate a "king of bad films"? </h1>
Speaking of Wang Tianlin, it is impossible to avoid his son Wang Jing, who is known as the director of films such as "The Gambler King" and "Macau Storm".
Just as the so-called "son inherits his father's business", Wang Jing has also won the true biography of his father Wang Tianlin in filmmaking. So far, he has directed and supervised more than 400 film and television dramas, and is also a rare "prolific director" in the show business circle.
Director Wang Jing
At the same time, he is also a complete commercial film director, in his films, the care and thinking about humanities has been completely removed, leaving only empty and meaningless funny, and the name "King of Bad Films" has also come from this.
But does he really just make bad movies? Or why did he make these unnourishable film and television dramas?
Wang Jing
In fact, under the influence of Wang Tianlin, Wang Jing has had a great passion for drama since he was a child, so he has almost watched literary and artistic films at home and abroad, and after becoming a director, he has also come up with many excellent works.
And he will eventually choose to be a commercial film director, which is also related to his father Wang Tianlin.
At that time, the family's economy was sluggish, and their mother was good at gambling, and they were almost on the verge of bankruptcy. In order to make his family live a better life, Wang Tianlin often shoots outside without leaving home all year round.
Wang Jing suffered from "poor days" and made up her mind to make commercial films. Since then, filming is no longer just a job in his eyes, but a business, so some people will say that he specializes in bad films.
But in fact, in that era, the major drama crews in Hong Kong almost did not start work, except for Wang Jing's drama. Because at that time, Hong Kong's acting career once fell into a trough, and the only one who could make a profit was Wang Jing. It is he who relies on these "bad films" to feed a group of actors in the case of a downturn in the market.
When Wang Jing was asked how he felt about the title of "King of Bad Films", he responded calmly.
Wang Jing responds to the king of bad films
In the face of doubts, Wang Jing used a "stupid child" to prove that she can not only make literary and art films, but also do it well. He successfully expressed the cruelty of real life, but also embodied the hope of life.
That is, this movie made Wang Jing win the Golden Horse Award, and Ye Dexian, who played the heroine, also won the film queen of that year because of this drama.
In the use of Wang Jing's personal property, investing in literary and art films has always been a big expense, and this alone is enough to subvert people's views on his "mercenary interests, only bad films".
"To make a literary film, you must be advanced, and if you want to make a commercial film, you must make money." This is Wang Jing's view of his profession. In this regard, Wang Tianlin and Wang Jing have similar views on father and son, both of whom love their professions and respect art.
Now that Wang Tianlin has passed away, I hope that Wang Jing can inherit her father and make more good works.
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