Now many of the old traditions of crosstalk have been restored. The master and apprentice replaced the teacher and the student. When he was receiving apprentices, he began to engage in the form of trick-or-treating.
In the history of crosstalk, there are many controversial teacher-inheritance relationships, and these controversies are mainly due to the form of worship of teachers, which are not known. Even if the master verbally admits it, but does not hold a ceremony, it means that this master-apprentice relationship is not open to the cross-talk community. You do not hold ceremonies, do not invite your peers to be the guide, which seems to mean that your teachers and disciples themselves feel that it is not appropriate to disclose.
Pendulum knowledge, pendulum knowledge, the so-called "pendulum knowledge", is the meaning of "putting out everyone knows".
In the new era, there is a period of time can not be carried out ceremonies, so there is the word "student", but this title can not replace the "apprentice", even if an old gentleman on a certain occasion said xxx is my "apprentice", it is just a helpless move of "new things and new things". There is still a big gap between "student" and "apprentice", you taste carefully.
The cross-talk industry is relatively closed and pays attention to the inheritance of teachers. In the past, two insiders who had never met before always had to cross the board and talk about their respective divisions. If you don't have a master, then you are a "sea green" and you will be excluded. Therefore, the "shi cheng" thing is very important in the cross-talk circle. Because he is important, there are various stories around these two words. For example, some teachers are controversial. That is to say, some people agree, some people do not agree, each has its own reason, and cannot agree with each other.
1. Zhang Jieyao
Mr. Zhang Jieyao's deeds have been written in detail before. This "Zhang Fool", who has purchased a large number of "industries" for the cross-talk circle, is a typical controversial figure of Shi Cheng.
Mr. Zhang Jieyao has entered a private school since he was a child and has a bit of a cultural background. After the defeat of the family road, he entered the drama class to study drama, and later also stayed in Beijing Tianqiao. He likes li dezhao, who is "a million fans", and often goes to see it. Later, I also memorized a lot of passages and learned to perform myself. Perhaps born to be the life of "grandmaster appreciation", Mr. Zhang Jieyao taught himself. Later, he even followed other artists to start saying that cross-talk was a national cave, and his footprints traveled all over the country. He not only honed his skills on the stage, but also created a large number of cross-talk works, such as the later well-known "Guan Gong Zhan Qin Qiong", the provincial people get up at night to pee, "Noisy Gongtang" (drama fan county magistrate), selling medicine candy, "Illiterate Family Letters" and so on are all the properties left by Zhang Silly Ye for the cross-talk industry.
Because he was self-taught and did not have a teacher, he was ostracized by the cross-talk community. Therefore, after being introduced by people, I wanted to worship Gao Wenyuan as a teacher, gao Wenyuan was Gao Deming's father, a generation higher than the "de" character now said. But Gao Wenyuan did not look at the maverick Zhang Jieyao at all, and stood up when Zhang Jieyao was about to kowtow, and turned around and walked away. Zhang Silly Didn't care, he prostrated his head three times at the chair that Gao Wenyuan had just sat on, and when he went out, he said that he was Gao Wenyuan's apprentice.
However, such a master inheritance is naturally not recognized, because everyone in the circle knows that Gao Wenyuan did not know at all, and it is not considered to agree. Therefore, Zhang Jieyao is still ostracized by his peers. Zhang Silly Ye was really anxious by the squeeze of these gangs, and in a fit of anger, he changed his name to "Zhang Jizu", changed his brother's name to "Zhang Jizong", and blatantly called himself "the ancestor of the funny industry"! So there was an uproar in the cross-talk circle. However, Zhang Jieyao is maverick, there is no bird at all, and his old man's ability is big, helpless, and finally Zhang Shouchen came forward to reconcile, a sentence of "silly uncle is full of mouth" praise is an acknowledgement of Zhang Silly's generation and master inheritance.
But this is also yang yang to stop boiling, calm things and thin mud, about Zhang Silly Ye's master inheritance is actually still controversial, and Gao Wenyuan did not know to accept this apprentice until his death. Just look at the group photo of the two of them. The "master" looked indifferent and reluctant, and the "disciple" did not have a respectful look of standing with his hands hanging down, but kept Ren Danhu and held his arms with a sneer.
2. Jiang Baolin
Mr. Jiang Baolin grew up with Chen Ziquan, who is a "Shou" character, but Jiang Baolin did not worship him. Later, he has been learning art with Mr. Li Jiechen (Mr. Li Boxiang's father, the "Bao" character), but he has not known. Although he did not know it, the cross-talk community at that time always regarded Jiang Baolin as Li Jiechen's apprentice. When Tian Lihe was visiting Zhang Shouchen, because of his young age but high rank ("Bao" character), Zhang Shouchen was worried that the cross-talk community would be embarrassed by his little apprentice, so he specially arranged for him to worship with Jiang Baolin, Wang Wenjin, Li Boxiang and Wei Wenliang as allies. It can be seen from here that at that time, everyone regarded Jiang Baolin as an artist of the "Wen" generation, that is, Li Jiechen's apprentice.
But in fact, Jiang Baolin and Li Jiechen did not know each other, and the relationship between the two was also very bad, it is estimated that Mr. Jiang Baolin did not admit in his heart that he was Mr. Li Jiechen's apprentice, but in order to have a "master", he did not say it explicitly. Many people in the cross-talk circle do not like Mr. Li Jiechen. For example, when Jiang Baolin performed at the Jinan Chenguang Tea House, Mr. Sun Shaolin once only gave Jiang Baolin half a salary, on the grounds that "because you are Li Jiechen's apprentice." This also caused Mr. Jiang Baolin to have a lot of opinions about Mr. Sun Shaolin.
This unclear division was brought to an end in 1988. At that time, at the ceremony of Jiang Baolin's acceptance of apprentices, Mr. Ma Sanli openly said in front of many figures in the music and art circles, "Jiang Baolin counts my apprentices", and Jiang Baolin also bowed to Ma Sanli in public, and he became an artist of the "Bao" generation, ranking second from the bottom of Ma Sanye's apprentices, and the penultimate one was Li Wenhua. It is reasonable to say that this master has also understood, but in his speech on the spot, in addition to explaining the process of knowing and understanding Jiang Baolin, Ma Sanye also openly said that "Li Jiechen's human nature is not good." Therefore, Third Master Ma's "disciple" is obviously disgusting with the Li family, but Mr. Li Jiechen has been dead for nearly twenty years at that time, and we can only hear one side of the word.
3. Yang Shaohua
Yang Shaohua is a typical old red. He's very engaged in acting, very into the role. But this advantage is also his shortcoming. As a cheering actor, you are too into the drama and have a bit of a sense of stealing the scene, which makes the comic actor very uncomfortable. Even Ma Sanli cooperated with him for a cross-talk, and warned him to "talk less" before going on the court. Because of this style, he did not have any long-term partners. It wasn't until he met Zhao Weizhou that he became red under Zhao Weizhou's support. But after he became red, he abandoned Zhao Weizhou and went to his son Yang Yi with all his heart.
Yang Shaohua's shicheng was also discussed by everyone. He grew up working in the Qiming Tea House, and later gradually got to know a little about cross-talk, and was introduced by people to worship Guo Rongqi as a teacher. But this pair of masters and apprentices did not know. Some people say that it is because Mr. Yang Shaohua's family is poor and can't come up with the money he knows, and Guo Rongqi doesn't care. Some people also said that Guo Rongqi did not look up to Yang Shaohua at that time, and he paid more attention to the children of the "family", such as the children of the Chang family, so he did not know it, and verbally promised to forget it.
But whatever the reason, the later cross-talk circles still have some discussion about whether Mr. Yang Shaohua's teacher inheritance is real or not. But Mr. Yang Shaohua has an advantage, he has a very good relationship with the Ma family, the Hou family, and the Chang family, and these three people will not be embarrassed by Yang Shaohua, and Ma Sanli even wrote Mr. Yang Shaohua clearly in Guo Rongqi's list of apprentices. So whether you admit it or not, as long as these big vines admit it, this master's commitment is true.
Off-topic, Mr. Yang's strong praise of Yang Xiaowu is still "haiqing leg". This is interesting.
4. Huang Minmin
"Rhubarb" was gone one day. When I think of Rhubarb, I think of him blushing on the stage and saying to Ma Zhiming, "Thin and tall, that's your father"!
The Huang people are halfway out of the house, that is, the ticket friends turn positive. At that time, Mr. Ma Zhiming had no partner and was introduced to the Huang people. Although the Huang people also play tickets in amateurs, they are basically a blank piece of paper, and people are also generous and honest. It was precisely because of these two points that Shao Ma Ye decided to cooperate with Rhubarb. The advantage of a blank piece of paper is that the young horse master can cultivate a certain amount of work according to his own requirements, which is easier to change than the people born in the door. So rhubarb is fed out by the young horse master one bite at a time. The style of the two is indeed matched, so the cooperation has been so far.
Rhubarb was also a disciple of Shao Ma Ye who verbally acknowledged, but did not know. Therefore, this has also become the reason for the controversy of the Huang people's master: Shao Ma Ye had two apprentices who were known, and Rhubarb did not know. Regarding this piece, Shao Ma Ye has said that:
"In fact, I had no intention of accepting apprentices, and our level was not up to the standard of being able to accept apprentices, whether it was too far worse than my father or my brothers Wang Fengshan and Hou Baolin, and the people of the Huang clan were also because at that time, they just couldn't find a suitable partner, and they were similar in temperament, Rhubarb admired the art of our old master, but he certainly couldn't worship my father, so I accepted him, although I didn't formally know that there was no introduction to the third division of the Bao Dynasty, but he was an apprentice I recognized." At that time, the Huang clan was also opposed by some of his peers in the industry, so since then I have decided not to accept apprentices, because once I collect again, many famous actors will have to call him Uncle Shi, which will only make enemies among his peers and is not conducive to personal development. In addition, it should be noted that in addition to huang zumin, my apprentices also have Lu Fulai and Yu Kezhi that our grandfather asked me to receive, which were officially displayed in Tianjin in 1989, introducing Jin Wensheng, Baoshi Zhang Yutang, and Acting Master Lian Xiaokun. “
5. Hao Aimin
The name may be a little unfamiliar to young readers, as Mr. Hao has not appeared for a long time. But in the 1980s, he was one of the "Top Ten Comedians" who became a household name.
Mr. Hao Aimin has loved art since he was a child, and before he finished his sophomore year of high school, he entered the China Central Radio and Television Theater Troupe and became a drama actor. Later, the leader asked the actors to absorb more nutrients from traditional arts, so he ran to the Qu Art Troupe to ask Hou Baolin for a few cross-talk lessons, but he did not expect to be able to receive it on the road of cross-talk from then on.
After he was officially transferred to the Rap Troupe of the China Broadcasting Literary and Labor Troupe, under the words and deeds of Hou Baolin, Liu Baorui, Guo Qiru, Guo Quanbao and other teachers, Hao Aimin made rapid progress. He not only performed cross-talk, but also created cross-talk, and followed the teachers to perform everywhere, and the cross-talk skills were naturally improved, and gradually became a cross-talk actor loved by the broad masses of the people.
The experiences of Hao Aimin and Mr. Ma Ji are very representative. They are cross-talk actors in the new era, and in the stage of his study, they do not pay attention to apprentices and masters, but are collectively referred to as teachers and students. Moreover, each student also has more than one teacher, and several teachers are arranged organizationally (it is estimated that this is a deliberate attempt to avoid apprentices and masters in the organization). Therefore, the so-called "master's inheritance" of these people is gone.
No one has mentioned this matter before, but now that the "old tradition" of the cross-talk circle has come back to life, some people have raised it. There are two voices about Hao Aimin's teacher's inheritance, some people admit it, and some people don't admit it. For example, Hou Yaohua and Hou Yaowen did not have Hao Aimin's name when they announced Hou Baolin's apprentices, while Hou Baolin's daughter Hou Feng, as well as Hou Baolin's apprentices Ding Guangquan and Shi Shengjie, did publicly recognize Hao Aimin as Master Hou's apprentice.
It's funny to think about. This is a product of the times, and who decides whether to admit it or not? What's more, why did Ma Ji, who was in the same situation as Hao Aimin, admit to being Hou Baolin's apprentice and simply question Hao Aimin? Just because Mr. Hao is not famous?
I don't think this crosstalk circle is accurate.