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In the Chinese cross talk industry, the partner of Yang Shaohua and Ma Zhiming was once hailed as a golden combination, and their performances made the audience laugh and won a huge reputation for themselves.
However, as the years passed, the pair eventually parted ways.
What's even more surprising is that Yang Shaohua's son Yang Yi publicly said: "From teasing to funny, my father is too aggrieved." "
The remarks unveiled the secrets behind their collaboration and sparked a re-examination of the relationship.
What is the reason for the rift in this golden pair?
How did the partnership between Yang Shaohua and Ma Zhiming begin? The answer to this question does not seem to be as simple as one might think.
The story starts with the Tianjin Quyi Troupe. At that time, Yang Shaohua was 47 years old and working in a steel rolling mill in Tianjin. Although he has worshipped the cross talk master Ma Sanli as his father-in-law, his desire to enter the quyi troupe has never been realized.
The opportunity has finally arrived. Ma Zhiming has just returned to the city and is looking for a stable partner. The leaders of the quyi troupe gave Ma Zhiming the right to choose his partner independently, and he could even bring in talents from outside.
It was at this time that there were disagreements about how Yang Shaohua became Ma Zhiming's partner. Yang Shaohua's son Yang Yi claimed that it was Ma Sanli who took the initiative to invite his father to cheer for Ma Zhiming, and promised that it would only take 1,000 days.
According to Yang Yi, his father's change from teasing to teasing was a sacrifice, and in order to make up for this loss, Ma Sanli decided to transfer Yang Shaohua to the quyi troupe.
But Ma Zhiming's statement is very different. He said that it was Yang Shaohua who offered to be his supporter, in order to enter the quyi troupe. The difference between these two statements reflects the complexities that can lie behind the partnership.
Regardless of the truth, one thing is certain: Yang Shaohua successfully transferred from the rolling mill to the Tianjin Quyi Troupe and began his career as Ma Zhiming's partner.
It is worth mentioning that Yang Shaohua is a full 12 years older than Ma Zhiming, and this age gap was not common in the cross talk industry at that time.
From teasing to teasing is a huge change for Yang Shaohua. He needs to adapt to his new role and partner younger than himself. This process must have been full of challenges, and perhaps as Yang Yi said, it did make his father feel a little "wronged".
However, no matter what the reason was at first, the partnership between Yang Shaohua and Ma Zhiming began. How will their collaboration develop? Can this pair, who have a huge age difference, spark on stage? The answers to these questions still need to be slowly revealed in their future acting careers.
Although Yang Shaohua and Ma Zhiming's partnership was controversial at the beginning, their performance on stage was surprisingly wonderful.
With years of experience in cross talk, Yang Shaohua quickly adapted to the role of praise. He has created a unique stage image - seemingly honest, but in fact clever "wilting" style.
This way of performing makes the audience refresh and laugh constantly.
Although Ma Zhiming is young, he inherited the mantle of his father Ma Sanli and has solid cross talk skills. His funny style is lively and vivid, which forms a wonderful contrast with Yang Shaohua's "wilting".
One of the two is active and the other is calm, and the stage effect is surprisingly good.
With the deepening of cooperation, Yang Shaohua and Ma Zhiming gradually cultivated a tacit understanding. Yang Shaohua can always give witty words at the right time, creating an excellent performance space for Ma Zhiming.
And Ma Zhiming gave full play to his talent and gave full play to the art of cross talk.
Their performance style was quickly embraced by the audience. People rushed to buy tickets to see their shows, and some even watched the same show multiple times. In the laughter of the audience, Yang Shaohua and Ma Zhiming became more and more famous, and gradually became well-known partners in the cross talk industry.
This pair, who have a huge age difference, conquered the audience with their talent and tacit understanding, and also won the respect of their peers in the industry. Their success proves that age gaps aren't a problem as long as you find the right way to perform.
However, with fame comes the pressure. Audiences have higher expectations, and they need to keep innovating to meet everyone's needs. Does this stress affect their relationship? Does the laughter on stage last behind the scenes? These problems have been quietly emerging in the rising years of their careers.
Despite this, the golden partnership period of Yang Shaohua and Ma Zhiming is undoubtedly a peak of their careers. With their wonderful performances, they have left a strong mark in the history of Chinese cross talk.
Just as the partnership between Yang Shaohua and Ma Zhiming was in full swing, Yang Shaohua's artistic career ushered in another important turning point. This turning point is related to a figure known as a "cross talk ghost", he is Zhao Weizhou.
Zhao Weizhou has a great background in the cross talk world. He is a leader of the cross talk school of the "Ming" generation, not only has profound acting skills, but also outstanding creative talent.
Even the cross talk master Guo Degang was full of praise for him, saying that Zhao Weizhou was the most talented person in the "Ming" generation.
By chance, Yang Shaohua and Zhao Weizhou began to cooperate. This cooperation has brought unexpected gains to Yang Shaohua. Zhao Weizhou seemed to have found the best partner and began to tailor works for Yang Shaohua.
Among them, works such as "Dead Wood in Spring" and "Alarmist" have become classics among the classics.
Interestingly, when Zhao Weizhou created these works, he deliberately left most of the jokes and highlights to the praised Yang Shaohua. This practice was not common in the cross talk industry at that time.
You must know that characters who are usually funny are more likely to shine. Zhao Weizhou's almost "self-sacrificing" creative method has given full play to Yang Shaohua's "wilting" style.
With the help of Zhao Weizhou, Yang Shaohua's performance style is more mature. His seemingly honest but witty "wilting" image is deeply imprinted in the minds of the audience.
With the launch of wonderful works, Yang Shaohua's popularity has been rising.
In this way, when approaching the year of the sixtieth year, Yang Shaohua ushered in another peak of his career. His name has once again become a hot topic in the cross talk world, even surpassing the influence of his previous partner with Ma Zhiming.
This collaboration with Zhao Weizhou can be said to be a golden period in Yang Shaohua's artistic career.
However, the story doesn't end perfectly. Just as Yang Shaohua was becoming famous, he made a surprising decision: he chose to part ways with Zhao Weizhou.
What are the considerations behind this decision? Is it to support the career development of his son Yang Yi, or is there something else hidden? These issues caused quite a bit of controversy at the time.
Many years later, when asked about the original intention of cooperating with Zhao Weizhou, Yang Shaohua's answer caused an uproar. He said that the reason why he partnered with Zhao Weizhou at the beginning was because of the face of Zhao Weizhou's father Zhao Xinmin.
The remarks cast a shadow of mystery over this once-glorious collaboration.
After the cooperation between Yang Shaohua and Zhao Weizhou ended, people's eyes returned to his relationship with Ma Zhiming. The once golden partner finally went their separate ways, which sparked a lot of speculation and discussion.
It was at this time that Yang Shaohua's son Yang Yi stood up and publicly said: "From teasing to teasing, my father is too aggrieved." These words undoubtedly cast a new layer of color on this partnership, and people began to re-examine the partnership journey of Yang Shaohua and Ma Zhiming.
Looking back at the beginning of the cooperation between Yang Shaohua and Ma Zhiming, the two statements coexist. One is what Yang Yi said, Ma Sanli took the initiative to invite Yang Shaohua to praise Ma Zhiming, promising that it would only take 1,000 days.
The other is Ma Zhiming's statement that Yang Shaohua took the initiative to ask for Ying in order to enter the quyi troupe. The difference between these two statements may be one of the root causes of their eventual parting of ways.
On the stage, the tacit cooperation between Yang Shaohua and Ma Zhiming won the love of the audience. But the age gap off stage, role changes, and possible misunderstandings can all be factors that affect their relationship.
Interestingly, when it comes to cooperation with Zhao Weizhou, Yang Shaohua said that it is for the sake of Zhao Weizhou's father's face. And Zhao Weizhou revealed that Ma Sanli had entrusted Ma Zhiming to him.
These seemingly unrelated messages may hint at the complex interpersonal network in the cross talk world.
What is the reason for the rift between Yang Shaohua and Ma Zhiming, the golden pair? Is it simply a mismatch in artistic concepts, or is there a deeper reason behind it? Maybe the answer is hidden in the cross talk jokes that make the audience laugh, and in every tacit eye contact on the stage.
The story of Yang Shaohua and Ma Zhiming is not only a personal grudge, but also reflects the development and challenges of the traditional art of cross talk in modern society. From their experiences, we have seen the persistence of cross talk artists in fighting for art, and also seen the collision between tradition and innovation.
This history leaves many unanswered questions. But one thing is certain, whether it is the cooperation with Ma Zhiming or the partner with Zhao Weizhou, Yang Shaohua has left a strong mark in the history of Chinese cross talk.
His story will continue to be praised by future generations and become an important chapter in the development of cross talk art.
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