(Ma Zhiming Huang Minmin)
In the 1980s, in the Tianjin Qu Art Troupe, Ma Zhiming was paired with Yang Shaohua and Xie Tianshun, especially during the partnership with Xie Tianshun, Ma Zhiming became a household name. Later, Ma Xie cracked the hole, Ma Zhiming began to partner with the Huang people in 1987, and accepted the Huang people as apprentices, the two have cooperated so far, it can be said that it is the most stable and cooperative pair of "master and apprentice files" in the cross-talk industry today, and the one who masters Ma Zhiming's cross-talk is also the Huang people, which is exactly the old saying: three years of partnership, not to make money.
Huang Zumin was born in 1950, from childhood like cross-talk, at that time ordinary families did not have a TV only a radio, the radio broadcast cross-talk every day at what time he remembered. When he was in the fifth and sixth grades of primary school, the school's June 1st party, he rehearsed a cross-talk with a classmate of his classmates, and performed at the school, which was his earliest appearance on stage.
At the end of the 1960s, Huang Joined the Army, participated in the literary and artistic performances in the army, worked as a worker in the Second Pharmaceutical Factory after demobilization, and participated in the cross-talk team of the Tianjin Heping District Workers' Club. Dong Xiangkun, an old artist of Jingdong Big Drum, is also at that club. During this time, Huang Zumin got to know some people in the cross-talk circle, and there was a tutor named Li Haoran in the club, who was Mr. Zhao Peiru's apprentice, and had a very good relationship with Ma Sanli and Ma Zhiming, and had also partnered with Ma Zhiming.
Around 1980, the Tianjin Quyi Troupe set up a performance team, Ma Zhiming was put back, there was no partner, he followed the "patch", temporarily partnered with Yu Shiyou, and gave Su Wenmao, Yu Baolin, and Zhao Weizhou a praise. Later, he partnered with Yang Shaohua and Xie Tianshun.
When Ma Zhiming and Xie Tianshun were partners, because of participating in the CCTV cross-talk competition, they became a well-known big name, the two cooperated in "Five Tastes Are Complete", "On Fist", "Reporting Dish Names", "Opening Porridge Factory" and other works, and later the Qu Art Troupe evaluated the title, Xie Tianshun was one level shorter than Ma Zhiming, Xie Tianshun did not do it, and the two cracked. At this time, Li Haoran introduced the Huang people to Ma Zhiming, led the Huang people to Ma Zhiming's house to meet, chatted a few words, but did not propose to formally partner.
Ma Zhiming is five years older than the Huang people, and at first he did not want to use the Huang people, because the Huang people basically do not know traditional cross-talk, and the basic skills are not solid enough. However, I also feel that the Huang people have advantages, because it is easier to teach this kind of "raw billet" than to teach the kind that has some basics but more problems. Of course, Huang Zumin couldn't ask for a partner with Ma Zhiming, but he didn't say that he had to partner with him, that is, he went with nature, couldn't get together, and could be friends.
Later, the opportunity came, once the performance task of the qu art troupe was particularly full, Ma Zhiming did not partner, he wanted to let the Huang people try, he gave the Huang people a tape, recorded the "White Affairs Society", said that after three days to rehearse according to this tape.
Huang Zumin had to go to work during the day, the family children were three or four years old, so they could only go home from work at night, after the children went to bed, they used the tape recorder to plug in the headphones to listen, listened for several hours, listened to it for three days, basically did not sleep much. On the third day, he found Ma Zhiming and rehearsed it, and the words were all written down.
Ma Zhiming felt that the efforts of the Huang people were not small, and corrected several "size" and "strength" for him. On the fourth day, the two took the stage to perform. After stepping down after the performance, Ma Zhiming told Huang Zumin about several places where he didn't feel right. Later, the two of them cut and changed the "White Affairs Society" little by little, and finally basically qualified. Nor did it say that even if the two people partnered, it was a temporary performance.
Next, in the Spring Festival, the qu art troupe performed at the Great Wall Theater, from the first to the seventh day of the first year, seven performances, seven scenes can not all use a paragraph, the Spring Festival performance of "White Things" is even more inappropriate. Ma Zhiming and Huang Zumin both began to practice new work, after the first day of performance, at 11 o'clock in the evening, they left the scene, first went home to read a new job, read the back, rehearsed during the day the next day, performed a new one at night, and then read a new one... In this way, for seven consecutive days, seven performances, and seven pieces of work. Fortunately, during the Spring Festival, the factory where the Huang people are located is on holiday, so there is time to perform at night and rehearse during the day, Ma Zhiming read to the Huang people "Tethered Doll", "Lantern Riddle" and other passages, from this time on, the two are official partners, this is 1987, Huang Zumin is 37 years old, Ma Zhiming is 42 years old.
The Huang people worship Ma Zhiming as a teacher, and the Huang people come to Ma Zhiming's house every Monday, Wednesday and Friday to learn cross-talk. Usually, the two grandfathers do not have the feeling of who listens to whom and who is afraid of whom, nor does they have this feeling when performing on the field. But when rehearsing, this feeling is quite obvious, and Huang Zumin is not afraid of performing, he is afraid of rehearsal.
Ma Zhiming has more than one apprentice, but he spends the most energy on the Huang people, and he does not teach any apprentice like he taught the Huang people, conscientiously teaching word by word, demonstrating sentence by sentence, and practicing in reverse. Even a word is practiced back and forth dozens of times, and a word is not correct, and the sound of a word is not correct. A little faster, not slower at all. Fast, beyond the audience's ability to reflect, no; slow, the audience reacted to you have not said it, nor can it. In Ma Zhiming's own words, the Huang people were "fed out one bite at a time."
Huang Zumin greatly admired Ma Zhiming's creative ability. He sometimes collects some small pieces and small baggage to provide to Ma Zhiming, general jokes, after Ma Zhiming points stones into gold, he will immediately receive different effects, which is the unique means of the Ma family. The small sections of cooperation between Ma Zhiming and Huang Zumin include "Hire Three Wheels", "Splashing Water", "Throwing Dogs", "Unaccustomed to Seeing", "Reversing", "Eating Pear Slices", etc., which have been passed down to the present.
In 1987, Huang Zumin and Ma Zhiming officially partnered and performed for the Quyi Troupe for more than ten years, until 1998, Huang Zumin was finally officially transferred to the Tianjin Quyi Troupe. Ordinary people will give up if they can't tune the qu art troupe for three or five years, but Huang Zumin has always insisted that as long as there is a performance, they don't care about the identity. In stark contrast, the Quyi Troupe has many formally organized actors, who are not only of low level, but also never perform well, do not make any contributions to the Quyi Troupe, but are better treated than the Huang people. The Huang people have no complaints, as long as they have a long skill, they are stronger than anything, and in the end, they have no food to eat and no money to earn, and they can't tell who it is.
Huang was born into a family of cadres, and his father was injured during the War of Resistance Against Japan. He is upright and trustworthy, never wants to be crooked, has never had a conflict with Ma Zhiming because of Money, and has never participated in the chaos of the cross-talk circle. Ma Zhiming and Huang Zumin once went to Beijing to perform and stayed in a hotel, and there was an actor who had nothing to do, called Huang Zumin to eat breakfast together, and took the opportunity to ask Huang Zumin: "Do you know how much money you have this time?" Huang Zumin replied: "I don't know how much this time, and now Mr. Ma doesn't know either." Anyway, every time I collect money, I go to collect it, I handle it. As for how much to give me, Mr. Ma gave it to me, he was willing, I gave it to Mr. Ma, and I was also happy. The two of us are not separated from each other. After saying this, the gentleman slipped away. (Text: He Yuxin)
(Huang Zumin)