Li Yu, the lord of the Southern Tang Dynasty, was a rare "genius lyricist" in the Chinese lexicon, and the author of "Words and Sayings on Earth", Wang Guowei, wrote "Shenxiu" and said that when the words reached Li Hou Lord, "the realm began to be great, and the feelings were deep".
Mr. Ye Jiaying considers him to be a talented person. His talent is not the result of hard work, but out of his innocent and natural nature. His innocent nature is "the most unreachable and remarkable" in his writings.
Since the Southern Tang Dynasty, many poets like to imitate Li Yu's filler words. The famous Qing Dynasty poet Naran Zhide was also one of them. The most proud masterpiece of his life, "Sauvignon Blanc Mountain Journey", was created by imitating Li Yu.
<h1 class= "pgc-h-arrow-right" > Li Yu's Sauvignon Blanc A Heavy Mountain</h1>
"Sauvignon Blanc A Heavy Mountain" - Nan Tang Li Yu
One mountain, two mountains. Mountains far away from the sky high smoke water cold, acacia maple leaf Dan.
Chrysanthemums bloom, chrysanthemums remain. Sai Yan Gao Fei people have not returned, a curtain of wind and moon idle.
Words as paraphrasing: Heavy and heavy distant mountains, blocking you from the sky. The sky is so high and the water is so cold. Autumn acacia is like a maple leaf, reflecting the mountains full of red and bright colors. The chrysanthemums bloomed and mutilated, and in the blink of an eye, another year passed. The north goose returns to the south and you do not return, and the bright moon shines on the curtains, a leisurely place.
This poem was written in the early days of Li Hou, and the content of the lyrics is like a woman missing her lover on an expedition outside Saiwai. The first two sentences of the word use the distance of the mountains and the height of the long sky and the cold of the river to write a "sense of space". Xia Que creates a "sense of time" through "chrysanthemum blossoms, chrysanthemum residues" and "northern geese return to the south".
In addition, the words "maple leaf dan" and "chrysanthemum blossom" have both "red" and "yellow" colors. And it also has the advantage that it is clearly writing "grievance", but the whole word does not use a "complaint" word. He wrote the kind of "resentment" of Si Mu as "implicit but not explicit", quite attentively.
Especially at the end of the word, "a curtain of wind and moon idle", showing the heroine because of "resentment" to the extreme, the feelings for the recruiters, from thick to thin, from the fiery red "Maple Leaf Dan", into a faint moon color. It was as if I had waited too long, and my heart was cold with resentment.
However, this is an obvious "recruiting" word, which is extremely incompatible with Li Yu's identity. It can be seen at a glance that the events described in the words are "fictional".
Therefore, this very exquisite little order, because of the "outdated theme", gave up the author's own biggest "true feelings" advantage. It's a little bit bad.
In addition, in the upper que of this poem, "the mountain is far away from the sky and the water is cold", which is meant to say that the protagonist in the poem wants to find her lover who went out on a expedition outside the country, but wants to climb the mountain and hates the sky, wants to cross the river and is afraid of the cold water, and always feels a little suspicious of clichés.
Later, Lu Xun had a joke poem called "My Lost Love", in which he wrote: My love is on the mountainside, and I want to find her mountain too high... My beloved is on the riverside and I want to find it deep...
Because of the abandonment of the wayward indulgence, the real and natural style makes Li Yu's song look more like a game practice work. However, even if it is a work of practicing penmanship, after all, it is written by the genius Li Hou, and it has surpassed the serious work of many people. Therefore, future generations of songwriters have followed suit.
Among them, the most famous imitation of this word is the Qing Dynasty's Naran Sex De. He not only imitated this word, but also directly imitated this word and became famous, becoming his own "masterpiece", which was extremely respected by Wang Guowei.
<h1 class = "pgc-h-arrow-right" > ii. Naranjand's Sauvignon Blanc Mountain Journey</h1>
"Sauvignon Blanc Mountain Journey" - Qing Naran Sex de
A journey to the mountains, a journey to the water, to the yuguan that side of the line, late at night a thousand tent lights.
The wind is more, the snow is more, and the dream of the hometown is not successful, and there is no such sound in the garden.
This song "Sauvignon Blanc" is a representative work of Naran Sex, and when many people first came into contact with Naran's word, the first thing they came into contact with was this word.
This poem was written in the twenty-first year of the Kangxi Dynasty (1682 AD), after Kangxi put down the "Rebellion of the Three Domains", and returned to the north to worship the ancestors. As a guard, Naland followed Kangxi and his party northward.
The words "a journey to the mountains, a journey to the water" show the length of this journey. Because it is far outside the plug, it is necessary to climb the mountain and wade through the water, one way at a time. Yuguan is another name for Shanhaiguan, and the hometown of the Manchus was originally outside the customs.
The next sentence, "A Thousand Tent Lights in the Middle of the Night", writes about the grand scene of this huge team resting at night. Wang Guowei particularly admired this sentence, believing that it could be compared with the Tang poem "the desert is lonely and straight, and the long river is full of sunsets".
But when Naran wrote this sentence, he did not want to sing the praises of any spectacular sight. Just state the facts seen in the eyes, and use this "hilarity" to reflect the coldness in the lower half of the film.
This is a very large-scale ancestor worship activity, and the departure time is in winter, so the climate is very harsh. Therefore, he will say "the wind is more, the snow is more", which makes people on the journey feel hard.
Naran wanted to have a good dream and return to his hometown in the dream. This wish was also shattered by the aforementioned sound of wind and snow. So he thought again: It is still good to be in the old garden, and the old garden does not have such a noisy sound.
Although Naranjande was a Manchu, he was born in Kyoshi since he was a child. Judging from the content of this poem, the "old garden" in his heart should still be in Beijing, not Manchuria outside the Guanxi.
He was frail and sickly since childhood, and served as a royal bodyguard, determined by his origins. Others seemed to be Kangxi's grace to him, but in his opinion he was wasting his life.
His close friend Gu Zhenguan once mentioned in an altar to him that his talent has been buried and "useless". Therefore, he often lamented that "there is no Bole who knows".
This time, Kangxi prepared to go to the Gurudwara, Fuling and Zhaoling. He calmed down "San Francisco" and felt that his life had taken a step up. He was going to comfort his ancestors and show off his martial arts to the people. But none of this meant much to Naran.
Nalan even had some laborers who complained about Kangxi, "a thousand tent lights in the middle of the night". In this environment of "one more wind and one more snow", the people in the "Thousand Tents" are afraid that half of them are "unable to dream of the old garden".
< h1 class="pgc-h-arrow-right" > concluding remarks</h1>
Comparing Li Yu's "Sauvignon Blanc" with Nalan's "Sauvignon Blanc", we will find many similarities. For example, Li Yu borrowed "one heavy mountain, two heavy mountains" to write about the distance, and Nalan borrowed "one journey from the mountain, one journey by water" in his "Sauvignon Blanc" to write about the distance of the journey.
Li Yu expressed the length of time through "chrysanthemum blossoms, chrysanthemum residue" in the lower que, and Nalan borrowed "wind one more, snow one more" in the lower que to write about the bad weather. Li Yu wrote "Thinking of Women's Grievances", implicitly but not explicitly, and did not directly write "Grievances". And Nalan wrote "Hometown Thought", and also did not directly write "Thought".
Nalan's poem is better than Li Yu's, not only because he learned the essence of Li Yu's words and wrote "true feelings"; it is also because he has improved in his creative techniques.
Li Yu's words "one heavy mountain, two heavy mountains" had already written the meaning of "far away", but Li Yu immediately wrote "mountains far away from the sky, high smoke and cold water", and the word "mountain far" was repeated with the first two sentences. Naran's "one ride for the mountain, one ride for the water" is obviously better than the former.
In addition, Li Yu's upper and lower two passes express the emotions of the recruiter. At first, it was a warm "Maple Leaf Dan", and later it was changed to "Wind and Moon Idle". Despite the changes, the changes all fall inward.
The upper que of Naran writes about physical feelings, and the lower que writes about mental feelings. Therefore, it is generally believed that although the word Nalan imitates Li Yu, Nalan is "blue out of blue".
However, Li Yu is, after all, the most talented lyricist of the five generations. It's just a game of his, and others have to work hard to catch up. When I think about it like this, I can't help but feel a lot of emotions.