"Rotten Girl" is already a proper noun, specifically referring to groups with emotional projections and fantasies about same-sex love, this article briefly reviews the works that made the early rotten women classics in those years, and the enlightenment works that inspired the hearts of countless rotten women, making them deeper and deeper, and more unable to extricate themselves.
"Rotten Girl" is no longer a strange term in 2021, especially in the film market ravaged by the epidemic, it still creates eye-catching achievements, such as the BL animation "Songbirds Don't Fly: Dark Clouds" achieved amazing box office, which makes people really admire the strong appeal and consumption power of "Rotten Women", and in the reflection of a sentence "Rotten Women Get the World (?) )」。
"Rotten woman" is already a proper noun, referring specifically to the group of people who harbor emotional projections and fantasies about same-sex love (BL, boyslove, especially the ambiguous feelings between men and men), and the vast majority are women, ranging from the oldest age to the least.
There are various rigorous studies on the origin and interpretation of the "rotten women's culture", which will not be repeated here, this article only wants to briefly review the works that made the early rotten women as classics in those years, and those enlightenment works that inspired the hearts of countless rotten women, making them deeper and deeper, and more unable to extricate themselves.
Among the works listed in this article, we can also glimpse the interesting phenomenon of the spread of corrupt culture from Japan to other countries in Asia.
<h1 class = "pgc-h-arrow-right" > Merry Christmas on the Battlefield</h1>
Recognized as the classic work that made the first generation of rotten women "fall into the sea of rot" and open up same-sex love, it is directed by the famous Japanese director Nagisa Oshima and adapted from the novel "Seeds and Sowers" written by British writer Lawrence Baust.)
Describing the East-West cultural clash faced by the POW camp on the island of Java in 1942, the Japanese military commander Captain Norui (Ryuichi Sakamoto) was inexplicably attracted to the British prisoner of war Jack (david Bowie) during the days of repression and closure, suffering between patriotic honor and personal feelings.
Nagisa Oshima's films often have deviant and destructive scenes of love, and he uses sex and violence to highlight how old-fashioned and rigid the ideal of the social system to which the characters belong, and people often can't stand or see the stirring of desire, but sometimes the fatality of this love also brings unexpected redemption.
The film's classic David Bowie kissing Ryu Sakamoto's cheek with a forbidden kiss shook the world 38 years ago and enlightened the hearts of countless rotten women, although the real focus of the film is not at all on same-sex love, but on criticizing Japanese imperialism and anti-war.
< h1 class="pgc-h-arrow-right" > "Law》</h1>
Also the work of the famous director Nagisa Oshima, it is an adaptation of Sima Liaotaro's short story collection "Blood Wind Record of the New Selection Group", set in the Japanese shogunate era.
"Gofado" refers to the iron-blooded team rules promulgated by the deputy head of the shogunate organization "Shinshu Group", Togata Shizo, under such a harsh atmosphere and power in the team, but because of the newly recruited young feminine and beautiful man Kanazaburo (played by Matsuda Ryuhei), it set off a bloody storm in the team.
"Mifado" is another of the most mentioned same-sex works in an era when there were not many same-sex movies, full of topicality, and was written by Nagisa Oshima in 1999.
Nagisa Oshima of "Mifado" once again collaborated with Takeshi Kitano and Ryuichi Sakamoto of "Happy Christmas on the Battlefield", With Takeshi Kitano playing Togata, Ryuichi Sakamoto as the soundtrack to the film, and this work is also the debut work of Matsuda Ryuhei.
<h1 class="pgc-h-arrow-right" > "Spring Breaks", "Lan Yu", "Brokeback Mountain"</h1>
From the release of "Spring Break" and "Blue Yu" in 2001 to the 2005 year of "Brokeback Mountain", gay love works depicting various deep emotions and atmospheres have sprung up in Asia.
"Spring Break", "Lan Yu", and "Brokeback Mountain" have their own advantages, often compared with each other because of the similarity of the release time and the theme, and each has its own supporters and aesthetic research.
"Spring Breaks" is Wong Kar-wai's classic work, borrowing the interpretation of Zhang Guorong and Liang Chaowei, portraying the romantic love at the end of the century, and responding to the atmosphere of the times in Hong Kong; "Lan Yu" is the work of Kwan Kam Peng, which is different from his previous film style, adapted from the online novel "Beijing Story", interpreted by Hu Jun and Liu Ye.
Director Ang Lee's work "Brokeback Mountain" is the first same-sex love film in film history to break into the mainstream Hollywood market, and "Brokeback" has also become a new synonym for gay love.
<h1 class="pgc-h-arrow-right" > The King's Man</h1>
When the trend of same-sex movies gradually rose, in 2006, South Korea also made a "King's Man", known as the Korean version of "Brokeback Mountain" and "Overlord Farewell", which once became popular with Lee Joon-ki, who played the juggler Kong Ji, and also made the singer Lee Sin-hee, who sang the theme song "Marriage", a big hit.
The movie "The King's Man" is adapted from the South Korean best stage musical "Er", adapted by director Lee Mao-yee, portraying the enmity and resentment of Korean artists Changsheng and Kong Ji and Yan Shanjun and the helplessness of traditional class identity.
Finally, there is the old saying that "the culture of corruption is broad and profound", and the above only briefly mentions a few key film works, which are bound to have missing parts.
I hope that everyone can deeply feel the classics of these works in the above list of films.