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Yu Guangzhong was born in Nanjing, studied at Xiamen University, and finally developed in Taiwan because of practical factors, as a literary giant in the contemporary literary world, he has created many outstanding works that are popular among the population, and many works are classics. Yu Guangzhong is well known for the homesick poem "Nostalgia", and while admiring his poetry is very prominent, the prose he created is also very worth learning and appreciating, such as "Listen to the Cold Rain", "My Four Imaginary Enemies", "Palm Rain" and other works.
The reason why the "nostalgic culture" represented in Yuguang can endure for decades has a lot to do with the broad culture, far-reaching meaning and broad feelings contained in The works in Yuguang, the most important of which is the feeling of home and country. Yu Guangzhong once regarded the mainland of the motherland as a mother, Taiwan as a wife, Hong Kong as a lover, and Europe as an affair, which shows Yu Guangzhong's deep feelings for the motherland, he once frankly said: "Burn me into ashes, my Han soul Tang Luo still haunts that piece of land." "This is called the homeland, the mainland, Kyushu, and the back soil of the rivers and lakes.
Reading the prose in the afterglow, it is easy to feel a strong sense of homesickness, to feel the long and deep sense of longing for a tourist who is far away from his homeland and wandering away from home, and to miss and love his homeland. This is the dazzling starlight in the prose works in the afterglow, and it is also the most touching treasure on earth.
NO.1
Strong nostalgia
Yu Guangzhong is a writer who has a deep attachment to his motherland, and many of his works are based on his hometown. Compared with other homesick writers, the nostalgia in the afterglow is more profound and more real, which has a lot to do with his personal experience, on the one hand, it is expressed in the literary background in the bones of the afterglow, on the other hand, it is manifested in the ups and downs and twists and turns he experiences, which give the nostalgia in the afterglow more depth.
Compared with other nostalgic works, the works in the afterglow are more real and intimate, because the words in the afterglow reveal the bits and pieces of their own experience, which is a kind of calmness that has experienced the wind and rain of the world. Yu Guangzhong came from the mainland, but unexpectedly settled in Taiwan, and he has always called himself a "Jiangnan native", and his concern for the motherland is not only reflected in his prose and poetry, but also in his previous lectures and in all aspects of life.
When he once sighed on a high-rise building abroad: "And I stand on the highest peak, before, no ancients, after, no comers, an old wind will sculpt me, a piece of flying wangxiang stone." The "can't fly" here shows a sad and helpless mood, its heart has always been on the mainland of the motherland, China is his root, although it is in another country, it has been thinking about it, he is the fragrance of China, and it also emits fragrance in other places. He once wrote in The Dandelion Years: "He is proud of the name of China, and one day China will be proud of his name." Yu Guangzhong truly put the motherland in his heart, and wrote in "How to Relieve Worry": "The night is as deep as well water, it is better to pour half a cup of brandy, pour a cold intestine, and then go to sleep, a pillow like a boat, untie the cable of homesickness." ”
Afterglow in how many late nights to miss the hometown bit by bit, "nostalgia" has become a "heart knot", when deeply worried, can only use wine to pour sorrow, this is a helpless act but is the method of liberation, and as alcohol gradually enters the dreamland, to the dream to find the haunting hometown, even if they are miles apart, the wanderer in a different place can not forget the hometown, the motherland as a mother has always been in the heart. The homesickness that comes from the heart in the afterglow is reflected in the words, so the words also have a soul.
NO.2
Strong national consciousness
The loss of relatives is a very painful thing, many people will be grief-stricken because of this, and Yu Guangzhong regards Chinese mainland as his motherland mother, after leaving the Chinese mainland, he learned that he could not return to the embrace of the motherland again, Yu Guangzhong's mood was once low, for the grief of losing his roots, Yu Guangzhong released this grief in the article he wrote, casting a masterpiece.
In the old society, China's situation made many people who were alone in foreign countries feel worried, Mr. Lu Xun "abandoned medicine and followed the literature", Mr. Qian Xuesen returned to China alone, Li Dazhao and others returned to China to preach new ideas, etc. China, which was once regarded as the "sick man of East Asia", was attacked by many foreigners, Yu Guangzhong, as a Chinese with strong patriotic feelings, whether in Taiwan or Europe, has always kept the position of the motherland in his heart and regarded the motherland as his mother. In the afterglow, away from the back half of the Chinese mainland, he is concerned about the country all the time and has a deep sense of distress for the country.
In the face of imperial expansion and cross-strait separation, Yu Guangzhong, as a Chinese, his roots are in China, his soul is also in China, when the mother of the motherland is invaded, as a child in a foreign country, she cannot make practical actions, and can only send strong thoughts and sorrows. In the work "April, on the Ancient Battlefield": "China in his nostalgia disease is not on this side of the Taiwan Strait, nor on the other side of the strait, but in the songs of the War of Resistance, on the land where he wore straw shoes, in the memory before the war, and in the melodious rhyme of classical poetry." "China, which is deeply invaded and oppressed, has gone through storms and rains, and is worried about the future and destiny of the motherland in the afterglow, and is even more worried about the current situation and encounters of the motherland. Yu Guangzhong's love for the motherland is "able to cover the spring mud of Shangjiangnan when he dies", in his work "Getaway": "The northern country in the poetry classic, the south in the Chu ci!" When I die, may the spring mud of Gangnam cover my body, and when I die. ”
The homesickness expressed in Yu Guang is not only limited to missing the land of hometown, but also in nostalgia for a culture, a nation, and a history, and integrating the sense of distress about the country into the text, and the works created have life and soul.
NO.3
Deep cultural heritage
Yu Guangzhong "right hand to write poetry, left hand to write prose", Yu Guangzhong wrote prose more than ten years later than writing poetry, reading his prose can feel a strong poetic atmosphere, can immediately let readers understand the aesthetic beauty of prose, coupled with Yu Guang Chinese deep academic background, the creation of prose can often make readers reminisce endlessly.
Yu Guangzhong is a scholar who is proficient in ancient and modern China and foreign countries, and enjoys a high reputation in the literary world. He has created many classics in both prose and poetry. The poems created by Yu Guangzhong are unique in both wording and rhyme, and they are classics that many people cannot surpass.
In terms of prose, because Yu Guangzhong has a unique achievement in poetry, the prose he creates usually has a beautiful charm like poetry and is easy to understand like vernacular. Verses can be found in many essays in the afterglow, such as in "High-Speed Association": "It is best to drizzle at dawn, starting from Weicheng, the radio antenna is tied with a willow of Yiyi, and the windshield is still light dust." Here Wang Wei's "Sending Yuan Er Envoy Xi'an" is used: "Weicheng is raining and dusty, and the guest house is green and willow-colored", which reflects the profound literary skills in Yu Guang, as well as the deep understanding of ancient poetry, as well as the infinite attachment and concern for the motherland.
In many ways, yu Guangzhong's profound study of ancient Chinese poetry can be seen, in "Memory is as Long as a Railway": "The railway track is endless, stretching into the gentle water town of Jiangnan; the willow silk is clear, gently touching the wheat wave." "Yu Guangzhong here is very clever use of ancient Chinese duality and plutonium, so that the prose read only the elegance of ancient literature, but also the popularity of modern poetry, perfectly show the deep poetic cultivation in Yuguang, the poetic cultivation in Yuguang is a kind of literary literacy that is internalized in the heart, and there is a magic that makes the article full of elegant colors."
END
Yu Guangzhong's nostalgia for the mainland of the motherland, regards the mainland as a mother, and has always hoped that he can cover the dirt of Shangjiangnan after death, he is trapped in the tower of reality, he is only unattainable for the mainland, Yu Guangzhong is a wanderer who was "forced to exile", and the deep nostalgia for the homeland is pinned in the text, so the article in Yu Guangzhong exudes profound Chinese feelings between the lines, and the Chinese feelings here are embodied in several aspects: with a strong "nostalgia" for the homeland, a strong national consciousness of the fate of the motherland, Rich in profound literary heritage. It is precisely because of the feelings of home and country that are expressed in the text, so these words have a life and a unique literary color.
—About the Author—
Wen Qing, a young man who likes to write and photograph
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