Today's entertainment industry is full of beautiful women, but the pure and unworldly new generation of actresses is rare, after all, that kind of jade girl is not everyone. Like Cecilia Cheung, Zhou Huimin, Liang Yongqi, etc. are all popular goddess-level idols, and their beauty has remained in the hurried years.
She was also a generation of jade girls, married to the grassroots 10 years older than her, disappeared, and later came to see the red dust to convert to Buddhism. Although it is no longer in the entertainment industry, the entertainment industry still has her legend. She is Liu Lanxi.
Liu Lanxi, born on March 29, 1960 in Taiwan, visited a singing competition at the age of 15, and her temperament attracted the attention of the artist designer Long Siliang, who introduced her to the Taiwan Television director. In the same year, Liu Lanxi participated in the filming of the TV series "Golden Jade Edge", which not only made Xia Lingling, who played the role of Shang Gege, famous in one fell swoop, but also made Liu Lanxi attract attention, thus opening the road of acting in the future.
In 1976, Liu Lanxi co-hosted the children's program "Miaomiao Valley" produced by Guangqi Society, showing the image of a kind sister next door. In addition to hosting some events, the early Liu Lanxi also gave the impression of an advertising star. Later, Liu Lanxi joined China Television and became one of its basic stars.
In July 1977, Liu Lanxi released his debut album "Sunset Love Song", which was also the first record work of Xinge Company. Songs such as "Memories in the Little Rain" and "Sunset Love Song" in the album have become Liu Lanxi's famous songs.
In 1978, Liu Lanxi released his second album "The Wind Don't Knock on My Window". Among them, "The Wind Don't Knock on My Window" and "Memories of Wild Ginger Flowers" created by Lin Shida, the fresh and sad style of music and sweet singing, successfully highlighted the fresh and pure temperament of the singer. The song "Memories of Wild Ginger Flowers" was also recognized by many listeners at that time as one of the most representative pieces of Liu Lanxi.
In 1980, Liu Lanxi played the female number two in two TV series "Moonlight on the River" and "Spring Dream Without a Trace". However, in the play, the girl Zhou Xiaofei played by Liu Lanxi is not a pleasing role like Zhong Kehui when she first participated in Qiong Yao's film.
In the early 1980s, Liu Lanxi cooperated with Lü Xiuling, Zhong Zhentao, Liu Wenzheng, Qin Han, Yun Zhongyue, etc., and in many QiongYao films such as "Gathering and Scattering Two Yiyi" and "But on the Heart".
In 1981, Liu Lanxi starred in the comedy film "Chasing Girls" in New Art City, in which she successfully played the role of Ah Hua, and her cute and clever image was quite popular with the audience.
In 1982, Liu Lanxi starred in Shaw's film "Evil After Evil Again", which was again well received.
In 1984, Liu Lanxi married Liang Rongji Wending, who was ten years older than her and worked as an internist in the central clinic, when she said that she would not give up her job in order to get married, but she would not reluctantly spend her years in the show business circle. In fact, at this time, Liu Lanxi was not as enthusiastic about acting work as in the early days.
In 1985, Liu Lanxi and Mr. Liu went to the United States to study English in San Francisco, while attending university to take a mass communication course, and Mr. Liu Lanxi and Mr. Liu went to the San Francisco Medical School to specialize in diabetes. It was also at this time that husband and wife visited the Buddha at the same time and studied the Dharma.
In July 1991, Liu Lanxi bid farewell to thirty-one years of red dust life and officially became a monk.
After his renunciation, Liu Lanxi lived a very simple life, doing a large pot of rice and sweeping the courtyard and chanting meditation, and since then he has completely stayed away from the glitz and bustle of the entertainment industry. Perhaps for some people, this seems very boring, but there are many ways for people to choose to live their lives, and perhaps the monotony in the eyes of outsiders is the simple happiness that Liu Lanxi pursues.