Wang Kun and Guo Lanying: Is it "sisterly love" or "enmity and hatred"?
Reading Guo Lanying and Wang Kun's various online articles recently, I found many posts about the contradictions between Guo Lanying and Wang Kun, and some titles even used words such as "enmity and hatred".
With the attitude of "believing in what is", looking for evidence of "having", the result was very sad, and then turned to "believing in its absence", and the result was "full of surprises", so it was concluded that the article advocating their "enmity and hatred" relationship was actually a "title party" article.
Below, I would like to share my Shi Hai hook shen of the relationship between Guo Lanying and Wang Kun to help restore the authenticity of the two national treasure-level artists "Qing Ren Self-Purification".
1. The origin of the "grievance theory"
The online articles that hold the view that Wang and Guo have "enmity" are all based on the disgraceful intention of "saying people after people" after the death of Teacher Wang Kun in 2014. The so-called evidence they put forward is two: first, Teacher Guo Lanying did not attend Teacher Wang Kun's memorial service, and directly concluded that Teacher Guo did not forgive Teacher Wang when he died; second, in 2011, the famous old artists of the China Federation of Literary and Art Circles performed "A Hundred Flowers and Fragrances", with Wang Kun and no Guo Lanying, suspected that Wang Kun retaliated against Guo Lanying.
The facts are: First, on the day of his death on November 21, 2014, the 85-year-old teacher Guo Lanying was ill and hospitalized; according to Teacher Wang Kun's will, Teacher Wang Kun's funeral was handled in Babaoshan from Jane, there was no "memorial service" link, and the students sent off the teacher by performing Teacher Wang's works on the spot. The second is the large-scale literary and art exhibition "A Hundred Flowers and Fragrances" held in 2011, and the 81-year-old teacher Guo Lanying not only attended, but also sang the song "One After another Water Comes to a Mountain"; at the same time, Teacher Wang Kun also sang the "March of the Volunteer Army" on the same stage with Teacher Guo Lanying.
2. As early as 1946, Wang Kun and Guo Lanying established a "boudoir" relationship
As we know, Wang Kun was the first Xi'er of the New Opera of the Communist Party of China, "The White-Haired Girl", and the first performance was on April 28, 1945, in Yan'an, which won a great victory. After that, he went to the hometown of the white-haired female prototype and actor Wang Kun to perform for workers, peasants and soldiers.
Guo Lanying was in Zhangjiakou, Hebei Province, with the Jin Opera Troupe, and met the opera white-haired girl performed by Wang Kun. Since then, he decided that the army that liberated the white-haired women was the team he wanted to join, so he gave up his existing achievements in Jin opera performances and accumulated property, and resolutely took his mother to defect to the North China United University Cultural and Labor Troupe of the New Fourth Army where Wang Kun belonged, becoming a costume administrator of the performance troupe. And practiced the opera white haired girl hard.
One day in November 1947, Wang Kun suddenly fell seriously ill before the performance, Guo Lanying volunteered to save the scene, to everyone's surprise, the praise was overwhelming, Guo Lanying was thus included in the first performance troupe, and Wang Kun played Xi'er in different sub-troupes. As a senior, Wang Kun did not help Guo Lanying less,
The two called each other sisters, which is like what we call "girlfriend" today, which has become a good story.
3. As the main force of the national team, Wang Kun divided his labor and performed the leadership work of the Oriental Song and Dance Troupe, achieving the title of "the first person in Chinese national vocal music", and Guo Lanying "specialized" in the first generation of Chinese folk songs, and has been active in the front line of the stage. The two do not have a history of fighting for food and stealing drama in the pot.
4. When the Cultural Revolution broke out in 1966, Wang Kun, who was in diplomatic literature and art, was framed overnight, Jiang Qing repeatedly named and criticized the fight, a family of four and three people were imprisoned, and his artistic career came to an abrupt end. Because of sympathy for Wang Kun, Guo Lanying was implicated: "Inexplicably, it is better to live than to die."
5. In 1978, for Wang Kun's comeback: Guo Lanying told the director of the poetry journal that all the songs that Comrade Wang Kun and I had sung were selected by Comrade Wang Kun, and Comrade Wang Kun was given priority. Wang Kun thus made a comeback.
