When it comes to Jiangzhou in Jiangxi, many people will think of Bai Juyi's "Pipa Line", "Xunyang Jiangtou Night Sending Guests, Maple Leaves Andi Flowers autumn serpent".
In 815, Wu Yuanheng, then chancellor, was stabbed to death on his way to the Shang Dynasty.
For this massacre of street assassination, the OFFICIALS of the DPRK knew in their hearts that the black hand behind the scenes was the forces of the clan town, but no one dared to speak out.
Only the upright Bai Juyi stepped forward, and he demanded a thorough investigation of the case, but he was attacked by political enemies, saying that he had overstepped his duties and went to Tang Xianzong to demote him to Sima of Jiangzhou.
At that time, Bai Juyi was 43 years old, just in his prime, but he was relegated out of the capital, and the bitterness in his heart could be imagined.
He met the pipa girl at the head of the Xunyang River, who was also a fallen person in the end of the world, and created the ancient song "Pipa Line".
In addition to "Pipa Xing", Bai Juyi also wrote many poems in Jiangzhou, such as "Title Yuan Baxi Ju", which is intoxicatingly beautiful at the beginning.
Yuan Eight is a hermit high-ranking person whom the poet met in Jiangzhou, Bai Juyi often goes to his manor in his leisure time, in addition to this poem, Bai Juyi also wrote "And Yuan Eight Attendants Yu Shengping New Residence Four Absolute Sentences", "Want to have a gift with Yuan Eight Bu Neighbors First", etc., which shows that the two have a lot of friendship.
And "Xiju" is the hermitage of Yuan Ba, surrounded by streams and waters, and the tranquility of the environment is self-evident.
The first link of the poem describes the scene that the poet saw on the way to the manor, which is layered and very beautiful, which shows the poet's happy mood.
A bend of the stream meandered through the mountains, the trees on the mezzanine were lush, and a faint mist penetrated through the crevices of the peaks, giving the whole valley a hazy coat.
The poet walked slowly on the mountain road, with orderly water fences and small windows chiseled in front of the mountain.
The opening 14 words depict an enchanting mountain dwelling, creating a secluded atmosphere, and the poet's leisurely and idyllic state of mind can also be seen.
Then the jaw is connected with two sentences, the colors are bright, and the beauty of the autumn scenery is written, which is fascinating.
The fiery red azalea arrives late, misses its date with spring, swaying in the autumn breeze; the snow-white hibiscus flowers have just bloomed, emitting a charming fragrance.
The red azalea and the white hibiscus, although there are only two kinds of flowers, seem to make people feel the scene of a hundred flowers competing for glory, which shows the wisdom of the poet.
The neck poets began to cite allusions to highlight the otherworldliness of his friend Yuanhachi.
The allusion of the "Millennium Crane" comes from Ding Lingwei in the "Search for God", he learned to become a fairy and then turned into a crane and flew back to his hometown, standing on a Chinese watch and singing "There are birds and birds Ding Lingwei, go home for a thousand years and come home, the city is like the old people, why not learn the immortal tomb tired", later generations often use this allusion to express the open-minded state of mind of seeing through the red dust and not asking about the world.
Bai Juyi here uses this code to deliberately highlight the image of the high-ranking hermit who is beyond the mortal dust of his friend Yuan Ba.
And "Wulao Peak" is one of the grand scenes of Lushan Mountain, the cup reflects the shadow of Wulao Peak, the implication is that in the friend's residence overlooking the distance, you can see the Five Old Peak, this sentence makes me think of Tao Yuanming's "leisurely see the South Mountain".
These two sentences alone show the elegance and elegance of a friend's residence.
The tail link "is more ashamed to be attentive to the guests, fish and rice fine wine is fragrant", depicting a picture of guests and hosts enjoying themselves, and fully expressing the hospitality of the host and the poet's lingering.
In this poem, the poet grasps the scenery around the creek and makes a big fuss, and writes the splendid scenery of autumn and the beautiful environment between the mountains to the extreme, and the poet's self-pleasure can be seen between the lines.
I actually prefer the mood conveyed by this poem to the sadness and indignation of "Pipa Line".
Despite being in adversity, Bai Juyi is still open-minded and detached, as he said in another poem, "Planting Apricot Peaches", "No matter the cape or the end of the world, peace of mind is home."
I wonder if you like this poem too? Welcome to discuss.
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