"Junior Rap Project" 11 issue, Li Shuaikang's departure is a bit regrettable, perhaps cooperation with the mentor is not the best choice.
Zhou Zhennan's "Desire" cooperated with Anti-Hui (Duan Yingzhi) is still good, like its lyrics, wild, rebellious is also just right. I think her performance in this scene is based on "still" stop, there is no need to use the lens to create a "moving" effect in order to increase the "hi" sense of vision, which weakens the focus on her songs, and adds enough snakes.
Like their choreography, Zhou Zhennan's appearance is also quite intentional. The cooperation between the two people is very good, and neither one has overpowered the other, showing the feeling of strong union. There is a point, I personally feel that the tune of each song is similar, that is, the lyrics have been changed.
Pan Weibai and Iil Milk (Chen Hao) cooperation of "Gecko Walk" is really Ye Qinghui, the interaction between the two people is too tacit understanding, listening to comfortable and looking at the eyes. But I personally feel that Pan Weibai is still too much in the limelight. But Chen Hao's aura was not bad, and he lost a little.
"The Second Half of the Ninth Inning", which MC HotDog hot dogs and Ksovii (Li Shuaikang) cooperated, sounded very empathetic, as if seeing the teenager hot dogs of that year, seeing all the mentors and blood relatives boiling. My favorite sentence is "I put my hat back and I'm still expecting a reversal."
Li Shuaikang lost from the first sentence of singing, probably too nervous. Hot dogs are normal to play, Li Shuaikang did not sing the attitude of this song, and it seems that he still lacks the experience of cooperating with big coffee. Such a rare stage of cooperation, a bit of a pity.
Li Ronghao and Mo Suo (Yuan Zheng) cooperated in "Too Frank", I don't understand it. Yuan Zheng is singing rap, or reading lyrics, I am stupid to hear it. Also, Li Ronghao's song was originally a popular song, and rap is not at all compatible, very embarrassing!
I think Capper's "Louis XIII/ LOUIS XIII" sung by Capper himself is good. There is no bondage, you can free yourself. Don't have to deliberately cooperate with each other, release the truest voice in your heart.
Xiaoku Coola's "Make it reai" (Dream Come True) is also good expressive, the song is more ordinary, but I like the lyrics. Words can be linked to the game, adding a lot of true feelings. I don't see him working with the mentor, which I think is a shame.
Personally, I really like to listen to the songs of waiting to go home (Ye Yuzhen), the song always brings me back to the idyllic scenery, how to listen to it is not tired of listening, the lyrics are written as beautiful as verses. Unexpectedly, he was also single, but his solo alone is also excellent.
Li Shuaikang's solo "Angel Meteor Dream" state is back. I think he and Ye Yuzhen have a similar style, and the sense of direction of writing lyrics is also very similar, if I listen with my eyes closed, sometimes I can't tell who they are. Loved the stage where they were working together in the first place.
Mosso's "Midnight Excitement" belongs to his normal performance, there is no special surprise, anyway, he sings it himself very hilariously.
JBcob's "I Don't Count Sheep But Only Count Beats", looking at the title of the song aroused interest in listening. Loved his melody.
When I was fighting for the last place, I listened to Li Shuaikang's "Turn Me into a Rainy Day" and entered the play, and I really had a feeling of sadness.
I personally feel that Mosso's "The Moth" is average, and the more I listen to his songs in this scene, the more I go to the back, the more I have a feeling of aesthetic fatigue.
Zhang Yan's "Connivance" is so good that I even think it is better than the "Louis XIII" he sang last time, and he always surprises everyone.
I like to hear and sing, write articles based on personal feelings, and will continue to write in 12 issues.