Zhonghe
From the plump and beautiful court concubines of the Tang Dynasty, to the dignified and gentle ladies of the Song Dynasty, to the slender and thin bone beauty after the Ming and Qing Dynasties... The surging news learned that on October 6, the special exhibition of "She - Female Image and Talent" was launched at the National Palace Museum in Taipei, and the special exhibition was selected according to the theme and age, and 71 groups (pieces) of fine works were selected, and the content was divided into two major units: "Qunfang Jingxiu" and "Female Shi Liufang". The former is a macroscopic perspective, in order to exhibit Chen's paintings from the five generations to the modern era, including Tang Zhoufang's "Baby Tuning Diagram", "Neiren Double Land Diagram", Song Dynasty Li Gonglin's "Painting Beauty", and the portraits of court concubines in the Song and Yuan Dynasties, and the pictures of ladies written by famous artists in the Ming and Qing dynasties.
Song Yang's "Title Horse Far Leaning on The Cloud Immortal Apricot"
Women have a position and contribution that cannot be ignored in the historical process of cultural development. The National Palace Museum in Taipei has a rich collection of works aimed at or created by women, which are rich in quantity and high artistic value. But it is indisputable that China's ancient society for thousands of years was still basically a male-dominated environmental structure. Therefore, statements such as "male superiority over female inferiority", "male outside, female inside", "women are weak as beautiful", and "women without talent is moral" have indeed had a far-reaching impact on Chinese women and have developed into a deep-rooted concept for most people. As a result, the talents of a large number of women cannot be fully utilized throughout their lives. The situation and voice of these women, only through the interpretation of some excellent works of art, are fortunate to win sympathy and attention.
The surging news learned that the special exhibition of "She - Female Image and Talent" intends to select seventy-one groups (pieces) of fine works in the courtyard according to the theme and age, and the content is divided into two major units: "Qunfang Jingxiu" and "Female Shi Liufang". The former is a macroscopic perspective, in order to show the paintings from the five generations to the modern era, specifically outlining the diverse roles and stylistic aspects played by women in the past. The latter are the works of female artists, and although the number of female creators who have left a name in Qingshi is extremely different from that of men, there is no shortage of beautiful and unique compositions. The works presented in this unit are sufficient to reflect the talents that women have shown in different workplaces.
Song Li Gonglin Painting Beauty Walk (Partial)
"On the occasion of the rise of women in the new generation of the 21st century, it is expected that through the special exhibition "She- Female Image and Talent", on the one hand, it will show the artistic beauty of calligraphy and painting and embroidery itself, and on the other hand, it can also inspire everyone to innovate and formulate new views of the times on issues related to women. The organizer said.
Women's aesthetic standards often show obvious differences with the times. The exhibition "Qunfang Jingxiu" unit is divided into three areas, leading everyone to appreciate a variety of ancient female models, including the plump and healthy court concubines of the Tang Dynasty, the dignified and graceful boudoir of the Song Dynasty, and the slender and thin bone beauties of the Ming and Qing dynasties. In front of the work, not only can people can't help but admire the painter's exquisite artistic achievements, behind the image, but also hide the twists and turns of the poignant storyline.
Re-examining the various forms of ancient women with the eyes of the twenty-first century can undoubtedly broaden the perspective of modern people's appreciation of beauty. Although we can no longer change the fate of ancient women, we can adjust women's self-perception through understanding them, and then make the future gender relationship more harmonious.
Zhou Fang (active at the end of the 8th century), a native of Jingzhao (present-day Xi'an), was good at painting characters and was known as a god. According to the Tang Dynasty Zhou Fang's "Baby Tuning Diagram", an aristocratic lady with a high bun, a long skirt and a shoulder shawl, is a typical outfit for women in the Tang Dynasty. The characters may carry the piano, pluck the basket, play the flute, tune the pipa, play the guzheng, and be graceful and self-assured. The baby in the arms of the nursing mother seems to echo the music, forming a picture of leisure and elegance. In order to safeguard vested interests, the ancient aristocratic class attached great importance to the education of their children, and the "Baby Adjustment Chart" is a scene of female family members educating their children.
Biography Tang Zhou Fang Baby Adjustment Diagram (Partial)
"Shuanglu" is a board game played by two people, originating from the ancient Tianzhu and popular in the Tang Dynasty. According to the Old Book of Tang and the Biography of the Later Concubines and the poems of the Tang Dynasty, it can be seen that it was deeply loved by the court and the upper class. "Neiren Shuanglu Tu" depicts two rich and plump aristocratic women sitting on a chess game, and the servants who are waiting for chess surround the surroundings, presenting a life style of entertainment with chess. The crescent stool under the chess player's seat often appeared in the lives of women in the Tang Dynasty.
Transmission of Tang Zhou Fang Neiren double land map
The "Embroidered Li Xiaojing Diagram" has no author's print, and the inscription is Wang Yi (1036-1099), but the style is not similar, and it is inferred that it should come from the courtyard painters of the Song Dynasty. The format is fan-shaped, originally a practical object for cool breeze, and later converted into an album. In the painting, flowers and trees are hidden, the screens are staggered, a palace beauty stands facing the mirror, and two maids hold a box in their hands and look down at the makeup objects inside. Regardless of the characters and the scenery, the hook strokes are extremely delicate, and the colors are complex but elegant, fully showing the gentle and quiet beauty of women.
Song Wang Jie embroidered Li Xiaojing diagram
Based on Du Fu's poem "Li Ren Xing", Li Gonglin's "Painting Li Ren Xing" describes Yang Guifei's sister Lady Yu Guo and nine others riding horses in early spring. The woman's body is plump, and her forehead and nose reflect the fashion of leaving blank space at that time. The horses are fat and strong, and the team is leisurely. Whether it is a centaur shape, a hairstyle or a color painting method, there is a clear Tang Dynasty style.
Song Li Gonglin Paints beautiful people's walks
The original work did not have a painter's print, and later generations may speculate that li gonglin (1049-1106) of the Song Dynasty was good at painting people and horses, so they speculated that it was his painting. Li Tang's "Album of Wen Ji's Return to Han" is a historical story painting based on the harsh experience of Cai Wenji (162-229), a talented daughter of the Eastern Han Dynasty, who fell into Hu, as the background of his creation. There are eighteen paintings in the whole volume, and each picture has a very delicate depiction of the storyline and characters, cars and horses, and supporting scenes. Each painting is accompanied by the poem "Eighteen Beats of Hu Di", which becomes the form of graphic and text comparison.
Song Li Tang One of the "Wen Ji Gui Han Tu"
The author was originally designated as Li Tang (c. 1049-1130), but it should have been written later. Although many places have been patched up in the painting, it still generally maintains the exquisite characteristics of the Southern Song Dynasty courtyard painting.
Li Song's "Listening to Ruan Tu" painting garden is lined with trees and flowers, a scribe holding a dust, leaning on the bed to cool off, listening to the female music to pluck Nguyen, next to another beautiful person picking flowers, two servants burning incense and waving fans. On the bed and desk are listed utensils for play, and the scenery is leisurely and elegant, depicting the silhouettes of the lives of ancient literati and women.
Song Li Song listened to Ruan Tu
The old title was written by Li Song (active 1190-1264), but the figures and pen and ink in the paintings are closer to Du Yan (active in 1465-1505), so it is inferred that the date should be in the middle of the Ming Dynasty.
The Song Dynasty's "Portrait of the Second Bust of Emperor Huizong and Emperor Qinzong" has no section, and the right painting after Emperor Huizong and the left painting after Emperor Qinzong. Both queens wear a crown of flowers, with drooping sideburns on both sides, and decorated with dragon patterns. The facial makeup is quite light, but on the forehead, sideburns and cheeks, there are pearl flowers. Wearing a blue shirt with a vermilion collar, embroidered with golden dragons and rocking pheasants, the depiction is extremely delicate and rich.
Song Dynasty Emperor Huizong Hou Qinzong's second bust
Two later, during the Jing kang rebellion (1127), he was taken hostage by the Jin people and died in a foreign country one after another, and his situation was tragic. Despite the gorgeous clothing, between the eyebrows, the uneasy emotions in the heart are faintly looming.
Qian Xuan's "Zhao Liang Lady" is selected from the "Collection of Ancient Famous Paintings" book, painting two beauties, wearing a tulle crown, a green shirt, a white coat, holding a fan, and swimming in the garden to cool off. The rear is lined with flowers and trees and Taihu stone, and the layout is simple and the color is elegant. The line of clothing is drawn with a fine pen, like gossamer, which should be from the hands of famous artists, but there is no author's print, and the old signature in the upper right is set as a money choice.
Song Qianxuan recruited a cool lady
Qian Xuan (c. 1235-1303 later), zi Shunju, was a native of Wuxing, Zhejiang. After the death of the Song Dynasty, he sent love poems and paintings, excelled in imitation of the ancients, and was listed as Wuxing Bajun.
After Emperor Gaozong of Song had established two successive successions, Lady Xing of Yuan was captured in the difficulty of Jing Kang, and after Emperor Gaozong ascended the throne, he made her empress. In the twelfth year of Shaoxing (1142), the coffin of Queen Xing was welcomed back from the north, and Lady Wu was officially erected. Wu Houyu liked to read, and Han Mo's cultivation was extremely high, and he once ghostwrote for Emperor Gaozong and was deeply favored.
Song people Song Gaozong's back seated statue
This painting of the Seated Portrait of Emperor Gaozong of Song depicts Empress Wu, who wears a crown of Kowloon flowers and a beaded face. Dressed in a dark blue robe, embroidered with twelve lines of pheasant, and with vermilion as the trim, embellished with dragon patterns, it is extremely gorgeous.
"Roselle Diagram" is the only surviving masterpiece of Wei Jiuding's female painting. Painted in white, Princess Roselle rides a light cloud, soaring on the vast river surface, and the scenery is high and ancient. The flexible belt flutters with the wind, like a dragon turning around, gracefully rising, fully showing the ethereal beauty of dust. The middle section is large and blank, with a digging mark on the left and Ni Zhan's inscription on the right. In the distance, the gentle hills are painted in light ink, which may have been added by others. Wei Jiuding (14th century), zi mingxuan, Zhejiang Tiantai people.
Yuan Wei Jiu Ding Roselle Diagram
Yuan Ren's "Yuan Shi Zu Hou Yuan Shunzong Second Bust" has no money, and the author is to be examined. The right painting is after the ancestors, and the left painting is after Shunzong. The poppy crown worn on the top of the two backs and the eyebrow shape painted in one word are extremely eye-catching Yuan Dynasty makeup.
Yuan Ren Yuan Shi Zu Hou Yuan Shunzong second bust
This type of bust, which has the function of a base, can be used to draw a vertical axis of the whole body. In the Yuan Dynasty, the court royal appearance was painted, combining the Central Plains tradition and extraterritorial style, the face shape of the character was full and round, the cheeks were red, and the facial features were distinctive. The collar trims are made of Islamic-style "Nashi Lost" brocade, which is particularly delicate and gorgeous.
Tang Yin's "Tao Gu Gift Word Map" depicts Tao Gu as an envoy to the Southern Tang Dynasty at the beginning of the Northern Song Dynasty, and the Southern Tang sent the palace prostitute Qin Qianlan disguised as the daughter of a post official to try to seduce, and Tao Gu really had evil thoughts and wrote words to give to each other. After Tao's posture as a righteous gentleman in the hou main banquet, the hou lord ordered Ku lan to come out to persuade the wine to sing, and the lyrics were given by Tao Gu, which immediately made him very embarrassed.
Ming Tang Yin Tao Gu gift picture
Tang Yin (1470-1524), also known as Bohu, was a native of Wu County (Suzhou, Jiangsu). The first teacher, Zhou Chen, and later Guangdong Learned Song yuan, the painting style was both exquisite and beautiful, and he was elegant and elegant, ranking among the four families of the Ming Dynasty.
Tang Yin's "Painting Ban Ji Tuan Fan" is based on "Song Of Complaints", the painting Ban JieYu (48-6 BC) holding a fan, quietly standing alone under the palm tree, looking thoughtful, and the prospect is to point out the cool season of late summer and autumn with hollyhock flowers. Through the ingenious matching of scenery and characters, the author profoundly depicts the feelings and encounters of the people in the painting, so that the viewer can transcend time and space and feel the vicissitudes and love of the beauties of the Han Dynasty.
Ming Tang Yin painted Ban Ji Tuan fan
Qiu Ying's "Spring Dawn in the Han Palace" depicts the concubines of the harem against the backdrop of the Han Dynasty Imperial Family Garden In the Spring Morning Dawn; among other things, it contains the famous fact that the painter Mao Yanshou wrote a portrait of Wang Zhaojun. The whole volume is intricately framed, with a clear and elegant pen. In addition to the group portraits of beautiful women, it also integrates the leisure activities of literati such as qinqi calligraphy and painting, ancient classics, and flowers, which is the exquisite work of Qiu Ying's late historical story painting.
Ming Qiuying Han Palace Chunxiao (Partial)
Qiu Ying (c. 1494-1552), literally the father, was a native of Taicang, Jiangsu. The painting style is both exquisite and elegant, and it is one of the four masters of the Ming Dynasty.
The most important custom of Tanabata is the begging activity of women, and in the evening women use colored threads to wear seven-hole needles, set up incense tables in the courtyard, and place clay dolls to worship the gods, so as to beg the weaver girl and ask for more children. Qiu Ying's "Beggar Qiaotu" depicts various activities during the Tanabata Festival, leading the viewer to glimpse the private and elegant life of the women in the palace. Although the trunk of the tree bears qiu Ying's signature and stamp, it should not be his original work, but close to the painting of the Yu Qiu (active in the second half of the 16th century).
Ming Qiuying QiqiaoTu (Partial)
Chen Hongshou's "Lady" is selected from the sixth opening of the "Miscellaneous Paintings" volume. The color is a high-updo beauty standing back, dressed beautifully, and the color matching is beautiful and vulgar. The pen is simple and calm, the line drawing turns, and the roundness implied in the square fold is indeed his meticulous masterpiece. The left side of the book is self-titled with two lines of poetry, which adds extramarital meaning. It was composed when he was forty-eight years old.
Ming Chen Hongshou Lady
Chen Hongshou (1598-1652), Lao Lian, was a native of Zhuji, Zhejiang. The composition layout, advocating high and strange, but also full of interest, is a very influential deformist painter of the late Ming Dynasty.
Ming Chen Hongshou Miaoxiang
"Sixteen Views of Seclusion" is a sixteen-frame album of white-painted pastel characters that express the life of seclusion, each of which is a classic. Chen Hongshou's "Miaoxiang" is selected from the fifteenth kai, painting a book on the hand of a woman, and the theme may be related to the Tang Dynasty talented female fish Xuanji (c. 844-868). Xuan Ji once wrote "Self-hatred luo yi cover up the poem, raise his head to envy the middle name of the list" after the Chang'an Guan list, expressing the unwilling voice of the woman who could not climb the gui and fold the branches.
The hanging screen of "Gu Xiu Xichi Queen Mother" is embroidered by the representative figure of the Taoist fairy, the Queen Mother of the West. In the auspicious clouds, the Queen Mother's mother held a peach in her hand, flew by a colorful phoenix, and was accompanied by a fan fairy, which was a popular folk icon.
Mingren Gu Xiuxichi Queen Mother
Gu embroidery was formed during the Ming Dynasty Wanli (1573-1619) period, and was created by the female relatives of the Gu Mingshi family in Shanghai. Gu Mingshi, Jiajing (1522-1566) Jinshi, built Jiangnan gardens, met friends with poetry and calligraphy, and Gu's female relatives participated in it, interpreting the famous relics of the Song and Yuan Dynasties with needle ghostwriting, and embroidery gradually became an artistic activity of upper-class women.
Zhu Yun's "Dongpo Chaoyun Map" paints two plane trees, Su Dongpo sits on a chair with a fan in his hand, his body leans against the table, and his eyes gaze at the chaoyun whose body is slightly bent and is writing. When Su Shi was an official in Qiantang, she took the famous prostitute Chao Yunna as a concubine, and she was illiterate at first, and only after Dongpo began to study. Later, Su Shi was demoted to Huizhou, and the family slaves were scattered, only chaoyun followed.
Qing Zhu Yun Dongpo Towards the Clouds
Zhu Yun (1626-1705), a native of Jiangxi, was known as the "Four Monks" along with Hongren, Shi, and Shi Tao.
Huang Shen's "Alchemy Diagram" paints He Xiangu, Li Tieqiu and Zhang Guolao in the Eight Immortals refining Dan in the furnace, and the furnace smoke is thick and the virtual reality is reflected. The canvas is quite large, and the author is bold and informal when depicting and coloring. The characters' clothing patterns, hair, and beards are full of changes in weight, density, and thickness, with strong visual stimulation and flying sense, forming an obvious personal style.
Qing Huang Shen Alchemy Chart
Huang Shen (1687-1768), a native of Ninghua, Fujian, was a famous artist of the Yangzhou School of Painting.
The theme of the farming and weaving chart began in the Southern Song Dynasty, depicting the ancient agricultural society of the gender division of labor, and the male and female weavers performed their respective duties. During the Kangxi Dynasty, Jiao Bingzhen was ordered to re-edit and publish it, and this "Cultivation and Weaving Map" was based on Jiao Tu, painted with Western perspective and concave and convex shadow methods, and gave it a bright color.
Qing Leng Piece Ploughing Chart
Leng Mei (active from the late 17th century to the early 18th century), a native of Jiaozhou, Shandong, studied under Jiao Bingzhen (active between 1689 and 1726), a good figure painting, a beautiful female, a painter Li Yanya, who served in the inner court during the Kangxi and Qianlong dynasties.
Luo Ping (1733-1799), also known as The Monk of the Temple of Flowers, was also known as the Monk of the Temple of Flowers. Yuju Yangzhou, disciple of Jin Nong (1687-1763).
Qing Luo Hired Su XiaoXiao statue
Su Xiaoxiao is said to be a famous prostitute in Qiantang during the Six Dynasties of Southern Qi (479-502), and her image of daring to pursue love is deeply rooted in people's hearts, and many literati in the past dynasties have sung songs. In this painting, Su Xiao is dressed in a clear costume, which deals with his clothing and clothing in a unique way, and his face adopts traditional painting methods to portray complex and subtle personality traits. This painting is stored by the Lan Qianshan Museum.
Pu Xinqi's "Lady of the Fan" depicts a woman dressed in green sitting behind the Taihu Stone, holding a tuan fan in her delicate jade hand, her eyes are flowing, her posture is soft, and she has a graceful style. Not only is the composition quite ingenious, but due to the profound calligraphy skills, the lines present a soft and energetic texture, constituting a unique style of female painting.
Republic of China Pu Xin Qi Fan Lady
PuRu (1896-1963), a native of Wanping (present-day Beijing), Hebei, was a native of Xishan Yishi. The painter himself seemed to be quite satisfied with this drawing, so he gave it to his friends several times.
Under the patriarchal society, the concept of "heaven respects the earth and the inferiority of the earth" has been interpreted by male scholars, and "male superiority and female inferiority" have become the definition of high and low status. This kind of non-correct discourse, which breaks the original harmony and balance in the natural state, has also become part of the traditional cultural consciousness and has dominated the role of women for thousands of years. Although it is said that "painting began with Concubine (Shunmei)", the vast majority of "she" is still hidden in the art world, and even loses the right to name. Although women in ancient times were not allowed to go out of the boudoir, there were still many "shes", breaking through various shackles, exerting their strengths, and occupying a place in the art history that has always been dominated by men.
The second unit, "Female Shi Liufang", is divided into painting, calligraphy and embroidery, presenting the artistic achievements of "she" who left a seat in the history of art from the Song to the Qing Dynasty, and hid in the Qing Palace; in addition, female painters after the Republic of China are also selected to guide the old thinking of "women without talent" and encourage more women to exert their talents and shape themselves.
Song Zhu Kerou Flowers and birds
In the Song Dynasty, Zhu Kerou's Flowers and Birds is woven in light brown, or on the dried branches of peony medicine with buds or blooms, and the tiger stares at the small insects on the edge of the leaf veins, as if it is going to fly and peck at the next moment. A scene full of tension in nature, transformed by skillful skills into an artistic masterpiece with a tight surface, symmetrical silk and three-dimensional mercerization effect.
Zhu Kerou, born and died unknown, name Gang, is a native of Songjiang, Shanghai. Since childhood, he learned silk, accumulated rich experience in color matching and threading skills, and became a famous silk craftsman in the Southern Song Dynasty.
Song Dynasty Yang's "Inscription Ma Zhu Leaning on Cloud Immortal Apricot" paints a branch of apricot blossoms with a simple layout and delicate and rigorous color, which is a masterpiece of Ma Yuan (active in 1189-1225). In the upper right is Yang Hou's inscription poem, which is elegant in rhyme and elegance, and also adds to the beauty of the blend of poetry and painting. Yang Hou's pen with goose tail and round turning pen features are similar to NingZong' and are rich and energetic in the beauty.
Song Yang's title horse is leaning on the cloud immortal apricot
Yang Shi (1162-1232), Song Huijian. After Emperor Ningzong (reigned 1194-1224), he was elected to the palace at a young age. In the second year of Jiatai (1202), he was established as the successor.
In the Yuan Dynasty, Guan Sheng's "To the Zhongfeng Monk RuMu" is a letter written by Guan Shi to Zhongfeng Mingben (1263-1323), describing the gratitude of Shi En Haodang and hoping that he would enlighten the deceased, the Pudu family sentient beings. It is written in three bodies (miscellaneous books) of italics, lines and grass, and is written with a straight and rigorous pen. The title is framed on a page with this one, and from the "Zhao Guan" seal, we can get a glimpse of the ancient tradition of women marrying and marrying husbands.
Yuan Pipe Rises to Zhongfeng Monk Ruler
Pipe Sheng (1262-1319), zi Zhongji, a native of Zhejiang. Zhao Mengfu (1254-1322) wife, a firm believer in Buddhism, good at painting ink bamboo, plum, orchid, but also works landscapes and Buddha statues.
The Ming Dynasty Qiu Clan DuLing Neishi "Painting Tang Poetry" paints trees in the garden, peony flowers blooming, a lady in light makeup, standing in front of the flower tree. The lower right is signed "Wu Men Qiu Clan Drama Writing". The character line drawing is delicate and delicate, and the color is beautiful and elegant, and the predecessors once praised Qiu Ying's painting style as "hair green and gold, silk dan wisps, exquisite and beautiful, and no shame to the ancients." To describe the Qiu clan in this way is not excessive.
Ming Qiu Clan Du Ling Nei History Painting Tang Poetry
Qiu Shi (16th century), Mingzhu, Duling Neishi, a native of Taicang, Jiangsu. She is the daughter of Qiu Ying, thanks to family learning, the painting style is exquisite and beautiful, without a trace of kitsch.
Wen Li (1595-1634), Ziduan Rong, a native of Jiangsu. Wen Congjian's daughter, Wen Zhengming's granddaughter, married Zhao Jun (字靈筠). Sexually intelligent, good at sketching, part-time painting lady, has the reputation of "the crown of the national (Ming) dynasty".
Ming Wen Li Paint spring encroaches on leaves
"Painting Spring Silkworm Leaves" paints mulberry branches and green leaves, bright red fruits hanging, three full spring silkworms are squirming and slowing, and the picture is full of vitality. The materials are fresh, the depictions are elegant and delicate, and the colors are moist and fresh, highlighting the natural beauty of ecological harmony and color.
(The graphics and text of this article are comprehensively compiled from the official website of the National Palace Museum in Taipei)
Attached: List of exhibits
Pass tang zhang xuan ming emperor hele tu
Transmission of Tang Zhou Fang Adjust baby chart
Transmission of Tang Zhou Fang Shi female poetry figure
Passed on five generations of Zhou Wenji Female Figure
Five generations Five generations Raccoon moon chart
Song Li Tang Wen Ji returned to Han Tu
Song Liu Songnian Peach Blossom Lady
Song Chen Juzhong drew a picture of Wang Jiangong
Song Song People Song Huizong Hou Song Qinzong's second bust
Song Song people Song Gaozong's rear seated statue
Song Song People Gong Numa Na Liang Map
Yuan Zhao Mengfu Blowing Flute Shi Female Figure
Yuan ShengMao Matsume Female Figure
Yuan Yuanren Yuan Shizu Hou Yuan Shunzong's second bust
Yuan Yuanren draws a cool lady
Yuan Yuanren paints plum blossom ladies
Ming Wen Zheng Ming Banana Yin Lady Figure
Ming Tang Yin imitates a Tang dynasty lady
Ming Tang Yin painted Han Xizai's night feast
Ming Qiuying Han Palace Spring Dawn
Ming Qiuying Beggar Qiaotu
Ming Qiu Clan Du Ling Nei Shi painted a portrait of a white-robed master
Ming Ming People Empress Ming Xiao'an Empress Ming Xiaoding Bust
Ming Ming people Gu Xiu Xichi Queen Mother
Qing Jiao Bingzhen Lotus boat berthed at night
Qing Ding Guanpeng paints characters
Qing Yao Wenhan Celebrating the Year Dynasty
Qing Jin Tingbiao painted Cao Everyone's book drawings
Qing Qian Hui An Yao Xian XianRui
Qing Qingren oil portrait
Qing Qing people beauty folding guitu
Republic of China Lü Fengzi Lady
Republic of China Huang Junbi Lady
Republic of China Zhang Daqian auspicious heavenly daughter
Republic of China Lin Fengmian General Hongyan
Republic of China Ding Yanyong Mulan joined the army
Fu Baoshi of the Republic of China, a lady of the Horizontal Kite
Republic of China Cheng Mustard Gongsun Da Niang sword dance weapon
Song Yang's title horse leans far away on yun xian apricot
Yuan Pipe Rises to the Middle Feng Monk Ruler
Ming Zou Saizhen book poems
Ming Xing Cijing painted a master
Clearly written public security policy
Ming Lin Xue Shan Shui
Ming Li Yin double sail racing
Qing Zhou Xi painted LuoHan
Qing Chen Shu Mountain Quiet Day Long Map
Qing Yu clan embroidered imperial Le Shou Tang poetic intentions
Picking plum blossoms
Republic of China Wu Shujuan Flower Butterfly
Republic of China Pu Jingqiu painted butterflies
Wu Qingxia and Zhou Lianxia of the Republic of China cooperated with the ladies
Republic of China Wu Yongxiang Xuanhua
Editor-in-Charge: Li Mei