Introduction: Zhu Zhishan was a famous literati in the Ming Dynasty, and as his "heartfelt friend" Tang Bohu became the protagonist of the "Three Laughs" story, he was gradually implicated in this series and formed a fictional image that was different from historical reality.
When it comes to Zhu Zhishan, many people can think of the image in Zhou Xingchi's version of "Tang Bohu Dian Qiu Xiang". Fat head and big ears, do not learn no skills, but also have to ha Tang Bohu to live.
Because of the influence of this movie, modern people feel that Zhu Zhishan may look like this.
But this is a nonsensical film, it is a stylized work of Xingye, and the intention of the villain is not necessarily to let everyone remember the talent who is ugly, perhaps the original intention is to highlight Tang Bohu's handsomeness and talent.
This is the regret of no photography technology, many ancient celebrities have not been able to leave their voice and smile, so it is difficult for future generations to understand their actual appearance.
Think about it, to be able to have a personal relationship with Tang Bohu is very good to play together, first of all, you must have talent, and the ancients' friendship itself is more talented.
Secondly, there must also be a good look, the four talents of the wind, ugly to the unparalleled, how to go to the wind and flow, how to be dashing and boundless? Just like Wu Dalang pretending to be Ximen Qing to seduce women, or Brother Yi to play the Daoming Temple in "Meteor Garden", can you see it?
As for Zhu Yunming's ugliness, it stems from his peculiar "six fingers", the ancient inclusiveness is not as good as modern, not being regarded as a monster by others is already extra-legal, Zhu Zhishan can only think that his point is not normal is ugly, then there is no need to look at his appearance, he is ugly.
<h1 class="pgc-h-arrow-right" data-track="12" > Tang Bohu's best friend, "six-fingered talent" Zhu Yunming</h1>
Zhu Zhishan was a famous literati and calligrapher in the Ming Dynasty. Along with the same Tang Yin, Wen Zhengming, and Xu Zhenqing, they were called "The Four Talents of WuZhong", which is also the prototype of the Four Talents in "Tang Bohu Dian Qiu Xiang".
Zhu Zhishan, also known as Zhu Yunming, the word Xizhe, because the right hand has more than one finger, so the name Zhishan, Zhizhisheng, also known as Zhishan, Zhishan Daoren, Zhishan Laoqiao, Zhizhishan people, etc., claiming to be a "freak", and posterity likes to call him "Six-Fingered Talent".
Zhu Zhishan has been brilliant since childhood, and because of his family's academic origins, he can write a foot of characters at the age of 5, and he can compose poetry at the age of 9. At the age of 32, he was awarded the title of Zhi County of Xingning County, Guangdong Province, and was later appointed as the General Judge of Ying Tianfu, and within one year he was called sick and returned to his hometown, so he was called "Zhu Jingzhao".
Wang Shizhenyun: "Wu Zhongren wrote about Xu Zhenqing in poetry, Zhu Yunming in the book, Tang Bohu in painting, and he thought that he was skilled in Zhu Zhao, then Mr. Wen Youye. ...... Mr. Wen covers both. ”
Zhu Zhishan's intercourse is like the Seven Sages of the Bamboo Forest, arrogant, uninhibited, extremely fanciful, and completely born literati life. Among these friends, the one who makes the most friends, has the most similar interests, has the most common temperament, has the deepest feelings, and has the most similar attitude towards the world.
That early stage had played well with them, and then Because of the discord between the three views, Wen Zhengming once said:
At the same time, there were The Yuanjing of The Capital County, who was similar in age to The Jun, and whose name was similar, and whose reputation was slightly up and down, and Zhu Junyu Yugu Qiao was valued by the times. A few years later, a certain and Tang Bohu, traced in the middle, the text and wine sang and, different days, the rest of the year can be sharp, but the ancients themselves.
Later, Zhu Zhishan's close friend Tang Bohu died at the age of 54. This talented Wu Men caizi who was only eight buckets tall had suffered from the cold of the human world. Zhu Zhishan was extremely sad, and wrote three poems with tears, "Weeping Son Fear", which is not only a memorial to his former friend, but also an exclamation of pity for the same fate.
<h1 class="pgc-h-arrow-right" data-track="75" > turn life's unsatisfactory into madness and express it from the mad grass</h1>
Zhu Zhishan's most famous achievement is calligraphy, which almost obscures his poetic achievements, and the "Continuation of the History of the Book" Volume IV pushes his "wild grass as the first of this dynasty".
Zhu Zhishan's calligraphy style is two extremes, one is the extremely mellow and ancient and strict Xiao Kai, Wei Jin fengyun jumps on the paper, especially the quaint style of Zhong Xuan's "Declaration Table" all the way, hand in hand, as if it were out of his own. This is unmatched in the Song and Yuan Dynasties, and unmatched in the Ming Dynasty.
On the other hand, it is his wild and uninhibited wild grass, stained with large pens, full of vitality, and the pen is like a wind sweeping away the leaves, naturally carving. Miaoji is the first person to write cursive in the Ming Dynasty.
This style of writing is inseparable from his state of life. Because Tang Bohu was the chief representative of the debauchery life of the Ming Dynasty, and the life of Zhu Zhishan was influenced by his close friends, it can be said that Zhu Zhishan's wild grass followed this attitude of life and was more indulgent.
His wild grass is really crazy for "crazy" and he introduces a life of debauchery into his wild grass creation. Wild grass is life, life is wild grass, but it is not a picture of life sloppy. Therefore, his wild grass is extremely crazy, and "madness" wins over the former sages.
So who are the former sages? Naturally, it was Zhang Xu, Huai Su and Huang Tingjian.
Zhang Xu and Huai Su are known as "upside down drunks", but due to their living times and historical reasons, their "madness" is limited and conditional, generally with the help of drunkenness, but the "madness" in their bones cannot be endless, resulting in their wild grass although wild and boundless, but the law is rigorous.
Although wine has a catalytic effect on the creation of wild grass, Huang Tingjian is not good at drinking, and his wild grass creation is more rational because there is no wine.
It can be said that Zhang Xu, Huai Su and Huang Tingjian's wild grass is rational madness, while Zhu Zhishan is not. His wild grass, though it has the essence of the three of them, allows sensibility to dominate.
Mo is Long Zengyun:
Grass socializing, scattered vertically and horizontally, fine and observant, losing the pen from time to time, when its cooperation, the road is perfect.
It is true that everything is dialectical - precisely because Zhu Yunming's calligraphy is sensual and there will be romantic brushstrokes displayed, then the corresponding portrayal of a wandering life is the partial lyricism of the wild grass work, and then the extreme of "madness", there will undoubtedly be a rough letter in the use of pens and knots, and it is logical to occasionally lose the pen and lose the body.
Chapter grass and small grass are independent, and the wild grass is often entangled with the pen, while the wild grass of Zhuzhi Mountain is different. Because of the looseness of his pen and knot, his wild grass has given his wild grass unlimited free space and created infinite possibilities for his true "madness".
There are roughly three types of wild grass in Zhuzhishan, and the first type of work "point" is used more, which can be described as scattered points like mountains and flowers, containing a piece of vitality, which is to fully display Zhu Yunming's personal characteristics, such as:
"Jiyang Dengtaibai Restaurant But Sending Shi Huzhou"
Throughout this volume, scattered points fly, just as Sun Guoting's "Book Genealogy" said, "The fiber is like the beginning of the moon out of the end of the world, falling among the stars of Judah" River Han.
Sometimes like a winter shrub, the branches are exposed, sometimes like a dead tree in early spring, with new shoots; sometimes like the fruit tree of autumn, fruitful, sometimes like a winter hillside full of life; sometimes like a waterfall flying spring, a thousand miles, sometimes like a sleeping lion lying dragon, the power is contained. It can be described as a sprinkling of foreign countries, and the stars shine in the river.
With the pen more than the broken front out, the line is short and dynamic, the short line of the pen is more than the front, and the long line is more out of the front.
The knot is mainly "scatter", but the combination between words is close - two words or even multiple words are treated as one word, and the whole is wild and idle. The word spacing on the chapter is difficult to distinguish, the line spacing is sewn, the flowers and trees are luxuriant, and the nature is interesting.
The second category belongs to the wild line unscrupulous. This kind of work is curved and straight, broken and flanked, with a sense of rough clothing and ugly appearances; the speed of the pen is extremely fast, such as wild wind and lightning, flying everywhere, fluttering all the time; the knot is arbitrary, completely caused by emotion, and is always stimulated by the content of the text. Representative works:
《箜篌引》
Zhu Yunming's wild grass is basically independent of words, but in this volume, there are several groups of concatenated words that wrap around the pen, which are very eye-catching, such as "beauty demon and idle", "Gu He Yanzi", "Fu Lai Hui", etc., these groups of words have a beautiful posture, especially the first group, just like the dance posture of the beautiful woman under the high-rhythm dance music jumps on the paper - the waist and limbs that swing quickly, and the sleeves that flutter quickly. Emotions are stimulated by words to the extreme. It's really "beauty and leisure" also.
The third category is the chaotic stone paving, which means heavenly. Such works are full of chapters, the ranks are unknown, interspersed with each other, long lines are thousands of miles, scattered words are surrounded, blindly natural, no carving, can be described as a chaotic stone paving steps.
Don't think that the rocky paving street is casually piled up, this kind of chapter method is difficult to master, if you are not careful, it is "chaotic stone" and can not "pave the steps", and Huang Binhong's landscape painting with chapters, the trick is to leave blank. Representative works include:
"Du Fu's Poetry Axis"
Its chapters are still in the form of hand-scrolled chapters, which are no lines and no columns, and they appear completely in the form of "blocks", and even more, the words have contact with the neighboring words, which is also the result of feelings. There are three blanks in this volume: one is a small void, that is, the emptiness left after the interspersed between words and words can be regarded as small voids. This kind of empty area is small and numerous, and can be seen everywhere; the second is hollow, that is, the empty near the long line, and its area and quantity can be regarded as hollow; the third is the large empty, that is, the empty space of the broken line, which has a small number and a large area. The alternating appearance of the three kinds of emptiness and the coordination of each other make this chaotic stone paving chapter meaning natural.
epilogue:
In the world of wild grass, we can see a flesh-and-blood Zhu Zhishan who is passionate about life, his alienation, wildness, enthusiasm, involuntary and helplessness are all condensed in eternal lines, perhaps he is a person who must rely on the sprinkling of cursive writing to obtain all his life, and tenaciously live in this way.
He is Tang Bohu's good friend and one of the four talents, but he is not the image of the greedy city servant in the film and television drama, the most typical and quite comedic chicken eating rice chart, will only lock into the vulgar mind, and Tang Bohu's paintings, Zhu Zhishan's characters, will always be studied and passed on.
——END