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A love story in artifacts

I am a lover of literature and literature, and I have walked through some museums, visited large and small exhibitions, and taken many photos of cultural relics in the past 18 years. Sometimes in order to brush an exhibition alone on the back of a bag to fly or sleep in a sleeper on the departure, sometimes too much to see the exhibition will also look through the window while crying, sometimes in the middle of the night still staring at the computer screen while shivering while repairing pictures. Cultural relics have brought me a lot of touch, and I also feel the beauty of art and culture from these static artifacts. With the ancients as disciples, through cultural relics to dialogue with the ancients thousands of years ago, appreciate the aesthetics and sentiments of the ancients.

I don't write beautiful words for the artifacts in front of me, I just show their beauty as much as possible through the lens in my own way. Of course, in addition to cultural relics, usually go to some interesting places or see interesting things will also be recorded, as long as there is time. As the first article to be published in the headline number, today I will talk about a few antiquities about love that I have seen before!

The first is The Song Ren's "Luoshen Futu" by Gu Kaizhi, which is now in the Liaoning Provincial Museum. Gu Kaizhi was a painter of the Eastern Jin Dynasty, who lived in the same era as The Book Saint Wang Xizhi. "Tang Zhang Yanyuan evaluated his technique as 'tight and strong, the cycle is super abrupt, the style is easy, the wind tends to thunder, the intention is to save the pen first, the painting is full of intention, so the whole spirit is also' ("Chinese Painting and Calligraphy" page 18), there are also legends that he painted a portrait of a young girl, after painting the chest of the portrait with a needle, the girl has a story of pain, anyway, he is very powerful in painting. "Luoshen Futu" is based on the famous "Luoshen Futu" of Cao Zhi of the Three Kingdoms, which tells the author's encounter with Luoshen and falling in love with him in Luochuan on the way back from Luoyang to the east, and because of the special way of man and god, he had to separate, and finally expressed his infinite sadness and sorrow, which was affectionate and touching. There have also been many writers in the past who have written "Roselle Endowment", and they have previously had a version in Linzhao Mengfu, but unfortunately the first draft has not been completed so far.

The first time I saw "Roselle Futu" was when the Liaobo New Museum opened in 18 years, the Painting and Calligraphy Museum opened as a permanent exhibition hall, and then I invited my tutor to go to Shenyang for 10 days of summer vacation. I left the museum for a while when I went, so the queue was not very long, and the first one that just entered the painting museum was Tang Zhoufang's "Lady of the Hairpin Flower", and "Roselle Futu" was behind it. From right to left, slowly move your footsteps to appreciate as the storyline progresses:

A love story in artifacts

'See a beautiful person, on the shore of the rock'

A love story in artifacts

'Its shape is also like a frightening, graceful like a dragon'

A love story in artifacts

'The Way of Man and God'

A love story in artifacts
A love story in artifacts

'Royal Boat Up'

A love story in artifacts

'Can't go'

In the words of teacher Chen Danqing, "I put my head on the glass of the display case and looked like a fool." Seeing the fate of Cao Zhi and Zhen Shi at the end, I suddenly felt a stream of hot tears swirling in my eyes.

The first season of "National Treasure" Liaobo has a story of interpreting this painting, the picture is very poignant, "Si Qing does not see the anger drunk sleep pillow dream fall old pastime", "a hate into a fate of intermittent suffering to see bitter love into resentment and tears do not dry", eight sufferings in life, the most bitter, can not put down, in the fast-paced modern society how many people can feel empathy.

The second thing that comes to mind is the "Long Do Not Forget" inscription silver belt hook now stored in the Nanjing Museum. The belt hook is an object that the ancients used to tie a buckled belt or tied around the waist to hang things. The owner of this silver belt hook is the concubine of Liu Fei, the king of the Western Han Dynasty, Chun Yu Baby, and the special thing is that it is engraved with yin and yang inscriptions "Long do not forget", open to see, close it and hide it, the love oath in this deep palace is only the owner's own love and sincerity! The silver ribbon hook in the display case stayed there quietly with the other artifacts, because it was so small that it would be ignored if you didn't pay attention. When I actually shot, the background color was not good, so I directly buttoned it down and replaced it with a half red and half blue base color. The second season of "If National Treasures Could Talk" has a detailed introduction to it, and if you are interested, you can move to watch it.

A love story in artifacts

"Long do not forget" inscription silver belt hook

A love story in artifacts

"Long do not forget" cultural and creative bookmarks

At that time, I also bought a copper ruler bookmark with this silver belt hook as the prototype design in the Nanbo Cultural and Creative Store, which was very delicate in the inside of the page.

The third thing to talk about is the Ningbo "Wangong Palanquin" from our Zhejiang Provincial Museum, a flower palanquin carefully built after spending 10,000 man-hours. Ningshao Plain has been prosperous and rich since ancient times, and the marriage events of large families are very large, and the word "ten miles of red makeup" is the best description.

"Wan Gong Car" is usually exhibited in the Zhejiang Bo Wulin Hall on the third floor of the "Ten Mile Red Makeup" permanent hall, there will be volunteers to explain the exhibition hall, the weekend may also encounter a seven or eight-year-old girl is in Chinese and English bilingual to explain the story of "Wan Gong Car" to everyone!

The "Wangong car" body is very luxurious, the details are very exquisite, but that time only brought a 16-50mm pullover, so many detail photos can not come out of a good effect, the next time take the telephoto past when the retake.

A love story in artifacts

Ningbo "Wangong Car"

In Hangzhou, when it comes to ancient love stories, we have to mention "Liang Zhu". Legend has it that Liang Shanbo and Zhu Yingtai spent an unforgettable three-year study time at Wansong Academy in Hangzhou. I remember when I went to Wansong Academy to visit, I encountered a small earthquake in a wooden house on the mountainside, and the wooden structure of the house made a "creaking" sound, and I guess it must be that the old master of the hole appeared to bless me with a smooth graduation!

Liang Zhu has many versions of the TV series, and has seen the versions of He Rundong and Dong Jie twice. The first time I saw it was when I was in junior high school, I envied Liang Zhu's simple and beautiful, loyal and unswerving love. The second time I looked at it was already the second year of research, and I saw more of Liang Shanbo's character of heavy affection and righteousness, repaying grievances with virtue, and loving the people like a son.

Before listening to the story of He Zhanhao's teacher He Zhanhao's creation of the "Liang Zhu Violin Concerto" in Zhejiang Tu, and also listening to Liang Zhu played by the National Centre for the Performing Arts, but I feel that the rhythm is still not as good as Lu Siqing's version, if I can have the opportunity to listen to Lü's version of Liang Zhu on the spot in the future.

A love story in artifacts

Wansong College

A love story in artifacts

National Centre for the Performing Arts

In addition to Liang Zhu, it is the legendary story of Xu Xian and the White Lady. Because I was particularly afraid of snakes when I was a child, even if I rode on a bicycle in case I saw a snake in the middle of the road, my legs would be weak, so I didn't want to see the name of the white snake, until February this year, I didn't think of going to see Zhao Yazhi's version of "The Legend of the New White Lady". At that time, I found out that this was a legendary musical, and I liked every background music in it, and I sang along while watching it, which is worthy of being sung by people! Compared with the legendary and poignant love story between Xu Xian and the White Lady, what I envy more is the bland love life between Li Gongfu and Xu Xian's sister, which is the so-called "taste in the world is Qing Huan".

The above are some of the antiquities and love stories that I temporarily thought of, and then if I think of any theme, I will pick a few artifacts to share, or I can find something interesting and interesting. The Buddhist system is updated only for the purpose of recording and sharing.

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