What kind of work would put a neoclassical composer redeemed by a prostitute, a sexually impotent and cruel vengeful smuggler barber, and a female college student who was in love with a retired judge who was a listener, and put in a boat to be rescued?
What kind of work will apply the tri-color blue, white and red of the national flag to every part of the work, and can become the brand of the peak of the actor's career?
In the peak of this trilogy, "Blue, White and Red", Uncle Oxygen takes everyone to see how the director adapts to the three theme colors and expresses emotions and themes through accurate judgment of the actor's appearance style.
"Blue" is cold and self-sustaining philosophical – Juliet Binoche
Juliet Binoche's facial structure is as short as a cat and very similar to Maggie Cheung. But unlike Maggie Cheung's radiance, her straight eyebrows and wide eye distance show the mood of concession, giving people a sense of calm and self-sustainance, which has also become the background of her appearance.
For example, in the picture below, this group photo, just look at the mouth is obviously happier than Noshi's smile, but because of the eyebrows, the sense of gloom is stronger.
PS: Maggie Cheung stands in front and close to the edge of the lens, so it is a bit distorted
In addition, her three-dimensional sense of extremely high drop, and the short and sharp sense of the line, make the face young but not sweet, hard but not fierce. As a Parisian, there is a coldness rarely seen in southern Europe, and a lightness rarely seen in Northern Europeans.
Even in the full-skinned girlhood, this face plays a relatively "silly white sweet" loyal and pure emotional passive, which can also carry the deep core of "The Unbearable Lightness of Life".
Film adaptation of the novel "The Unbearable Lightness of Life" "Prague Love"
And in the blue, white and red trilogy "Blue" starring in her prime years, the coldness of her face line and the childishness of the golden triangle and wide eye distance in the large-angle face are perfectly matched with the calm and rational of the classical musician of the character Julie, the grief of the middle-aged widow and the sincerity of the unconcealed friendliness of life.
Quoted from Douban
In the film, director Kieslowski blends blue, music, and actors into a unique film language, avoiding the usual dullness when digging into the delicate emotions of the characters.
The mutual achievements of the actors and the film also lie in this, huge facial close-ups, facial features and even hair are language, and there is no adaptation of the appearance style acting skills are also expressed laboriously.
For example, if it is replaced by Monica Bellucci at this moment, even if she is a girl, she is more beautiful and less deserted, and she always feels that there will be a group of obsessive followers waiting outside the ward.
If replaced by the beautiful Adjani, her frightened and fragile eyes may make the audience worry that she will not be able to bear the pain of bereavement, and the next second she will scream and jump off the building.
The opposite of Binoche's grim face in the film is charlotte Véry, a prostitute played by Charlotte Véry.
Although she is depraved, she is simple and friendly, and her rash request for help from the heroine has become an important opportunity for the heroine to get out of the closure and regain the emotional connection between people. And Charlotte, because of a pair of round and soft eyes, playing this kind of ignorant and simple woman related to lust is always very brilliant.
Notice the strong contrast between the lighting and the background here
The Story of Winter
The impact of Binoche's blue character success has continued. In the 17-year-old "Ghost in the Shell", the blue room and flashing blue light still follow her as a sane woman, but the blue without a strong core and delicate expression can only be a tribute without a soul.
Ghost in the Shell (2017), Zobinosh
Winning all the awards, Binoche, who was over fifty years old, acted in the autobiographical film "Sils Maria" in 14 years, in which she played a tough and tough appearance, lining the always tough Stewart as a woman T. Of course, this is also related to Stewart's special fattening for this piece.
We found that Binoche's angular bone phase was already very old-fashioned, supporting the muscles, but the relaxation of the jawline made her thin and also had a vague sense of kindness. It does not match the tight and cold upper half of the face.
In the photos of the past two years, the comprehensive relaxation of the skin phase has made the sense of kindness and wisdom more harmonious. The blue sensation gradually blurred and dull.
White worldly lust – Julie Delpy
Julie's most famous character is probably the romantic Selena in the Love In series.
"Love Before the Dawn Breaks"
Julie in White plays the wife of a barber who smuggles her from Poland to France, abandoning her husband because of his sexual impotence. "White" is told from the perspective of carol, a weak and inferior male protagonist, so Julie is more of a white moonlight-like existence.
So Julie's image is relatively thin, but it does not affect the adaptation of her appearance and role. Her long atrium and pointed corners of her eyes and corners of her mouth endorse the character's mature indifference.
Bumping into the face of Tao Hong, there is a little bit of aunty
Full lips with feminine curls, full of lust.
The atrium was shortened from an upward view, and her full forehead and flattering lips made her look like a blonde angel. No wonder she accurately hit the male protagonist's self-esteem in public and cruelly drove the male protagonist away, but the male protagonist still loves her deeply. There is always someone who is committing murder.
Stills from "White"
"Red" is a delicate and warm girly face - Elena Jacob Irène Jacob
There is no better character for Elena than Valentine, a college girl in Red.
The face is delicate and beautiful because of the thick eyebrows, big eyes, and full lips that cannot be closed,
The side of her face hides the slightly larger jaw and cleft mouth, highlighting her rich bone appearance and the purity that rarely coexists with the beauty of the face.
Her character keywords overlap with the keywords of appearance: purity, kindness, and enthusiasm.
Getting to know the old judge because of taking care of the injured dog, indignant because he broke the old judge's eavesdropping on the scene, etc., like a young girl full of vitality in a Japanese drama.
The young girl leaves the Japanese filter, and in the implicit romance of polish director Kieslowski, we empathize with the old judge and experience the admiration for the pure vitality of the fiery red.
Young vitality is certainly not only reflected in the body. Compared with the calm self-sufficiency of adults, the enthusiasm of teenagers is always one of the cogs that push people to connect with each other.
For example, this old lady who runs through the trilogy needs help to throw bottles. In Blue, Julie ignores her surroundings because she enjoys the morning breeze, or intentionally closes herself off, and doesn't see the old lady.
In "White", Carol, who stays on the street, sees that the old lady can't throw it into the bottle, but just laughs a little. Laughing at the old lady? More likely to be laughing at their own downfall.
In "Red", Valentine did not hesitate to go to help, and the old lady who threw the bottle of three films finally got help.
The prostitute who made a rash request in "Blue", the Polish man who gave the male protagonist money to help him commit suicide in "White", Valentine in "Red", and the unusual behavior in the world of indifferent rules and regulations all became the impetus of plot and feelings.
In fact, compared with the respective themes of freedom, equality and fraternity of each film, the trilogy released by the director in the 93-94 years should express the connection between people.
The Treaty of Maastricht was adopted in 1991, and in 1993 it was the time when the Treaty entered into force and the European Union was established. Europe has never been so closely united, and the Three Colours trilogy created in this context is actually a grand theme film.
But director Kieth never emphasized the serious grandeur of this political background, but distilled the meaning of the founding of the European Union to a universal height: the connection between people. Then the disassembly of this theme and the serious thinking of each part of the small theme are hidden in the beautiful and rigorous film language, so that more people can gradually reflect on the theme after accepting the light and shadow of the entrance.
Although I dare not touch the porcelain director, the New Oxygen Beauty Academy is indeed also wrapping medical aesthetic science and aesthetic thinking with the gossip hotspots of the entrance. Uncle Oxygen does not have a particularly grand theme, but only hopes that we will create serious content and go further on the aesthetic road with you.