The significance of "Snail and Yellow Oriole" is greater than the reality, because after all, it is the schedule of "Happiness, Within Reach", which is not of good quality but still hot, after the previous episode with a good rating, it will continue to be brilliant, so the collocation of Lin Yun and Zhang Xincheng is very innovative.
Unfortunately, although the original master version of the plot, "Symphonic Lover's Dream", has a good reputation and popularity in the entire East Asian area, the downgraded and shrunken version of the vernacular adaptation makes the new version of "Snail and Yellow Oriole" form a smear and anti-phagocytosis of the original word of mouth.
< h1 class="pgc-h-arrow-right" > traceable</h1>
Symphonic Lover's Dream is a manga series by Japanese manga artist Tomoko Ninomiya, who began serialization in the women's manga magazine Kiss in 2001 and continued until 2010, with the theme story of musical ideals and love between musical genius Shinichi Chiaki and the piano girl Kei Noda. Because of the protagonist's professional factors, a large number of classical music elements have been added, and since its appearance, it has been regarded as a "primer for classical music" and "music as a medium" for the professional and emotional themes of classical music.
According to relevant statistics, as of 2012, the cumulative sales of the "Symphony" comic book have exceeded 33 million copies, and a total of 25 single books and 1 character information manual have been issued. In terms of honors, she won the Girls' Division Award at the 28th Kodansha Manga Awards in 2004.
Because of the popularity of comics, it has attracted attention from the production of film and television dramas. Therefore, in 2006, the strong "Moon Nine" drama promoted by Fuji Television in Japan in the autumn launched the TV series of the same name, which was co-directed by Hideki Takeuchi and Taiyo Kawamura, starring Shuri Ueno, Hiroshi Tamaki, Andeta, and also specially invited "Piano Prince" Li Yundi as a publicity ambassador.
Finally, at the 51st "Japanese Drama Oscar" Japanese Drama Academy Awards, he won six awards such as Best Work, Best Music, and Best Director to become the biggest winner, and his influence spread positively outward, sweeping the Tokyo Tv Drama Awards, the Japanese Drama Academy Awards, the Seoul TV Awards and other awards.
The success of live-action TV series gave birth to the later TV anime version. Taken together, sound and painting have been added to the surface of the manga, especially the excellent soundtrack production of TV series and animation, which is simply an introductory textbook for classical music.
Subsequently, the movie version broadcast in 2009-10 insisted on the luxurious production of the original class, and even invited Lang Lang to play as a piano player of Noda Mei, which not only satisfied the feelings of the original fans, but also actively expanded their classic status!
< h1 class= "pgc-h-arrow-right" > the plot, and then the water is not satisfied</h1>
When this drama came to China more than ten years later, it seemed that in the theme of the intertwining of ideals and feelings in the original work, the power of the narrative was concentrated on feelings.
This TV series tells the inspiring love story of the arrogant and serious piano prince Li Zhenyan (played by Zhang Xincheng) and the off-the-line and confused piano geek Fang Xiaoyan (played by Lin Yun) after meeting, in order to become a better version of themselves, overcome fears and bravely chase dreams, and influence each other to promote each other.
This is basically the same as the main theme of the original work, but unfortunately, although "Snail and Yellow Oriole" has undergone several versions of the original adaptation, it still has not learned the essence of the sense of localization, a sense of suspension floating three feet above the ground, so that the whole story lacks enough realistic texture.
No, copy the original setting - Li Zhenyan and Fang Xiaoyan live on the first and second floors of the same building, and also study under the same teacher.
However, differences in the environment of origin and personality have caused the two people to have very different lifestyles. To put it simply, the boy Li Zhenyan loves music, is the best student to play the piano in the music school, and his strength determines his vision and attitude, so he is very proud, and the music played by others is all noise in his ears. As a result of his high self-esteem, he developed the habit of living with unusual cleanliness.
(That kind of arrogant person has a clean personality setting, which is really bad street!) ）
But Fang Xiaomei, who lives on the second floor, is the opposite of him, although she is a girl, but free and casual, so life is rough, the room is chaotic, and the whole living environment can be described as sloppy.
Such a girl with a general appearance, a casual style, and even a big grin will not be regarded as very high in any case, a board and a glance, and a clean Li Zhenyan looks up. But the fate is so wonderful, two people attend the same music school, coincidentally, the yin and yang are wrong, because the two people who studied under the same instructor were forced to become piano partners by the plot.
In this way, it is customary for two people to break through the first personality and differences in all aspects, experience countless conflicts in living habits and musical concepts, and finally become harmonious with each other but do not lose their own style, and complete the characterization of the final musical style.
Li Zhenyan is a typical academic school, following the teacher's theoretical practice at a glance, and the technique and performance effect are definitely a higher level of copying the predecessors. However, under the casualness of Fang Xiaosheng, it seems rigid and ingenious.
Although this Fang Xiaoxuan has a sloppy life, the piano she plays is also very strange in the eyes of the bully Li Zhenyan. Obviously, it sounds "messy" at first, but it is very comfortable to listen to.
Therefore, the plot is still in accordance with the strict and old-fashioned male protagonist and the free and casual heroine rubbing against each other, and then merging with each other in a board at a glance.
However, on the one hand, because of the high and low social status of classical symphony in China, on the other hand, because of the incompatibility of the temperament and behavior of the two actors for the roles they play, the whole play is completely counterpart to the ivory tower that has not yet experienced the harshness of society, or has just been forced or lured by parents or underage music lovers who are exposed to classical music?
(Personally, I am cautious about domestic music lovers, and most of my children learn music anyway, with obvious utilitarian purposes.) ）
<h1 class= "pgc-h-arrow-right" > the team of directors is very hard, but the harder they use, the more distorted</h1>
In order to highlight the idol drama temperament of "Snails and Yellow Oriole Birds", Liu Junjie, the "Godfather of Taiwanese Idol Drama", who created a fashion before, was specially invited to be the director. He has directed many popular idol dramas such as "Lavender", "The Prince Becomes a Frog", and "Here Comes the Fir", and is still very experienced in such idol dramas.
However, as we all know, Taiwanese directors have no real life experience in the mainland, and still like to take the previous conventions and terms to interpret the ever-changing content, facing the target audience that has changed several times. Coupled with the consistent cultural and regional differences in its own Japanese manga adaptation, the result is a tragic situation in which the content floats in the air three meters from the ground, which is not surprising.
The more damning point is that the appearance and temperament of the two main actors are a little different from the requirements of the roles.
Li Zhenyan is a typical teenager and an old man, because of his good birth and more than ten years of study experience, he has followed the traditions of the older generation, and has cultivated the appearance of an old cadre and the temperament of alienation.
Zhang Xincheng is a typical home temperament, lively, sunny, typical of the big boy next door. Wanting to copy the arrogance and coldness of the role of Tamaki Hiroshi makes it seem that the performance traces are a bit heavy. Moreover, in order to highlight the classicism and nobility of the male protagonist, he got a hairstyle that is not very suitable for Zhang Xin's temperament, and Zhang Xincheng, who looks plain, slipped a lot!
But on the whole, except for the hairstyle that is not in line with Zhang Xincheng's own temperament, his state and performance are still decent, and there is no big problem, except that from time to time it seems that his head is bigger than his face.
The most important thing about the whole drama is Lin Yun, who is the main thrust gimmick. Fang Xiaomei's role positioning is not difficult, compared to ordinary girls, she has more artist temperament - jumping off, casual, lively and a little sloppy, in the pursuit of feelings in life there is no intention, in addition to expressing music through feelings, other aspects are a "silly white sweet" who ignores everything.
However, Lin Yun, the master of self-hi-hi interpretation in our new era, has performed this kind of "silly white sweet" to the point of madness, but there is no white sweetness. Perfect implementation of Tian Fuzhen's "Angel among the Devil" in the "can call me crazy, not allow me to be a fool" - in order not to be stupid, completely crazy.
<h1 class="pgc-h-arrow-right" > Lin Yun is galloping towards Zheng Shuang's path! </h1>
Here we want to break lin yun in recent years more and more close to the Ouyang Nana turned out to be like the self-congratulatory performance method of "Lu Xiaokui".
Personally, I think that Lin Yun's increasingly ostentatious deduction method in recent years is not madness, but a typical inflexible. She continues the comic-like character interpretation method that Stephen Chow nurtured when she made her debut, and she believes that the method taught by Stephen Chow can be tried in all subjects.
Unfortunately, she did not consider at all whether Zhou Xingchi's crazy comedy and the youth idol light comedy and even the main drama theme that she now starred in were born with temperament barriers.
Snail and Yellow Oriole was born out of Japanese manga, but not every good Japanese drama is suitable for remake. It is one thing for the remake to be successful or unsuccessful, more importantly, the cultural background is different, when you watch Japanese dramas, you feel that the characters are plump and cute, and when you get Chinese context, you will feel greasy and abrupt.
The same reason applies to Lin Yun's cookie-cutter understanding and deduction method of the role - starting from the "Mermaid" controlled by Stephen Chow, Lin Yun is this kind of open and closed, crazy and crazy performance method, with a kind of physical movement of pointing fingers and feet, teeth and claws, squeezing eyebrows and shaking eyes and shaking his head, and assembling to show a girl's simple and transparent, unpretentious external personality.
In other words, sister, do you have any mistakes in understanding the unpretentiousness?
But the problem is that "The Mermaid" is an outlier mimicking human farce, showing an exaggerated, absurd theme, so the expression in it, slightly exaggerated acting, will become less exaggerated. And if this kind of acting skill does not consider the existing theme and display method, if it is translated as it is, then Zhou Xingchi has not been able to get the academic certification of the eight-character comment, which has become exaggerated and exaggerated.
And a silly white and sweet character, if he loses the meaning of reality, only the teeth and claws are left in the plot, pretending to be pure love, and it is not far from "get back to your Disney"!
Therefore, "Snails and Yellow Oriole Birds", a film with a somewhat nonsensical name, if it is not Zhang Xincheng or Lin Yun's true love fan, I personally think it is better not to watch it!