If you want to make a TV series that understands human nature, the screenwriter is too young and always lacks a sense of authority, and when he is a little older, the weight between the words will be heavy.
Obviously his emotional experience is thin, he can also dispense medicine to Qianfan's exhaustion, and his face is not red and his heart is not beating, and he does not jump to do the old Chinese medicine of sitting in the hall, which is said to be the heroine of "ItoJun A to E", Yazaki Li Sakura.
Screenwriter Rei Sakura Yazaki (Played by Fumino Kimura), now Chinese New Year's Eve two years old, who wrote the TV drama script five years ago was very popular, and after the big rise, it fell and fell, and quickly became a bench screenwriter, and could only make money by guessing that the prescription of love was written and lectured.
In order to promote the book, Yazaki Li Sakura announced at the lecture that she would sit in the hall and prescribe love prescriptions for the majority of readers and friends.
When reading the patient's self-report, Yazaki Found an interesting phenomenon: there are four women with different occupations, ages, and personalities who are all troubled by love problems, and the reasons that bother them are different, and the only common point is that the people who bring the trouble are surnamed "Ito".
There's nothing more exciting than the fairy tale of all kinds of princesses falling in love with the same prince. "ItoJun A to E" is so explosive, as the story unfolds, Yazaki Ri sakura discovers that the above "Ito Jun" is actually a person.
The so-called "A to E" of Ito Jun are five women who appear in succession according to the time of relationship formation:
Number A is "casual play woman" Shimabara Tomomi (Sasaki Yoshi), working in a leather goods store, beautiful and elegant, five years of dating, the two people should do everything, but the relationship has not been determined;
Number B is "The Woman With the Tight Shell" Shuko Nose (Future Shida), who is busy with her job search, but is unincorporated but is entangled with Ito;
Number C is "The Woman Who Longs to Be Loved" Satoko Aida (Eliza Ikeda) is the deputy manager of the Pastry Store, who maintains a relationship with eleven men, and does not refuse, but no one loves, and at the same time longs to be loved;
Number D is "Highly Educated Iron Wall Girl" Shinho Shiki (Xia Fan), a graduate student who hopes to dedicate his first time to Ito;
The number E is the "poison girl" Yazaki Rizakura herself who tried the poison herself.
Adapted from Teak Mako's 2013 popular love mystery novel of the same name, "Ito Jun A to E" has sold a lot of points in the writing technique, the whole book seems to be a male and five women in a romantic relationship, but in fact, no woman and Ito Jun have really called love.
The character, named "Ito Seijiro", is nothing more than a mirror, and different women see their own shadows through him. And this mirror image of the same complex and multi-faceted, so that Ito Jun in the early unfolding of the story to maintain a sense of mystery, like fog like rain and like wind, the face is blurred.
After the film and television, the way of visual presentation was changed to an alternative to acting, any male who had commonalities with ItoJun would temporarily become a stand-in, and the screenwriter's own analysis of the characters and events was presented from the perspective of a bystander, but there was no intervention or intervention, just a cold bystander, poisonous tongue spit, willing to be mean humanoid bullet screen.
As an old Chinese medicine doctor who relies on experience to sit in the clinic, the perspective figure Yazaki Rizakura clearly realizes that all the women who come to consult her already have the answer in their hearts, but they are unwilling to face their own hearts in one way or another, and they have to provide a point of view from the position of a third party.
Opposition or support, can not directly intervene in the inner thoughts of the parties, can only play a little catalyst role - feelings, after all, is their own business, others say it does not count, love old Chinese medicine sit for a long time, can not go through life for anyone.
Real-life writers or teak asparagus, fictional screenwriter Yazaki Reisaki, have not been able to say to readers and viewers the subtext is actually: do not rely on love old Chinese medicine to regulate emotional problems of people in love, this kind of serious patients lack judgment and determination, life needs others to prescribe prescriptions to give answers, once talking about love, there must be many hidden dangers.
Sasaki plays Tomomi Shimabara
Take, for example, tomomi Shimabara, the "woman who plays casually" number A. Miss Zhimei Zhimei is like an expensive luxury bag in a leather goods store, but she is too persistent. In the five years since I met Jun Ito, the car has been driven and the boat has been on, but I have never received a word of "like you", I have always been in a passive state, and I have never produced an output (money, time, body) that I have been investing.
As the cost of sunking gradually increases, Miss Shimabara, who is both full and indecisive, becomes more paranoid and continues to increase her investment in trying to win love by endurance.
Ito Jun, as the recipient, is certainly a scum without conscience, but from another point of view, is Miss Shimabara herself who knowingly committed the crime completely at fault?
No, for five years, what she pursued was not love, but an affirmation of herself. The man's "like you" is just proof that the woman is not wrong.
Shuko Shida (left)
Miss Shimabara, who finally realized her true nature, had decided to buy the high-priced and unsought-after bag in the store with a huge amount of money given to Ito, but found that the bag had been bought.
In order to string the story more coherently, the TV series changed the end of the unit story, so that Miss Shimabara personally recommended the favorite bag to the guest who came to the store, and this guest was another woman who was "plagued" by Jun Ito.
Fumino Kimura Rinyazaki Rika
Love and death are the two eternal themes of drama, whether it is love or death, there is no end, so there is no end to the discussion of these two themes. Tv dramas in various countries have endless emotional problems, urban emotions, costume idols, talking about the relationship between men and women is endless, the technical content is not high, but it is a permanent hot topic.
Bloggers on social networks who do emotional topics are also easy to rise in fans and have high popularity. It seems that all people have tons of emotions to vent about emotional problems, and they need a seemingly rational, neutral, objective, and fair emotional judge to rule that the parties are not wrong in the emotional relationship, and blame the other party for being scum;
It is necessary to read the world's experienced emotional old Chinese medicine to help look at the smell and cut, prescribe medicine to regulate emotions, nourish the blood, and make up for the loss, so that the parties can live more calmly after taking the placebo in their hearts.
However, in the final analysis, it is the most reasonable saying on the ancient Greek Temple of Delphi: Man, know yourself.
"Jun Ito A to E" offers no more than two emotional patterns:
One is self-projection, that is, seeing one's own shadow in the other person and trying to affirm oneself by reinforcing the self-projection in the other person, including the perspective of the subsequent emotional relationship with Ito Jun, Yazaki Reisaki;
The other is the lack of compensation, that is, seeing in the other person what is not in them, what is missing, but at the same time panicking about this strange thing, trying to get rid of the incomplete understanding of the self and avoid the pain of self-denial by completely avoiding or accepting it completely.
Compared with Kei Tanaka, a TV producer who plays a stand-in in the play, and Ryuya Nakamura, the actor who plays the blockbuster newcomer screenwriter "Zaken", Okada Shosei, who plays the best scumbag Itō Jun, seems to be the most "unfortunate" - he is just a humanoid mirror used to take care of the women themselves.
Ito-kun-kun Tanaka Kei who appeared instead
Okada Shosei got the character is a narcissistic, low emotional intelligence, face alone and incompetent male character, but fortunately "Ito Jun A to E" adopts the popular Japanese "drama film linkage" model, coupled with the story itself with "love reasoning" as a gimmick, Okada Shosei will not officially meet the audience until the film version early next year.
Japan's "drama and shadow linkage" model and the so-called "drama and shadow linkage" in the domestic film and television industry is different, there is actually no form of linkage between the TV series version and the film version of the domestic unified copyright work, and the production team is different, but Japan is linked, the same team, there is a close relationship in the storyline of the TV series and movies, the TV series is used for the early publicity of the film because of its wide audience, "Brother loves me too much, what to do", "Gintama" and other movies have a precursor TV series part before the release. The sense of topic created by these TV series also laid the mass foundation for the box office of subsequent films.
"Jun Ito A to E" is the same, but unlike films such as "Brother Loves Me Too Much" and "Gintama", which have young people as the main audience, "Ito Jun" is aimed at urban female audiences, and whether the drama and film linkage can work in this group will be known next January.