<h1 class="pgc-h-arrow-right" data-track="1" > from an entertainment point of view, "Fat Dragon Across the River" is still good</h1>
It can be seen as a trilogy of "Zhen Zidan" police stories "Killing Wolves, Fuse, Fat Dragon Crossing the River".
After experiencing the glory period of the "super policeman" Ma Jun, he still had to live an ordinary life, make a girlfriend, and the years did not leave anyone, he also had to get married and organize a family, and the interpersonal relationship between colleagues also had to be slightly adjusted (colleagues worked with him was too stressful, and often could not leave work on time."
But the god of luck did not take much care of him, and in a mission, he made a big mistake in front of his superiors, and was eventually "demoted" to perform some trivial things, and of course he was depressed.
Emotionally, he could not reach a consensus with his girlfriend, and finally could not achieve a balance in his career and feelings, gave up on himself, overeating, and finally became a "fat dragon".
But Zhu Fulong is optimistic in nature, perhaps he has experienced many strong winds and waves (killing wolves, fusing wires)?
So in middle age, he also realized a philosophy of life, "as long as people are okay, everything is a good thing."
When he went to Japan to perform that "simple mission" (this task is related to whether he can be promoted", but he had no choice but to encounter the collusion between the Japanese underworld and the police, and his former girlfriend was still planted for no reason, how should he solve the case?
How should he choose between the career and love he loves?
This is the story that "Fat Dragon Crossing the River" wants to tell.
Wang Jing's films rarely lose money, and in response to this, he can be said to be a genius in the Hong Kong film industry.
I grew up watching Wang Jing's movies, "Magic Jade", "God of Gamblers", "Gambler", "Trickster Expert", "Deer DingJi" and so on, are his classics.
Although "Fat Dragon Across the River" is not directed by Wang Jing (the director is Japanese, Kenji Tanigi)," he is the producer, screenwriter, actor and boss of the film, so half of "Fat Dragon Across the River" is Wang Jing's film.
Wang Jing's film, not pretentious and high, he gives himself a clear positioning, he is a commercial director, he wants to give the audience, is entertainment and happiness.
So he always creates some small people living around us, and the protagonists in the play will be entangled in some small things and relieved for a small experience.
Although Wang Jing's films are always aimed at pleasing the public, I personally believe that he is still in place when describing the helplessness of life and the contradictions between people (like the feelings between Mao Shunjun and Wang Jing in "Fat Dragon Crossing the River").
Wang Jing also has his strength in reading "people", right?
A person who can carefully observe and understand "people" can put what he sees, hears, and thinks on the script he creates.
I quite like the talent of "Wang Jing" that is not only funny, but also has a little connotation (although some of his works, I can't agree too much" .
But he is different from "Zhou Xingchi", Zhou Xingchi is funny 50, connotation 50.
And Wang Jing is funny 70, connotation 30, so this is why, Zhou Xingchi's works, the artistic value will be higher than Wang Jing's reasons (Zhou Xingchi has been promoted to a master-level figure).
Wang Jing does not care whether his works are art, for him, as long as he sells money, he is worthy of his own little conscience, he is OK.
But I believe that if Wang Jing has no connotation, then he will not be able to establish himself in the Hong Kong film industry for so many years (from the 80s, active to the present).
What's more, he is the creator who single-handedly created the myth of "God of Gamblers", as well as the subsequent "Gamblers", "Shanghai Beach Gamblers", etc., which are the classic representatives of the Hong Kong film circle in the 90s.
Interestingly, Wang Jing will also be a producer and investment for some independent films, such as Xu Anhua's "Day and Night in Tin Shui Wai" and "Night and Fog in Tin Shui Wai".
So you can say that, right?
Hong Kong's film circle, because of Wang Jing, who will make money, entertain, and at the right time, also engage in some multi-faceted directors of literature and art, and become more beautiful and wonderful.