Text/Feng Haitao Painting/Lu Jianmin
Let's make a bold assumption, assuming that Jin Shangyi's speech in the graduation season of the Central Academy of Fine Arts has played a role, what kind of changes will happen to our Academy of Fine Arts, our Art Association, our art academy, our collection circle, etc.? I think this assumption is that everyone will hope that the spirit of freehand will revive the Chinese painting world. Thinking of the examination and education of the Academy of Fine Arts, the national culture, the freehand spirit of our Artists Association Exhibition, our art academy is a culture supreme art academy, and our collection circle will take culture and freehand as the reference for its collection. However, this may only be hypothetical. Because, the biggest possibility is that this is just a remark made by Jin Shangyi, and the only value of this remark is what the old dean of the highest art academy said.
Works by Lu Jianmin
Regarding what Mr. Jin Shangyi said in the graduation season of CAFA, I personally think that he spoke very well, and the question marks raised are also quite in place. However, I don't think these paintings can play any role in the education of our art academy, the management and development of our art association, and the creative concept of our art academy. Because, the reason for the emergence of such a situation in the Chinese painting world is not a day's cold, but a phenomenon that has been formed since the beginning of the new school in the late Qing Dynasty to the present, and it will not change because of one person's words. However, it will play an important role in the collection circle, because Mr. Jin Shangyi's weight in the painting and calligraphy circle is very sufficient, and some of the phenomena he talks about will be recognized by many senior painting and calligraphy collectors, and these senior painting and calligraphy collectors are also the group that dominates the painting and calligraphy collection market. Therefore, it is concluded that there will be a prosperous era of freehand in the calligraphy and painting collection circle, and the gongbi will slowly withdraw from the mainstream.
Works by Lu Jianmin
About freehand and gongbi, they used to be the expression of the spirit of freehand, but because Western modeling became the basic course of our teaching, the freehand nature of gongbi was lost, and the only thing left was realistic portrayal. What Mr. Jin Shangyi said is not freehand, but it is actually worth losing the spirit of freehand.
Works by Lu Jianmin
Works by Lu Jianmin
Works by Lu Jianmin
Works by Lu Jianmin