The hometown of Mr. Zang Xinyi, a calligrapher in Beijing, is Queshan County, Zhumadian City, and he has won praise from calligraphy lovers with his profound calligraphy skills and unique artistic style. His calligraphy lines are thin and powerful, and the more you taste the book, the more flavorful it becomes, like a jar of old wine, exuding a strong artistic atmosphere.
Zang Xinyi Lishu Fan "Festival of the Han Ritual Tablet"
Zang Xinyi, the word Hanzhi, the owner of the rain garden and the jade room. Coming from a family of educators, he was immersed in a strong cultural atmosphere from an early age. Under the careful guidance of his grandfather, Zang Xinyi started his calligraphy journey with regular script and Yan Lugong's "Qinli Tablet" as a starting point.
Yan Lugong's "Qinli Tablet" is famous for its dignified, rigorous and majestic brushstrokes. In the process of copying, Zang Xinyi not only learned the essence of Yan Ti, but also cultivated a strong interest in calligraphy. He knows that calligraphy is not only writing, but also an art, a culture, and a spiritual pursuit.
Zang Xinyi Xingcao self-written poem "Jiachen Twilight Spring DengChangsha Love Evening Pavilion"
On the basis of Yan Ti, Zang Xinyi gradually broadened his calligraphy horizons. He was fond of the inscriptions of the Han Dynasty and visited the famous monuments of the Han Dynasty. In "Ritual Tablet", he felt the atmosphere of antiquity and elegance; In "Ode to Fenglong Mountain", he appreciated the broad and refreshing demeanor; In "Xian Yu Huang Monument", he tasted the charm of simplicity and heaviness. In addition, he also studied bamboo slips and silk books from time to time, striving to pursue the beauty of the ancient and elegant environment of the Qin and Han dynasties.
In terms of cursive writing, Zang Xinyi is based on Wang Xizhi's "Holy Order" and "Orchid Pavilion Preface", and indulges in the handsome and ancient rhyme of Jin cursive writing. He was especially powerful in the Three Kings (Wang Xizhi, Wang Xianzhi, Wang Xun), and carefully studied Wen Zhengming and Dong Qichang. The calligraphy works of these masters provided him with rich nourishment and inspiration, so that his calligraphy skills continued to improve.
Zang Xinyi knows that the way of calligraphy lies in inheritance and innovation. He has always adhered to the awe of traditional culture and constantly absorbed the wisdom and essence of the ancients. At the same time, he also has the courage to try new expressions and innovative ideas, combining traditional calligraphy with modern aesthetics to form his own unique artistic style.
In his calligraphy works, we can feel a unique charm and atmosphere. His lines are thin, powerful, and elastic; His knots are rigorous yet agile. He is good at drawing nourishment from traditional culture, and integrates elements such as poetry, songs, and philosophy into his calligraphy works, making his works more culturally rich and artistically valuable. At the same time, he also pays attention to the innovation and development of calligraphy, and constantly explores new expressions and artistic styles, so that his calligraphy works always maintain a fresh vitality and a sense of the times.
In addition to his personal creations, Zang Xinyi also actively participates in various calligraphy and poetry activities and exchanges. He is a member of the Chinese Calligraphers Association, a member of the Chinese Poetry Society, a member of the Beijing Calligraphers Association, and the secretary general of the Liu Yi Calligraphy Research Association. In Zang Xinyi's view, calligraphy is not only a skill, but also a way of life and a spiritual pursuit.
Zang Xinyi's regular script couplet "Crane Flying Deer Song"
(Zang Xinyi: The word Hanzhi, the owner of the rain garden, the jade room, and the deep willow hall.) A native of Queshan, Henan. Born into a family of educators. Bachelor of Chinese, Master of Laws, China University of Political Science and Law. He is a member of the Chinese Calligraphers Association, a member of the Chinese Poetry Society, a member of the Beijing Calligraphers Association, and the secretary-general of the Liu Yi Calligraphy Research Association. Calligraphy chased the Qin and Han dynasties, the second king of Zong, Tan Yan Chu, and incarnated legislation in Song Su Huangmi, Ming Wang Juesi, Dong Qichang and other places. He often writes rhythmic poems with ancient rhymes, writes theoretical essays with insight, and publishes many academic papers. His poems, essays, and calligraphy works have been published in national core newspapers, magazines, and online media such as People's Daily.
Henan Fine Arts Publishing House published "Zang Xinyi Calligraphy Collection"
The Writer's Publishing House has published a collection of classical poems "Poetry of the Prosperous Age" (co-author)
In December 2019, the "Hanmo Fenghua - Zang Xinyi Calligraphy Exhibition" was held in the Museum of Culture and History of the National Committee of the Chinese People's Political Consultative Conference.
In April 2023, the "Hometown Love - Zang Xinyi Calligraphy Homecoming Exhibition" sponsored by the Propaganda Department of the Zhumadian Municipal Committee of the Communist Party of China was held in the Zhumadian Cultural Center. ）