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The second elementary school in the urban area of Shaodong City: the flower of Peking Opera blooms on campus, and the cultural inheritance nourishes the child's heart

author:Daxiang heard it early

  On May 10, the members of the second primary school charm team in Shaodong City ushered in a unique ideological and political class, and the off-campus counselor He Changshan took the children to get close to and experience the charm of Peking Opera, the quintessence of culture.

The second elementary school in the urban area of Shaodong City: the flower of Peking Opera blooms on campus, and the cultural inheritance nourishes the child's heart

  He Changshan introduced the origin, development, division of trades and performance skills of Peking Opera to the students, "The red face symbolizes loyalty and righteousness, and most of them are positive characters, such as Guan Yu and Wu Han, all of whom are red-faced. The white face symbolizes insidious and cunning, such as Cao Cao and Zhao Gao, ...... "In addition, He Changshan also invited Sun Qian and Yan Sifeng, two young actors from the Shaodong Flower Drum Opera Protection and Inheritance Center, to display the body of traditional opera Tsing Yi and Hua Dan on the spot.

The second elementary school in the urban area of Shaodong City: the flower of Peking Opera blooms on campus, and the cultural inheritance nourishes the child's heart
The second elementary school in the urban area of Shaodong City: the flower of Peking Opera blooms on campus, and the cultural inheritance nourishes the child's heart
The second elementary school in the urban area of Shaodong City: the flower of Peking Opera blooms on campus, and the cultural inheritance nourishes the child's heart

  Through this activity, the students of the second primary school not only felt the unique charm of Peking Opera art, but also were imperceptibly influenced by traditional culture. I believe that in the future, they will also use their actions to contribute to the inheritance and promotion of culture.

  Editor-in-charge/Tan Jiangxue

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