Preamble:
"The Legend of Ruyi" is a costume drama that has attracted much attention, and it has been touching the hearts of the audience since its inception. The play not only has a wonderful historical background and gorgeous costumes, but also a variety of characters to impress the audience. However, with the continuous development of the plot, some of the character settings and performances in "The Legend of Ruyi" have gradually aroused heated discussions and discussions among the audience.
1. The comparison between the broken hair queen and the queen Xiaoyichun
In "The Legend of Ruyi", Queen Broken Hair and Queen Xiaoyichun can be said to be two completely different characters. As a noble concubine in the court, Empress Xiaoyichun's words and deeds all show her loyalty to the emperor and her sense of responsibility to the entire harem, which is impressive. In stark contrast to her is the Broken Hair Queen, her image in the play can be said to be "mixed", some people think her frankness is cute, and some people think she is just an "inferior AL".
To some extent, the contrast between the two characters also reflects the very different choices and attitudes of different characters in the face of similar situations. Queen Xiaoyichun can let go of her personal feelings and put the interests of the country and the people first, while the queen with broken hair only thinks about her "little luck", and such a performance is naturally difficult to gain the audience's recognition.
2. The development of the roles of Aosa and Fucha
In addition to some of the characters in the harem, several main characters in the show also left a lasting impression on the audience. For example, Qing Sakura and Fucha, the growth process of these two characters can be said to have carried too many twists and turns and ups and downs, which makes people feel distressed for their experiences after watching them.
From the innocent and cute at the beginning to the fortitude and strength later, her growth process allows the audience to see the irreplaceable charm exuded by her. In contrast, Fucha's experience makes people feel a little "unrelieved", and the hurt and treatment she received also gave the audience a new understanding of her character.
3. Ruyi's behavior and attitude
Of course, if you want to talk about the characters in "The Legend of Ruyi", you must not miss the role of "Ruyi". As the heroine of the whole play, Ruyi's words and deeds have naturally become the focus of heated discussions. Some people think that her various behaviors are out of "smart and clever", and some people think that her "softness" and "coquettishness" are just "pretending to be cute".
No matter what Ruyi's performance is, I believe that the audience must have a variety of eyes on her. However, what is certain is that Ruyi's character has left a deep impression on the audience to a certain extent, and this impression is inseparable from the careful design and arrangement of the screenwriter and producer.
Body:
Perhaps in the minds of many audiences, they prefer the kind of costume dramas with "ups and downs in the plot", because such plots can often bring them more fun to watch dramas. And "The Legend of Ruyi" is undoubtedly such a costume drama that is "full of drama", whether it is the plot setting or character building, it is inseparable from the "hard work" of the screenwriter and producer.
However, despite this, in the eyes of the audience, "The Legend of Ruyi" does not seem to have reached the "perfect image" they expect in their hearts, on the contrary, some characters and plot development in the play also make them a little "unable to let go". For example, in the minds of the audience, they prefer the kind of characters that can give them "positive energy" and "role model power", and such roles seem to be somewhat "absent" in the play.
In contrast, the audience may see more of some "demons" and "pretending to be pitiful" characters, and it is naturally difficult for such performances to gain their recognition and love. Especially in the face of a character like the Broken Hair Queen, the audience's "bad comments" on her can be said to be "one after another", some people think that she is indeed "really cute", and some people think that she is just an "inferior AL".
Of course, the performance of the broken hair queen is only the tip of the iceberg, in contrast, the audience also put forward some suggestions and opinions on the "setting" and "theme" of the whole show. They hope that the producer can pay more attention to the "position" and "belief" of the characters in the subsequent plot development, and not blindly emphasize the "halo of the protagonist", but leave a "shining stage" for each character.
After all, in real life, everyone is an "individual" with a unique personality and charm, and the characters in the play should be the same, which cannot be simply divided into protagonists and supporting roles, let alone simply use "black" and "white" to define their good and evil. Instead, they should show their rich "inner world" and "choice of position", so that the audience can find "resonance" and "inspiration" in them.
In addition, in the design and development of the plot, the producer should also pay more attention to the "true restoration" and "respect" of history and culture, and avoid overexaggerating or distorting the image of historical figures, and conveying wrong historical concepts and cognitions to the audience. Of course, this does not mean that they must not be able to "create" and "imagine" in the plot, on the contrary, they can "extend" and "associate" according to the "prototype" of history, adding more "imagination" and "emotion" to the plot.
Finally, perhaps the producers can also properly "listen" to the audience's voice, because their views and suggestions may bring some "inspiration" and "inspiration" to the development of the plot, so that they can participate in the plot more "actively" and "actively", rather than just "passively" "accepting" and "watching".
Epilogue:
No matter which drama it is, it will become "different" because of the audience's enthusiastic participation, and their "joys, sorrows, sorrows" will also become the "source of power" for the development of the plot. The same is true of "The Legend of Ruyi", I believe that in the follow-up plot development, the producer will definitely "adjust" and "improve", presenting the audience with a more "exciting" costume picture.
Of course, the audience can also "choose" and "choose" according to their own interests and hobbies, if they feel that the characters and plots in "The Legend of Ruyi" cannot bring them the pleasure of watching dramas, they can also "take the initiative" to find other works that are more in line with their own tastes, after all, only "really like" works can bring them the greatest happiness in watching dramas.