In the recently concluded hit drama "The Legend of Cheng Huan", He Saifei's role of Liu Wanyu has been widely criticized by the audience, which not only sparked a discussion about He Saifei's personal performance, but also became a deep reflection on acting skills and character building in the film and television industry. Today, with the increasing number of domestic dramas, the audience's aesthetics are changing, and the requirements for actors' acting skills are getting higher and higher.
As a TV series focusing on family and power disputes, "Chenghuan Ji" should have been a stage for He Saifei to show his acting skills. However, her performance in the play was criticized by the audience as "excessive", and her character Liu Wanyu was also accused of being a "functional role", that is, such a character is only set up to promote the development of the plot, lacking depth and multi-dimensional display of humanity. The controversy caused by He Saifei's performance is not unique.
In this context, the response of netizens was very intense. Many people took to social media and forums to express their dissatisfaction with He Saifei's performance, believing that she was too exaggerated in her expressions and tone of voice, and did not grasp the emotional level of the character well. At the same time, there are also voices that the screenwriter and director of film and television dramas also need to take responsibility, and the depth and complexity of the characters need to be guaranteed from the beginning of the script.
In the face of increasingly critical audiences and frequent acting controversies, how to adjust and improve itself within the industry has become an urgent topic. Some experts suggest that actors should continue to hone their acting skills, and that the crew should pay more attention to the depth of the characters and the quality of the script. In addition, some experts also proposed that the overall level of acting should be improved by setting up more acting training and evaluation mechanisms.
Behind the controversy is the audience's desire for higher-quality TV series. Driven by this desire, both the actors and the production team are facing unprecedented challenges and opportunities. Whether future film and television works can meet the high standards of the audience depends on whether the entire industry can make innovations and breakthroughs in depth and breadth.
The acting discussion triggered by He Saifei and "Cheng Huan Ji" is not only a personal reflection on her, but also an opportunity to promote the progress of the entire industry. Only by continuously improving the level of acting skills and truly achieving full characters and real emotions can we win the hearts of the audience and improve the competitiveness of domestic TV dramas in the world.
Netizens have mixed opinions about He Saifei's performance in "Cheng Huan Ji". On the one hand, some viewers think that He Saifei's performance is too exaggerated and lacks a sense of reality, especially in the treatment of expressions and intonation. For example, a netizen commented on Weibo: "He Saifei's expression in the play is sometimes really too much, it feels like he is reading the lines, not acting." This opinion believes that He Saifei failed to dig deep into the inner world of the character, and only stayed on the surface of emotional expression.
On the other hand, there are also viewers who express sympathy and understanding for He Saifei, who believe that an actor's performance is also limited by the script and director's guidance. Another netizen wrote on a popular film review forum: "We can't blame He Saifei entirely, her role is originally to serve the plot, and the director and screenwriter should also consider how to better shape the character so that the actor has more room to play." "This part of the audience analyzes the problem more from the perspective of production, and believes that the performance of the actors is affected by many factors.
In addition, for the functional setting of the characters, many viewers expressed their desire to see more three-dimensional and in-depth characters, rather than a single plot promotion tool. An audience member who has been paying attention to domestic TV dramas for a long time said: "Many of the current dramas are fast-food, and the depth of the characters is not enough, and I hope there will be more impressive characters in the future." ”
These different voices reflect the audience's increasing focus on acting and script quality, as well as their expectations for the quality of TV content. We invite more readers to share your views in the comment section. Do you think there is really a problem with He Saifei's performance? Or does this reflect more of the shortcomings of the script and the director? What types of characters and performances do you expect to see? Let's explore and look forward to more possibilities of domestic dramas.