It is said that after the founding of the People's Republic of China, it is not allowed to become a fine, but Piao didn't expect that "Liao Zhai" is a horror film and actually returned to Da Nei Entertainment!
: Look, this woman's name is Xiaohong.
At the beginning, her phantom squirmed in the eerie atmosphere of the same style as the new "Red Mansion", like a ghost absorbing the essence of the sun and the moon.
Inhaling enough energy, she walked to the screen, leaving a graceful silhouette.
Look at this fixed-point pose, isn't it to bring her underworld singing stage?
I saw her twisting her shoulders and neck flexibly, turning gracefully, and this is the true face:
The fetal hair bangs welded to the door of the head and the miserable white makeup that I have seen once in 4,000 years, aren't they the famous formula-faced actors in your circle, Sister Ju?
From the snake spirit to the female ghost, her limbs have become more and more graceful, but her expression still maintains a golden arc as before, which is more in line with the horror theme of the new work.
"Flower Order", the first ancient puppet in the history of Chinese TV that directly became a horror film because the heroine was too inhuman!
is obviously a real actor, but you can see "Annabelle's Doll is Not Calm" in one breath, "The Ancient and Modern War Qin Warriors Love Shopping Mall Model is also a Terracotta Army", "The Light Sweeping Hong Kong Wind Wild Mei Dynasty Supreme" ......
All in all, Sister Ju's strict appearance management over the years has finally evolved into a mad Happy Valley effect!
This is the renaissance of Chinese-style ghost films, and it is the reinvention of oriental aesthetics, punching "Painted Skin" and kicking "A Chinese Girl", Sister Ju took over the burden of Wang Zuxian and Roland, and is bound to reshape the glory of domestic genre films!
On the haunted streets, with red lanterns hanging high and fireflies at your feet, you can see the female ghost with a lantern floating lightly.
There seemed to be bursts of laughter like silver bells swirling in my ears.
The midnight bride looked back and smiled, seriously suspecting that the horror in the male protagonist's eyes was not like acting.
In the next second, the battle-damaged version of "Hong Suzhen" was lying at the bottom of the cliff, do you think she fell off the cliff and was brought by the dog?
As a result, it turned out that this was the domestic version of "Dawn of the Living Dead".
What's even more weird is that just like Sister Ju's makeup and the drama itself, this new work also shows a similar situation between publicity and public opinion:
Each has its own affairs, and has nothing to do with it.
On the hot search, people say that they drive low and go high, and the more you look at it, the more bullish it becomes.
But the audience commented that only the first two episodes of this work are eye-catching.
What kind of wild path is this drama taking?
Strictly speaking, the plot of "The Order of the Flowers" is actually quite an ordinary number of ancient puppets:
The vicious eldest lady Shangguan Zhi played by Ju Jingyi changed faces with his beloved childhood sweetheart Yang Caiwei (Zheng Hehuizi version) because of her infatuation with the male protagonist, and was tragically killed, and Yang Caiwei (Ju Jingyi version), who was replaced with Shangguan Zhi's appearance, began to approach the male protagonist and fell in love for a long time in order to find out the truth.
But when the book was handed over to Sister Ju, the best way to open this work became a horror movie.
After all, compared with the previous homogeneous characters, her compatibility with female ghosts is too high!
Shangguan Zhi in the play was originally a sick white and thin lady, with a natural ghostly spirit.
The cold white skin (foundation) that is so white that she doesn't wear makeup at all in front of the camera, and she is in the same frame as everyone else in the play, and she can directly perform two layers, and she can be scared at a glance in the middle of the night.
And driven by the plot, this strange sense of separation is further intensified.
Yang Caiwei (the first two episodes starred by Zheng Hehuizi's friendship) is a little boy whose parents died and made a living by carrying corpses.
Because of the scar on his face from a sword wound, he has been disliked and bullied by the villagers, although he is not treated well, but he still has light in his eyes.
In the face of the male protagonist with an extraordinary appearance and family background, she is neither humble nor arrogant, and she can stay sober when she is proposed.
The background is sad, but he will always find a way to turn bitterness into sweetness.
Therefore, the overall temperament of Yang Caiwei's character is that due to her life experience, she will not easily show her superfluous emotions.
Although there are not many scenes, Zheng Hehuizi's performance obviously left an excellent impression on netizens.
That kind of rough, frank, and vibrant temperament makes people completely ignore her bad setting.
One is the eldest lady who drinks sheep placental water all the year round to raise clotted fat and white skin and excessive dieting and starves to a slender figure, and the other is a poor corpse man who is used to living a hard life.
The two of them are framed together, and their skin color is visible to the naked eye that they are several shades off.
After the two changed their faces (that's right, it was a real physical face), Zheng Hehuizi went offline directly and made room for the real heroine.
However, obviously only a facial transplant was done, but Sister Ju's artistic attainments in flawless base makeup, pouting lips, wild eyebrows, and blush under the eyes were completely inherited by Yang Caiwei!
Shangguan Zhi's brother in the play all commented kindly to the "sister" whose face was pale to her chest:
You're looking a lot better today.
？？？
This drama is actually a sequel to "Painted Skin", you think it's just a change of face, but in fact, a layer of skin has been changed inside and out.
The Ju version of Yang Caiwei not only has no shadow of the Zheng version, but also directly shapes Yang Caiwei 3.0:
A beauty blogger who travels back in time to ancient times.
In terms of makeup technology, it can be called the ancient Mao Geping.
The sunflower false eyelashes magnified her large Carslan eyes, glass bead-like eyes and watery lip gloss flickering with an eerie light, as if they were not in the same dimension as the others.
On hairstyles...... Oh, don't guess, these two handfuls of catfish bangs must not be the handiwork of "Zhang Soping".
Sister Ju's difficulty is that she not only has to play Yang Caiwei, but also has to play Yang Caiwei to play Shangguan Zhi.
But my sister didn't care, she directly smoothed out both of them and played a quirky and silly white sweet that she was best at.
For example, those small actions that do not belong to the corpse collector Yang Caiwei or the eldest lady Shangguan Zhi, but belong to Ju Jingyi.
Clasp your hands to your chest.
Pick up something and have to warp the orchid finger.
Subconsciously fiddling with bangs is not the habitual action of senior corpse bearers.
Her life experience seems to have become a background board, and she is still the carefree little princess.
In fact, small actions are not impossible to add.
For example, after changing the face, the habit of twisting the grass is still retained, which can strengthen the audience's relationship between the front and back.
You just can't add it indiscriminately.
misunderstood that the male protagonist killed himself in order to be a concubine and fake marriage to himself, and finally seized the opportunity to question the male protagonist, which should have been mixed with fear, grievance and anger, and exported Yang Caiwei's true emotions through the mouth of Shangguan Zhi.
But how does Sister Ju act?
is still holding his hands on his chest, shaking his head and eyebrows, stomping his feet and shaking his shoulders, as if he is blaming his little boyfriend for playing games all night.
Glad that she could finally get close to the male protagonist to find out the truth, she pouted and smiled, her eyes rolled, and there was a faint smell of tea.
I don't know, I think it's a vicious female partner's plan to succeed.
The change in Yang Caiwei's entire character temperament before and after the face change gives people a strange impression of the male protagonist's empathy and spiritual derailment.
But in fact, temperament can also be played.
In the early years of the TVB drama "Headless East Palace", I played the face-swapping setting.
Ling Yun played by Xiang Hailan and Chu Chu played by Chen Miaoying were originally the two ugly girls at the bottom of the village (Ling Yun was originally a beauty, and she deliberately pretended to be ugly in order to accompany Chu Chu). But even if the faces are reversed, the temperament of the characters is also reversed.
Before changing faces, the kind-hearted Ling Yun and the psychologically distorted Chu Chu could be easily distinguished by their sitting posture and expression range alone.
After changing his face, Ling Yun's skin became full of anger, and it was obviously still Chu Chu's core.
And Chu Chu is a lot softer, although he has a "wicked face", but he feels that even his face has changed.
It can be seen that the so-called plastic surgery acting skills can really change the physiognomy and temperament.
On the contrary, it is tantamount to an ineffective face change.
The significance of the face-swapping setting of "Headless East Palace" lies in the fact that it directly exposes the hypocrisy of men's "don't mind the appearance of accidents", a typical "Zhong Wuyan has nothing to do, and there is nothing to do in summer and spring".
Or like the short drama "False Face", emphasizing the soul of falling in love with the same person.
Even if the female protagonist is changed, the male protagonist can still recognize her, believe in her, and fall in love with her again.
The key point is that from the perspective of the male protagonist, the female protagonist who has been changed in front of him is not a substitute for anyone, but still a person who can make him fall in love repeatedly.
But the face-changing effect of "Flower Order" did not meet expectations.
It can be seen that this drama wants to occupy both, not only wanting to emphasize the sense of fate of loving the same person, but also wanting to avoid the risk of the male protagonist only looking at his face.
So first borrowed the mouth of the male protagonist to output the values that he extremely agrees with: beauty, ugliness, nobility and cheapness, should always be about the heart regardless of the form.
also constantly emphasized the premise that "he prefers Yang Caiwei and dislikes Shangguan Zhi".
However, he set up too many characters for the male protagonist, but he has been slapping himself in the face.
Even if objectively he always loves Yang Caiwei, when he is really attracted to Shangguan Zhi's beautiful face, how much of it is because of Shangguan Zhi, and how much is because of Yang Caiwei, it is difficult to distinguish.
The male protagonist who wants and wants to want it inevitably makes people question his single-mindedness and affection.
I didn't expect to encounter an original script, and the original face-changing setting was a highlight of this show, but it turned out to be the biggest failure.
As far as the presentation results are concerned, the split perception is because the audience is too familiar with the Ju version of Yang Caiwei, in comparison, the early Zheng version of Yang Caiwei is really long gone.
The appeal behind it is actually the audience's call for the return of the grass-type heroine.
The reason why many viewers abandoned the two episodes was not only because the acting skills were almost hot, but also because they couldn't accept the discomfort of values.
Obviously, the bow version of Yang Caiwei after the face change completely fell into a cool drama heroine routine.
In addition to the only two male protagonists and male protagonists with the best family background and appearance in the whole play, they fell in love with themselves at the same time, and they also became the winners of life with a big golden finger.
used to have a scarred face that everyone hated, but now he can easily get the perfect face that Shangguan Zhi spent money to endure the pain to maintain. Shangguan Zhibai has drunk sheep placenta water for so many years)
In the past, she worked hard to collect corpses to support her family, but now she replaces the eldest lady of the Shangguan family, who is in charge of all the commercial houses, and she can exercise her "money ability" anytime and anywhere.
It seems that the heroine has to be fully upgraded to the lady of the sky in terms of appearance and family background, so as to be worthy of the male protagonist.
So learn from Yang Caiwei and Shangguan Zhi, and integrate a standard template for today's so-called big heroine:
has a face worthy of being loved by the most handsome male protagonist in the whole play, a top-matched family background/life experience, and a benevolent heart.
In "Canglan Jue", even if the little orchid with a low immortal position and ordinary appearance in the early stage, in order to be worthy of Dongfang Qingcang, in the end, she must be crowned with a hidden identity of a goddess with a bit of weight in order to compete with it.
Did you find it?
Even if the female protagonist is filled with various buffs, it is only a controllable variable that matches the highest level of power representative (the setting of the male protagonist).
This kind of coolness beautifies the real living environment of women to a certain extent, and the most valuable thing about the grass-type heroine is the tension and vitality in the face of adversity.
To put it bluntly, they are more resonant, because this is the common sentiment of most women in real life.
Nowadays, the obsession of idol dramas with "the right family" is essentially no different from the cult of the gods, and the solidification of the class is just a carnival for a small number of people after all.
Cinderella meets the prince is already a fairy tale, and when a female character is placed in the position of a resource superior, even if she is given a low-level experience, she will eventually return to the "metamorphosis" script of experiencing life for a short time. Like a potted fake flower in a beautiful window, it is not as vibrant as the flowers that really break through the soil and are watered with blood and sweat.
Take "Flower Order" as an example, objectively speaking, it is also related to the development of the plot.
Compared with the follow-up plot of the Ju version of Yang Caiwei who was always saved by the male protagonist and the second male protagonist at a critical moment, the portrayal of the Zheng version of Yang Caiwei in the early stage is obviously more three-dimensional and effective.
The length of two episodes, but it is short and concise, and the image of a heroine with a tough core is immediately revealed.
Prejudiced livelihoods, she respects.
Place wildflowers on top of the coffin and decorate life with romance.
was forcibly detained by a corrupt official who hastily closed the case, she was unwilling to die in vain, and refused to give in when she was beaten until she vomited blood.
is neither humble nor arrogant in the face of love, refuses top-down charity, and prefers to find a way to solve it by himself.
She convinces people that women could have arrived in person as the perfect template, without having to dream of them as a precondition.
is now calling for the return of the grass-type heroine, not to deny the double strong setting, but to deny the setting of "women are strong for men".
If the buff is just to match the male protagonist and cater to the imagination of some people, it will also become a horror movie like a delicate female ghost who has lost her vitality.
#精品长文创作季#