Model operas are products of the Cultural Revolution, and I would like to call these plays "wonderful", but why do I say that? Because the creation and repertoire of these plays consumed unprecedented manpower, material resources, and financial resources, and their artistic value cannot be surpassed.
Although these repertoire were produced during the Cultural Revolution, they can be said to be dazzling fireworks, and these repertoire reached their peak during this period, but they were hidden for a time after the Cultural Revolution.
There are those who are in favor of these plays returning to the stage, and some people are against the return of these plays to the stage, but in fact, there is no problem with whether they are in favor or against. There is a good saying, that is, "turnip greens, each has his own love", some people like model plays, and naturally some people hate model plays.
In fact, whether we are against or in favor, we should be clear about one question, that is, from what perspective to look at these repertoire, whether they are products of the Cultural Revolution period or simply literary and artistic works. In fact, I think we should start from the perspective of literary and artistic works. For example, in the past, many plays were produced in feudal society, so can we oppose these plays because of the background of the times?
Therefore, it should still be judged from the perspective of artistic value.
Because from an artistic point of view, there are indeed some problems in model opera and revolutionary modern opera, and there is no problem with some artistic doubts raised by many literati.
But there are some statements that are not quite appropriate.
There was once a literary giant who once said that he would have nightmares when he heard someone humming a model play.
In fact, this statement is to regard the model drama as the period of the Cultural Revolution, during which the literary giant was indeed treated unfairly, but this has nothing to do with the model drama?
Therefore, some people look at the model drama with colored glasses, and then oppose it in a radical way.
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