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Cai Ming, as a frequent visitor to the Spring Festival Gala, brings wonderful performances and sincere wishes to the audience every year. However, she will not be seen in the 2020 Spring Festival Gala.
"It's all a thousand-year-old fox, what are you playing and chatting!"
Cai Ming, as a frequent visitor to the Spring Festival Gala, brings wonderful performances and sincere wishes to the audience every year. However, she will not be seen in the 2020 Spring Festival Gala. Rumor has it that her sketch was killed. Later, a video was exposed, showing that Cai Ming was hospitalized because she was unwell, and at the same time, the death of her loved ones hit her hard and made her look exhausted.
However, some yin and yang weird voices appeared: "Don't come to the Spring Festival Gala again, give young people a chance." "Such indifference is chilling. However, this is not the first time Cai Ming has encountered such a situation, and similar voices seem to have continued since 2013.
That year, Cai Ming partnered with Pan Changjiang for the first time to perform at the Spring Festival Gala, creating a sketch about the elderly who love dance, "Jump If You Want To". One of the two is scathing, the other is sunny and positive, and their performance in just a few minutes has become a hot Internet meme. However, Cai Ming's "poisonous tongue" also raised questions from the audience, with some arrogating her description as too mean and involving personal attacks.
Since 14 years, Cai Ming's poisonous tongue style has become sharper, and he has fought three young men, but he has not fallen behind. Since 15 years, she has become a regular partner with Pan Changjiang, and she has created a lot of hot stalks every year, but the style of the poisonous tongue makes the audience feel bored. The ridicule in Cai Ming's remarks intensified, and he frequently hurt people on the grounds of height and appearance, which made people feel that such funny was too shallow.
After not participating in the recording of the Spring Festival Gala in 2020, Cai Ming never appeared on the CCTV Spring Festival Gala again. Some people thought that she would retire, but she did not stay idle, but actively participated in many variety shows and film and television dramas. Perhaps for Cai Ming, acting has become an inseparable part of her life, despite her advanced age.
The youngest actor is also the most hard-working actor, she dedicates everything to the interpretation
In 1961, Beijing welcomed a different girl, her name was Cai Ming. Born into a well-educated family, his parents were university professors and doctors. Despite the warm environment, it was not predicted that they would produce an outstanding sketch actress.
Cai Ming has shown a strong interest in literature and art since she was a child, singing and dancing is her daily routine, and campus literary and artistic activities are indispensable to her. Seeing their daughter's talent, parents did not hesitate to invest time in nurturing her artistic talent. Cai Ming became a member of the CCTV Galaxy Youth Choir, and her talent was gradually revealed.
In the fourth grade, Cai Ming was discovered and invited to participate in a movie. In 1973, when Beijing Film Studio was preparing for "Haixia", Cai Ming's parents saw that this was a good opportunity to train their daughter, so they took her to an interview. Although there were many young actors at that time, Cai Ming stood out with his excellent acting skills. The director marveled at her talent for acting, and even praised her for not being an actress, which would be a big pity.
This compliment gave Cai Ming's parents the idea of cultivating their daughter to become an actress, and encouraged her to put down her studies and join the Beijing Film Studio Troupe. Although Cai Ming was skeptical, her father's encouragement made her brave to believe in herself and finally embarked on the road of acting.
Due to Cai's young age and limited experience, the troupe decided to let her go to Beijing to study film for two years. This experience allowed her to gradually become familiar with acting, become a real actress, and begin to make her mark on the big screen. Directors are divided on her development direction, with one side believing that she is suitable for taking the bitter route, while the other side believes that she is more suitable for comedy, similar to actors like Song Dandan.
embarks on the road of comedy, and she is also an indispensable woman in the Spring Festival Gala sketches
In 1990, when Chen Peisi was rehearsing the comedy "Planit's Long Hair", due to the lack of actresses, he asked Fa Xiao Cai Ming to help. Cai Ming showed an amazing talent for comedy, and the sketches they collaborated on were broadcast and received a huge response, making Cai Ming successfully transform into a comedian.
In 1991, Gong Hanlin found Cai Ming to participate in the Spring Festival Gala, and at first Cai Ming was a little hesitant, worried that the high-profile stage of the Spring Festival Gala might be incompetent. However, with the support of her family, she accepted the challenge. After arduous rehearsals, Cai Ming and Gong Hanlin's sketch "Stranger" performed at the Spring Festival Gala was a great success, making her famous in one fell swoop.
Cai Ming then became a golden partner with Guo Da, and the two worked together for decades to create many classic works. Their tacit understanding makes the creation interesting and innovative. Cai Ming's robot performance in the Spring Festival Gala in the 90s showed advanced works under the condition of underdeveloped technology, showing their sensitivity to comedy.
For a work, Cai Ming has put in a lot of effort. In order to get close to the image of the robot, she did not eat rice for a long time, making her body more slender, showing the image of a robot with a small waist. After waiting on the stage for more than 30 minutes, due to the dark environment and long dieting, Cai Ming was dizzy when the box was opened. Luckily, her on-the-spot adaptability allowed the episode to be resolved smoothly and deliver a flawless performance.
Although Cai Ming's career is thriving, becoming a national first-class actor and being invited to serve as a judge for the sketch competition, it is also accompanied by negative comments. Due to rumors and scandals, she and Guo Da stopped working together. Despite getting older and under great pressure on the stage, Cai Ming is still unwilling to give up the Spring Festival Gala lightly. Although she no longer partners with Guo Da, she soon found a new partner, and her acting style gradually changed.
The Queen of the Poisonous Tongue and the honest angry bag
In the 2013 Spring Festival Gala, the audience was surprised to find that Cai Ming and Pan Changjiang's sketch "Jump If You Want to Dance" showed a completely different style of Cai Ming. Leaving Guo Da's conservative and gentle image, Cai Ming abandoned the image of the Beijing chick in the past and turned into a poisonous old lady with a "bitter Chinese" mouth. What this change brings to the audience is an unexpected comedy feast.
In the sketch, Cai Ming mercilessly attacked Pan Changjiang: "You are a miniature, and your heart is obscene!", "You stand up like a person who doesn't stand up!", "It's a thousand-year-old fox, what are you going to do with me!" These poisonous words immediately caused the audience to laugh and were widely praised among the people. Cai Ming thus tasted the sweetness of the "poisonous tongue" style, and firmly embarked on this seemingly novel but challenging road.
In the subsequent Spring Festival Gala works, Cai Ming gave full play to this "poisonous tongue style". In the Spring Festival Gala of 2015, in the sketch "Station Adventure" with Pan Changjiang, Cai Ming once again showed her "poisonous tongue" skills. She believes that the audience is enthusiastic about such performances, so she mercilessly attacks the various flaws of her co-partner.
In the cooperation with Pan Changjiang, Cai Ming has always maintained the character of a high-minded and mean old lady, while Pan Changjiang plays a pitiful, honest and honest angry bag. This contrast creates a dramatic effect, and Cai Ming's "poison" is at its peak.
However, Cai Ming's poisonous tongue style began to cause aesthetic fatigue among the audience after the novelty at the beginning. With the passage of time, the audience gradually became disgusted with Cai Ming's "poisonous tongue", and no longer felt funny, but felt that she was bitter and mean. This transformation has become a test for Cai Ming on the road to comedy.
The rapid audience sarcasm and abuse were overwhelming, and the Internet was full of bad comments. The audience united to boycott Cai Ming, and said one after another, "If there is Cai Ming in the Spring Festival Gala, I won't watch it", and even shouted directly to CCTV, asking Cai Ming to "get out of the Spring Festival Gala".
Cai Ming can be said to be a poisonous tongue in success and a poisonous tongue in defeat on the road of comedy. Her breakthrough performances brought freshness to the audience, but gradually lost support as time passed.
If Cai Ming doesn't change his other styles, maybe the audience won't buy it
Cai Ming's acting career is like a colorful movie, starting with a music choir when she was a teenager, and then performing comedies, sketches, and the Spring Festival Gala, each stage outlines her different style. She dared to challenge herself, from a stranger to a poisonous queen, and every transformation caused a strong response from the audience.
However, there is no doubt that the road to acting is full of thorns. Cai Ming's poisonous tongue style once won applause, but as time went by, the audience's aesthetic fatigue also followed. The audience's disgust and boycott of her make people reflect on the vagaries of the entertainment industry. Cai Ming may try to adapt to the audience's tastes at different stages, but it also makes us think about how comedians can keep their freshness without losing their traditional charm.