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In the new issue of #Sound Endless#, Han Hong's interpretation of "Escape from the Tiger's Mouth" is both affectionate and relieved, and the audience burst into tears. It's just that the scales in many people's hearts are still more inclined to the top

author:Barcelona Films

In the new issue of #Sound Endless#, Han Hong's interpretation of "Escape from the Tiger's Mouth" is both affectionate and relieved, and the audience burst into tears. It's just that the scales in many people's hearts are still more inclined to the last issue of "Lukang Town".

This song, which was released in 1982 and included in Luo Dayou's debut album "Zhihu Ye", was written and sung by him. The lyrics, which are as straightforward as a whisper, are full of the sadness of a wanderer in a foreign land and the longing for his hometown. How many people who have heard this song and have wandering experience, every time when homesickness is overflowing, "Taipei is not my home, my hometown has no neon lights" will go back and forth in their hearts.

At the same time, there may be tears in the eyes.

If Luo Dayou's interpretation is like asking and whispering accompanied by the sound of the guitar, then Han Hong's adapted version is a passionate atmosphere that is more in line with her own timbre and typhoon. Han Hong is extremely penetrating, as if she is about to overturn the treble of the studio, and the abundant emotions condensed in the singing voice converge into a god-level scene that makes Zhou Shen, Yu Kewei and others lose control of their expressions.

What is even more exciting is the change of the times that spans more than 40 years in the song, the transformation and evolution of ancient inheritance and modern civilization, and the "reflection on the past, present and future".

Just like the pattern and concept of this show.

From the beginning of the "Introduction", the purpose of the program is very clear, that is, to trace the roots of Chinese pop music by looking back at history, and to build the history of Chinese pop music with thousands of audiences#, giving music a broader and deeper meaning.

Based on this alone, "The Sound of Life: Family Years" has surpassed most similar programs.

In the new issue of #Sound Endless#, Han Hong's interpretation of "Escape from the Tiger's Mouth" is both affectionate and relieved, and the audience burst into tears. It's just that the scales in many people's hearts are still more inclined to the top
In the new issue of #Sound Endless#, Han Hong's interpretation of "Escape from the Tiger's Mouth" is both affectionate and relieved, and the audience burst into tears. It's just that the scales in many people's hearts are still more inclined to the top
In the new issue of #Sound Endless#, Han Hong's interpretation of "Escape from the Tiger's Mouth" is both affectionate and relieved, and the audience burst into tears. It's just that the scales in many people's hearts are still more inclined to the top
In the new issue of #Sound Endless#, Han Hong's interpretation of "Escape from the Tiger's Mouth" is both affectionate and relieved, and the audience burst into tears. It's just that the scales in many people's hearts are still more inclined to the top
In the new issue of #Sound Endless#, Han Hong's interpretation of "Escape from the Tiger's Mouth" is both affectionate and relieved, and the audience burst into tears. It's just that the scales in many people's hearts are still more inclined to the top
In the new issue of #Sound Endless#, Han Hong's interpretation of "Escape from the Tiger's Mouth" is both affectionate and relieved, and the audience burst into tears. It's just that the scales in many people's hearts are still more inclined to the top
In the new issue of #Sound Endless#, Han Hong's interpretation of "Escape from the Tiger's Mouth" is both affectionate and relieved, and the audience burst into tears. It's just that the scales in many people's hearts are still more inclined to the top
In the new issue of #Sound Endless#, Han Hong's interpretation of "Escape from the Tiger's Mouth" is both affectionate and relieved, and the audience burst into tears. It's just that the scales in many people's hearts are still more inclined to the top
In the new issue of #Sound Endless#, Han Hong's interpretation of "Escape from the Tiger's Mouth" is both affectionate and relieved, and the audience burst into tears. It's just that the scales in many people's hearts are still more inclined to the top

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