Hey, dear babies, Happy New Year! Did you have a happy and crazy night at the New Year's Eve party? In other words, this party really made people cry and laugh, and it can be called a gorgeous entertainment feast. Everyone said that the New Year's Eve party used to be a powerful stage, but now it has become a mess.
You said that at the current party, the participation of traffic stars is commonplace, just like the salt in the restaurant. For example, at the Mango New Year's Eve party, Zhao Lusi was forced into the performance of the Phoenix Legend, and the song performance was unsatisfactory. In the Jiangsu Satellite TV scene, the chorus of Zhou Huajian and Meng Ziyi was also complained about. The audience said that this is a traffic orientation, sacrificing professionalism, and it is simply destroying everyone's audio-visual feast. You must know that the past galas were high-quality performances, such as the stage of the Spring Festival Gala, which were all powerful and responsible, and only professional singers and actors could stand on them. The actor of the TV series must be a little famous, otherwise he would not dare to go up and be embarrassed. But now, the popularity of traffic stars can actually kick some powerful factions off the stage, which is simply ridiculous.
By the way, speaking of Zhao Lusi, her performance is really impressive. Although she was shoehorned into the rhythm of the Phoenix Legend, her strength is also obvious to all. Watching her sing stage, it really makes people sigh at this girl's musical talent. However, it's no wonder that some people say that this combination makes the whole show messy, and it feels like adding a little strange spice to a pot of chowder. and the pair of Zhou Huajian and Meng Ziyi, which is also surprising and delightful. The chorus of the two teachers is simply a musical feast. Especially Zhou Huajian, who has always been a legend in the music industry, as soon as his voice sounded, the whole stage seemed to boil. It's a pity that some viewers feel that this combination is too awkward, and suddenly jumped from the smooth Phoenix Legend tune to Zhou Huajian's difficult music style, which makes people feel a little abrupt. However, I think this kind of collision is a bit novel, which makes the whole party more interesting.
Of course, not all performances are spew-throating. The performances of Wang Han, Xie Na, and Liu Yuning are simply moving. Wang Han actually shed tears when he heard Wang Yibo and Da Zhang Wei sing together, and this emotion was so sincere that it made people feel distressed. Xie Na's return is even more cheering, her voice is still moving, as if she is returning to the time when she accompanied us in entertainment. Liu Yuning even sang tears in the theme song performance, this kind of true feeling is simply distressing. Of course, there are always some people who think they are too showy, but I think this is a true expression of feelings, not pretentious, which is exactly what the party needs.
Speaking of which, I am reminded of the comments of some netizens, which are simply hilarious. Someone said: "What's wrong with this party, it feels like being torn apart by a traffic star." Someone else ridiculed: "The New Year's Eve party is no longer the rhythm of the New Year, it has become a traffic war." It seems that everyone really has a lot to say about this party. However, in general, the audience seems to be a little dissatisfied with the influx of traffic stars, feeling that this is a trick and sacrificing professionalism and the audience's experience.
Actually, I have my own opinions. At the current party, the participation of traffic stars is inevitable, after all, popularity is strength. However, producers really need to think carefully about how to balance traffic and professionalism. Just like the chorus of Zhou Huajian and Mencius, although it is controversial, I think this kind of attempt is a good thing, at least it can make the whole party more diverse and less singular. Of course, you can't blindly pursue heat and sacrifice the overall level. After all, what the audience is watching is not a "battle for hegemony" of traffic, but a truly shocking performance.
Finally, let's not forget the moving moments in the party, such as Wang Han's tears, Xie Na's return, and Liu Yuning's true interpretation. These moments, which may seem like show to some, seem to me to be real emotional outpourings. This is what the party should pursue, so that the audience can feel the real emotional resonance. In general, although this New Year's Eve party attracted the audience's attention to the quality and authenticity of the performance, it also brought us a lot of surprises and touches. The balance between traffic and professionalism is a problem that needs to be explored, and I hope that future galas can better meet the expectations of the audience, so that we can still laugh, move and leave good memories in the new year. Happy New Year!!