Ten bad dramas in 2023 are released, and the ratings are unbelievably low
In 2022, there will be a shocking scene in the score of domestic dramas inside and outside the industry - many TV series with big productions, big investments, and big names have received negative reviews of less than 5 points one after another after their release! This is simply a spectacle in the history of Chinese television.
Let's take a look at the top ten bad dramas with the lowest scores this year: ranked tenth is "Lady's Law" starring Yang Zishan and Peng Guanying, and in the last second, it was shown as a workplace inspirational drama with strong women and weak men in the trailer, and once it was broadcast, it plummeted to 5. 1 point on the edge of the cliff.
What's even worse is the fourth-ranked "Lin Shen Sees the Deer", the joining of powerful actors Jin Dong and Li Xiaoran has no effect, and the score fell directly to 4 after the broadcast. The trough of 3 points.
According to the analysis of industry insiders, this situation of a large number of bad dramas reflects a huge loophole in the strict control of the quality of scripts by film and television drama producers. Many dramas seem to be beautifully packaged and vigorously promoted, but the actual content is neither close to life nor logical.
The power of capital and traffic can create popularity, but the production of truly high-quality works also requires strict control of the script itself, and there are problems in this link, resulting in frequent bad dramas.
I hope that the drama production can learn the lessons of this year, deeply reflect on how to improve the quality of creation from the source of the script, ensure that good dramas continue, and let the audience see more wonderful works.
Traffic and gimmicks alone are not enough, content and essence.
At noon, Yuan Quan overturned one after another, and the once gold-lettered signboard was no longer insured
Speaking of the Waterloo of this year's national drama industry, we must mention Noon Sunshine and Yuan Quan. These two have always been the golden signs in the industry, and what drama they produce is equivalent to a guaranteed ticket.
But the tragedy of 2022 proves that even Noon and Yuan Quan can overturn.
Let's talk about Noon Sunshine first, as a well-known production organization in China, the works launched by this company have been deeply loved by the audience. Dramas such as "Si Meiren" and "Ode to Joy" were all produced by Noon, and both word-of-mouth and ratings were harvested.
But this year, "War of the Roses" and "Meeting Season" launched by Noon Sunshine both overturned, which was jaw-dropping.
Especially "War of the Roses", which invited the popular actress Yuan Quan to join, was originally a blockbuster drama that attracted much attention. But once this star-studded drama was broadcast, it was like a time bomb, and the rating dropped to 4 with a "bang". 9 minutes of freezing.
The audience scolded the plot for being boring and old-fashioned, with distorted views, and it was completely impossible to watch.
This is undoubtedly a slap in the face for the midday sun. The brand effect accumulated over the years has come to naught in "War of the Roses", and the quality of the script is the last word, and this lesson has been taught to them.
Encountering the same Waterloo as the noon sunshine is also the actress Yuan Quan. Over the years, most of the dramas she starred in have received high evaluations, and they are regarded as "choosing Yuan Quan is a guarantee".
But her rollover in War of the Roses is a foregone conclusion. What's even worse is that another "Meeting Season" starring her only got 4. 8 points of negative review. The two bad dramas have greatly reduced Yuan Quan's box office charm, which shows that personal popularity alone cannot save the inferior quality of the script.
This year's noon and Yuan Quan's overturn made the industry feel that the brand effect and popular stars are no longer insurance cards. Filming still has to return to its origins, and a good story and a good script are needed.
It is hoped that the industry can learn from the lessons, pay more attention to the originality and quality of content in the future, and give back to the audience with heart and sincerity.
The screenwriter's pot is difficult to get out, and new and old dramas are also facing Waterloo
In the list of bad dramas in 2022, many old dramas with a good reputation will not escape their doom. This shows that there is a systemic problem in the screenwriting team, not only the level of screenwriters of new dramas is uneven, but even the original team of old dramas may write inferior scripts.
The most typical example is "Ode to Joy". The first two seasons have a good reputation, with a rating of 7. 5 and 5. 4 points, but in the third season launched this year, the same original cast, but fell from heaven to hell, and the reputation plummeted to 4. 8 points.
The audience was heartbroken, and the original trickle of water turned into dog blood, which made people disappointed in the national drama screenwriters.
In addition, "Mirror Twin Cities", which is based on the novel of the same name, also received rave reviews. Six screenwriters "polished" the original work, and as a result, the spirit and connotation of the original work were changed beyond recognition.
The audience wailed, and the truth about the screenwriter's level was revealed.
Even the youth-themed classic drama "Together Through the Window" was not spared in the third season. It completely became a bad drama after replacing the original team, falling from 9 points to 3. A trough of 6 points.
This shows that the screenwriter's control of the plot is very important, and replacing people may ruin the drama.
Regardless of the new and old dramas, this year's low-scoring bad dramas also expose the huge loopholes in the creative process of screenwriters. The uneven level of screenwriters is the biggest weakness of creation in the film and television industry.
The industry urgently needs to strengthen the construction of the screenwriter team and the professional quality of screenwriters in order to put the creation of national dramas on the right track.
It is hoped that the industry will realize the importance of screenwriters and increase talent training. Screenwriters need to work hard to improve their storytelling skills. Only when the screenwriters work together and make progress together, can the national drama radiate new vitality.
The industry needs to reflect and rectify, and screenwriters are the foundation of film and television creation
The bombardment of bad dramas in 2022 has made the industry realize that it is not enough to rely on brand effect and popularity traffic, and if you want to revive national dramas, you must fundamentally solve the problems in the creative process.
The most important thing is to pay attention to the screenwriting link, which is the foundation of film and television creation.
For many years, the national drama industry has relied too much on capital and stars, ignoring the importance of content. As a result, many dramas are star-studded, but the broadcast is dismal.
Now we need to reflect deeply and put more energy into digging out good stories and cultivating excellent screenwriters.
Specifically, entertainment companies need to increase their investment in screenwriters, provide them with more opportunities for professional learning Xi, and improve the conditions for creation. The salary and status of screenwriters should also be improved, so that more talented talents can join the ranks of screenwriters.
At the same time, experienced senior screenwriters can give more guidance to newcomers and pass on their creative experience.
Investors should also change the thinking of only looking at celebrities and not scripts. When choosing a drama, you should not only look at the name and cast of the producer, but also pay more attention to whether the topic is meaningful and whether the plot is reasonable.
Only by strictly controlling the quality from the source of the script, can the output work make the audience feel that it is worth investing time.
Of course, screenwriters should also actively learn Xi progress, broaden their life experience, and improve their writing skills. When describing the characters, it is necessary to be specific and vivid, the plot setting should be logical, and the lines should be close to life, so that you can write a work that the audience likes.
Screenwriters should feel life with their hearts and strive to create a warm story.
It can be said that screenwriting is the core of film and television creation. Without a good screenwriter and script, it is difficult for a TV series to be of high quality. I HOPE THAT THE INDUSTRY CAN RECOGNIZE THIS, START FROM THE SOURCE OF SCREENWRITERS, AND JOINTLY IMPROVE THE LEVEL OF NATIONAL DRAMA CREATION, KEEP WILL GIVE YOU A WONDERFUL FILM AND TELEVISION WORLD.
Scientific drama selection refuses saturation and protects the eyeballs of the audience
In today's era of bad dramas, ordinary audiences should also be vigilant, learn to choose dramas scientifically, and refuse to be confused by gimmicks.
When choosing to follow dramas, you shouldn't just click to subscribe just because of the traffic stars in the play. It is more important to judge the quality of the plot, if the story is old-fashioned and the characters are rough, it is better to avoid it in time to protect your eyeballs.
At the same time, don't be kidnapped by capital and brand effect. Even the dramas produced by Noon, Light, and Goose Factory are uneven. If you feel that the plot is not good after watching the early trailer, it is wiser to save some time and energy.
Only when the majority of audiences choose high-quality works, the market and capital will realize that inferior bad dramas are not popular with consumers. This will prompt the industry to pay more attention to the quality of scripts and complete the transformation of the creative ecology from quantitative to qualitative changes.
Therefore, rejecting bad dramas and chasing dramas scientifically is not only a respect for one's own time, but also a promotion of the progress of the entire industry.
Looking forward to the future, we look forward to the growth of the screenwriting team and the revival of national dramas
Although there have been some problems in the creation of Chinese dramas this year, we still have to maintain confidence and expectations in the industry. Because every industry has its ups and downs, it's important to learn from experience and improve.
I believe that after this reflection, the industry will pay more attention to the training of screenwriters and give screenwriters and creators their due status. Screenwriters will also gain experience and improve their writing skills.
A group of cutting-edge screenwriters with ideals and passion will definitely emerge.
The transition period may be a little difficult, but I firmly believe that the Chinese film and television stories accumulated over the years will be brought to life with the discovery of a new generation of screenwriters. They will retell the stories of Chinese people from a new perspective and tell more resonant and excellent works.
The glorious era of national dramas will definitely come. We will see vivid and vivid characters, we will see a reasonable and wonderful plot, and we will see delicate and warm dialogues.
These works will accompany you for many unforgettable nights.
So, let's not lose faith in the industry. On the way forward, difficulties and setbacks cannot be avoided. The important thing is that the Chinese drama people can still maintain a self-improvement mentality.
I believe that the screenwriter and the national drama will definitely grow into a better version of themselves.