Wada Yuba banana female ornament
Onyx pretty banana lady picture plate
Purple end left skin banana lady duan yan
The sun is scorching, the plantains are rising, and a woman is idly enjoying under the banana tree, and there is a little sadness between her eyebrows. Such a simple picture, but for countless literati inkers to provide a thousand years of enduring creative theme - basho female figure. As a form of resentment, this kind of woman sitting alone under a banana tree is lonely and sad, and the pitiful picture of Chuchu just meets the psychological needs of the ancient literati inkers to express their lovesickness. As a result, basho female figures are highly respected, not only in poetry and song, Danqing paintings, but also in the intricate carving and playing is also common, appreciated, and has a special charm.
Onyx pretty banana lady plate, length 4.6 cm, width 3.1 cm, height 0.7 cm. This agate brand is carved from yellow and white agate, and the material is hard and warm. The vessel is oval in shape and is decorated with a clever carving using natural colors. The lower yellow part is carved into a rugged mountain stone with small trees on it. The upper yellow part is carved into a wide banana leaf. The central white carved house and round window, a lady stands by the window in a state of contemplation, her face is beautiful, her hair is high and coiled, and her clothes are flowing. There is a desk and a curtain in the house. The whole back is yellow, and the relief poem "Basho Water Dew Wet Autumn Garden" and the "Zhiting" model are reduced. The whole design is full of creativity, the combination of beauty and beauty, showing the gentle temperament of classical Chinese women. A hole in the top with a pure gold hoop.
Qing Dynasty Hetian Yuba banana female ornament, height 12 cm, width 7 cm. The ornaments are elegant and lovely, the round carving pen lady, standing under the lake stone plantain, the look is calm, the face is round, the willow eyebrows are phoenix eyes, the hair is combed and the hair is clear. With one hand in hand, I want to write poems to banana leaves, and the other hand strokes the flying streamers, the dark fragrance is full of sleeves, the clothes line is smooth, the posture is graceful, and the eyes are beautiful. The carving of the stone plantain with jinghu lake is not simple and the layers are clear. Taken from white jade, the color is white, the texture is thick and meticulous, and it is as moist as gelatin, which is also a beautiful product for the female jade carving. The original mahogany stacked stone orchid pattern seat also adds a lot to the carving.
In the middle of the Qing Dynasty, the bamboo carving was changed to the Qi type basho lady's pattern arm rest, which is 23 cm long. The arm rest is made of bamboo, cleverly conceived, the outer wall is smooth and warm, the color is bright, and the surface uses shallow carving techniques to depict the picture of the plantain woman, the plantain swaying and colorful, under the banana tree, the beauty sits on the tree. The depiction is fine, there is no lack of strength between the lines and stretches, and the branches and leaves are clearly decorated, the knife is smooth, the stick figure is carved, the knife technique is sophisticated, vivid and interesting, it is a valuable and elegant stationery. Inscription: Jiaqing Ji Ji Yu August, Yuhu Shanren, Rewrite Qi; Gai Qi (1773-1828), Chinese painter of the Qing Dynasty. The character Bo Yun, the number Xiang Bai, also known as the Seven Qian, Yuhu Shanren, Yuju Waishi, Yuju Xianshu and so on. A native of Songjiang (present-day Shanghai), patriarchal Hua song, like to use orchid leaves to paint, ladies with delicate patterns, simple backgrounds of trees and stones, slender shapes, and elegant colors, created a new physique of female paintings, which was called "reform school" at the time.
Qing zi end left skin banana female end stone, length 21.6 cm, width 15 cm. The whole yan purple red pig liver color, only the yan table uses the end of the yan to beautiful color banana leaf white, a large area of relief banana bushes, two pools of brick forehead, the left end sits a lady, the banana tree flutters with the wind, the lady looks down at a pool of water, the water reflects the full moon, the lady thinks, maybe she misses the deceased in the distance, more wonderful is that the author uses the reflected full moon to do the Yantang, the whole brick concept is bold and ingenious, the carving is exquisite, lifelike, the composition is reasonable, as if it is a Chinese freehand painting, classic to the extreme.