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The seven laws of finger painting originator Gao Qipei's paintings are admired

author:Tibetan Kavin

[Original Poetry Appreciation] (Ping Shui Yun)

The seven laws of finger painting originator Gao Qipei's paintings are admired

Seven-word poetry is a genre of traditional Chinese poetry, referred to as the Seven Laws, which belongs to the category of near-body poetry, originating from the new body poems that pay attention to sound rhythm and duality such as Shen Yue during the Southern Dynasty Qi Yongming, and further developed and stereotyped in the early Tang Dynasty, Song Zhiqing, etc., and matured in the Sheng Tang Dynasty. Its strict grammar requires a uniform number of words in the verses, consisting of eight sentences, each sentence is seven words, each two sentences are a couplet, a total of four, divided into the first, jaw, neck and tail, and the middle two require a battle. Representative works include Cui Hao's "Yellow Crane Tower", Du Fu's "Ascending", Li Shangyin's "Anding City Tower" and so on.

The seven laws of finger painting originator Gao Qipei's paintings are admired

Gao Qipei character introduction:

Gao Qipei (1660-1734), the character Weizhi, the number and garden, the south village, the book and the Taoist people, there are many other names, there are also Shanhaiguan outsiders, craftsmen, etc., Tieling people. Qing Dynasty official and painter, referring to the founding father of painting. Representative works include "Full Tiger Map", "Sycamore Magpie", "Rice Spike Mantis", "Qisong Mo Xie", "Wild Goose Line Map", etc., and "And Garden Poetry Banknote". Tens of thousands of works have been created, and many of them have been lost.

He has been fond of painting since childhood, and before the age of 8, he copied a large number of masterpieces of his predecessors, laying a solid foundation for traditional painting. It is precisely because he has excellent basic skills in painting and profound artistic accomplishment that he can create a new type of painting - finger painting; after middle age, he began to paint with his fingers, and the flowers and trees, birds and beasts, fish, dragons and figures he painted were all simple and vivid, and the meaning was high; in his later years, he no longer used the pen, the reason is: it is difficult to use the pen, so he uses his fingers alone, but he only seeks no ink marks.

The seven laws of finger painting originator Gao Qipei's paintings are admired

The seven laws of finger painting originator Gao Qipei's paintings are admired

Author: Tibetan Shugwen

Books and Taoists planted jade trees, and the originators of the mountains established Qiankun.

Sycamore magpie branches laugh, rice spike mantis leaves faint.

The full tiger listened to the rain roaring in the forest, and The wind was noisy.

The geese are high in the strings, and the angry eyes of the bell are cold marks.

Ping Ping Ping Ping Ping

Ping Ping Ping Ping Ping Ping Ping

The seven laws of finger painting originator Gao Qipei's paintings are admired

About the Author: Tibetan Shu Jiawen, Zi Lingzhan, ShiYi, Also Known as Lingzhan Layman, Buddhist. Founder of Lingzhan poetry, practitioner of Chinese poetry culture, member of Liaoning Writers Association, member of Chinese Poetry Society, and resident famous artist of China Word Network. His works have been published in China Poetry Monthly, China Poetry Newspaper, Yalu River, Chinese Han Poetry, Speed Reading, Chu Feng, Genre, Reader's Daily, Northern Writers, Literature Hundred Flowers Garden, Writers Wenyuan, Benyue Poetry, XisaiShan, Tieling Poetry, Liaohewan, Poet Geography Weekly, China Writers Network, China Poetry Network, China Poetry Network, and other national paper publications and well-known media platforms, and have won many awards. His works have been selected into the "2020 China Annual Excellent Poetry Selection" and "2021 China (Dongguan) Forest Poetry Festival "Guanxiang Cup" Fourth Dongguan Poetry Competition Winning Works Collection", and some works have been permanently included by academic networks.