I, Xin abandon illness, the golden iron horse is me, the dragon in the word is also me, but my life is full of regrets

How to understand Xin's life? This may seem like a simple question, but it is a very informative one.

This article takes words as history, more than 11,500 words, to understand Xin abandon disease, to comment on Xin abandon disease, I believe that it can hand over a satisfactory answer.

Xin's life was full of ups and downs; Xin's words are unbridled and breathtaking. There are two labels on Xin Qiqian that are equally recognizable and well-known: first, patriotic lyricist; Second, the dragon in the word.

See, both labels are related to words. Therefore, starting from the perspective of taking words as history, to understand Xin abandon disease and comment on Xin abandoning disease is the correct way to open.

Among the lyricists of the Song Dynasty, the number of Xin Jiu Jiao lyrics can be said to be a great view, and there are more than 600 of his lyric compositions, and Xin Jiu Disease is the lyricist with the most surviving words of the Song Generation.

Xin's lyric art

Xin's lyrics are widely used, and he not only expands the form and content of the words, but also broadens the genre.

Xin's lyrics carry a more generous cultural volume, and he not only incorporates ambition, life philosophy, friendship, and romance into his words, but also various life materials such as pastoral scenery, folk customs, daily life, and reading experience.

Reading Xin's bold words, there is a strong sense of substitution and experience.

For example, when we read his "drunken lamp to look at the sword, dream of blowing back the horn company camp", we will think of his heroic dream, when we read "Lu Fei of horse is fast, bow is like a thunderbolt string", we will think of his heroic pride in the field of horses, and when we read "ride the wind well, long sky, straight down to see the mountains and rivers", we will think of his pride and full of pride.

Xin's euphemisms are fresh and natural, and beautiful melodies and fresh words flow out of his pen.

Like "The thatched eaves are low. Green grass on the stream", "Three, three, two, two, who is a daughter." Listening to the songbirds on the branches, "I see that the green mountains are more charming, I expect the green mountains to see me should be like this" and other works that describe natural and rural scenery and experience rural life, they are full of life atmosphere and life interest, and it is very intimate to read.

Xin Qiqiao's lyrics sweep away the elegant and graceful literary style, and his majestic and heroic and open-minded lyric style has been well reflected in the work. Xin Qiqian led the word to a spectacular and expansive artistic realm, which had a profound impact on the development of the word, and his style of words is also known as "Jiaxuan body".

Even Ji Yun, the editor-in-chief of the picky "Synopsis of the General Bibliography of the Siku Quanshu", said without hesitation when evaluating Xin Qiqiao's lyrics: "His words are generous and arrogant, and there are incomparable generalizations, and they are incomparably generalized, and they are incomparably different from each other. ”

It can be said that Xin Qiqiao's diverse creative techniques and artistic styles make his lyrics have unique characteristics.

Among so many lyrics by Xin Qiqiao, if the reader is asked to choose a favorite lyric, it is really "the benevolent sees the good, the wise sees the wise".

Because some people will choose his highly artistic and bold words full of patriotism, some people will choose his words full of sincere emotions expressing friendship, and some people will choose his unique fresh and natural pastoral style words, which belong to the benevolent and the wise.

Patriotic lyricist Xin abandoned illness

Xin Jiujian (1140-1207), character You'an, nicknamed "Jiaxuan", a native of Licheng (present-day Licheng District, Jinan, Shandong Province), Xin Jiujian and the famous female lyricist Li Qingzhao are fellow villagers, and Li Qingzhao is also a native of Licheng.

Xin Qiqian was a great patriotic lyricist, he lived in the historical period from the end of the Northern Song Dynasty to the early years of the Southern Song Dynasty, and Xin Qiqian always stood on the position of the reunification of the motherland, and he actively took the lead in the war and advocated the recovery of lost territory.

When Xin was 22 years old, he resolutely raised the banner of resistance to Jin, led more than 2,000 hometown fathers and elders to hold an uprising, participated in the peasant rebel army led by Geng Jing, and held the post of "palm secretary" in the rebel army.

However, due to the uneven quality of the rebel army, soon after the uprising, a small leader named Yiduan rebelled, and Xin abandoned his illness to personally hunt him down and kill this traitor without hesitation. He once represented the rebel army to Lin'an, the capital of the Southern Song Dynasty, to get in touch with the Southern Song court, accept the unified leadership of the Southern Song court, and jointly resist Jin. According to the "Song Shi Xin Abandoning Disease":

Geng Jing gathered troops in Shandong, called the Tianping Jiedu Envoy, restrained the Zhongyi army and horses in Shandong and Hebei, and abandoned his illness as the secretary of the hand, that is, persuaded Beijing to make a decision to go south.

When he completed his mission and returned to the rebel army, Geng Jing's subordinate Zhang Anguo killed Geng Jing, surrendered to the Jin state, and became an official of the Jin state, and the rebel army also faced the situation of disintegration. Therefore, he led a small team of 50 people to the Jin soldier camp with 50,000 men stationed and captured Zhang Anguo, a traitor who killed Geng Jing, alive.

Xin Qiqian singled out 50,000 people with 50 people, but he did not fall behind, and successfully completed the mission, which shows how explosive his combat power is, it is simply full of combat power, and this battle also adds a strong stroke to his life resume, so that many years later, he can dream of similar battle scenes in his dreams (this word will be mentioned later).

It can be seen that Xin Qiqian is a brave and good fighter, courageous, courageous and resourceful figure, and he has strong patriotic feelings. These heroic deeds were admired and praised by the people of the time.

After the defeat of the rebel army, Xin abandoned his heart and fled to the Southern Song Dynasty, originally wanting to continue the anti-Jin struggle with the help of the imperial court, but he did not expect that he would be disarmed as soon as he arrived in Lin'an, and was sent to the Jiangyin Army to sign a judgment, assist the local official in handling government affairs, and did an idle job.

In the thirty-second year of Shaoxing, Jing (Geng Jing) ordered the abandonment of illness and returned to the Song Dynasty, and Emperor Gaozong's laborer Jiankang summoned Jiankang, Jiannazhi, appointed Chenglang and Tianping Jiedu as the secretary of the hand, and summoned Jing with the seal of the festival envoy. - "Song Shi Xin Abandons Illness"

Because the Southern Song court was afraid of an uprising, it was even more reluctant to regain lost territory. Although the Southern Song regime overused Xin's illness, he still ignored the low level of his position and aimed at the claim of the Central Lords and factions of the Southern Song government that "there is a fixed situation between the north and the south, and Wu Chuzhi is not enough to compete with the Central Plains".

Xin abandoned his illness and expressed his own opinions, and wrote "Blocking the River for Danger, It is Necessary to Rely on Two Huai Shu", "Discussing the Training of the Militia to Guard Huai Shu", "Ten Treatises on Mei Qin", etc., and played the emperor.

In particular, in the "Ten Treatises on Meiqin", Xin Qiqian analyzed the situation in Song and Jin, the future of the war, and the people's support, and pointed out that the situation of the Jin ruler's external strength and middle cadre was not without gaps.

In "Ten Treatises on Meiqin", Xin not only denounced the capitulationist fallacy of the Lord and Faction, but also discussed in detail the self-improvement measures that the Southern Song Dynasty should adopt and the specific arrangements for recovering the Central Plains. According to historical records:

(Xin abandoned illness) composed "Nine Discussions" and "Answering Questions" three articles, and "Ten Treatises on Meiqin" dedicated to the DPRK, and the words were contrary to the reason, the trend of growth and decline, the strength of skills, and the key points of the earth. It is not possible to negotiate by talking about peace.

"Ten Treatises on Meiqin" concentrates on Xin's loyal patriotism, fully demonstrating his profound wisdom and strategy.

As a result, the weak and incompetent court of the Southern Song Dynasty refused to accept it on the grounds that "peace is agreed, but it cannot be discussed". Xin's enthusiasm turned into nothing, and there was no way to serve the country.

From Xin's 23-year-old return to the south at the age of 67, he unswervingly insisted on the war of resistance and opposed surrender in the past 40 years; Adhere to the Northern Expedition and oppose partial security. However, the Southern Song court did not take his claim.

Whenever the Song-Jin confrontation was fierce, and even endangered the Southern Song court, Xin was appointed to temporarily resist Jin. However, as long as he had a little merit, he temporarily eased the tension between the two sides and consolidated the foundation of the Southern Song court.

The peace faction did everything possible to create all kinds of excuses, and even fabricated various charges, degraded him, deposed him, and even denied him any position.

In the past 40 years, Xin has been forced to retire twice, and has lived a life of retreat to the family for nearly 20 years. From the age of forty-three, he was not appointed for a long time. So he paid more attention to rural life in seclusion, writing a large number of leisure and pastoral words.

Xin's leisure words and pastoral words were mainly written during his idle residence in Shangraodai Lake. Xin Qiqian had an estate in Shangrao, which had to start from the forty-first year of Chunxi's seventh year (1180) when Xin Qiqian was forty-one years old.

That year, Xin was appointed as the pacifying envoy of Jiangnan West Road for the second time, and in the spring of the following year, the construction of a new residence and manor with Lake began.

According to the topography and topography around the lake, Xin personally designed the manor pattern of "building houses in high places and cultivating fields in low places", and he built hundreds of rooms in Shangrao Belt Lake, and set up vegetable gardens and rice fields as a place to cultivate in seclusion in the future.

Why did Xin choose to build a new home in Shangraodai Lake? First of all, the location with the lake is Shangrao, Jiangxi, located in the upper reaches of the Xinjiang River, surrounded by mountains and rivers, with beautiful scenery, and is a very livable place.

According to Hong Mai's "Jiaxuan Ji", the Southern Song Dynasty "traveled in martial arts, and Guangxin was the most dense." East boat and west car, bee dance is wrong, the situation is close, and the master is happy."

This passage is to the effect that at that time, the capital was in Lin'an (present-day Hangzhou, Zhejiang), and Shangrao was closest to Zhejiang, where the capital was located, with convenient transportation, so Shi Dafu was willing to live in Shangrao.

If you look at the geographical territory and military defense of the Southern Song Dynasty, Shangrao is located in the middle of the famous Zhejiang-Gan corridor, no matter east and west, it can be rushed thousands of miles.

Historically, half of the Southern Song Dynasty, Zhejiang, Jiangxi and Hunan were the rear, and Fujian was the rear. Under special circumstances, Shangrao is a necessary place from the rear to the large rear.

From the perspective of political geography, Shangrao is also a place where you can enter or retreat, you can reach Lin'an to meet the Son of Heaven, and you can retreat to the mountains and forests.

From these two points, Xin's choice to build a new home here was planned and carefully planned.

Far away from the rivers and lakes, with the "Jiaxuan" aspirations

When Xin talked about the construction of his new house with a lake, he told his family: "Life is hardworking, and we should put Litian (hard farming) first. ”

Therefore, he named the Daihu Manor "Jiaxuan", which means to grow grain, and called himself "Jiaxuan Jushi".

"Jiaxuan" is the name of the new house Xin built in the countryside of Shangrao. The contemporary literati Hong Mai recorded in the "Jiaxuan Ji": More than one mile north of the Xinzhou County (that is, present-day Shangrao, Jiangxi), there was an open land, annexed to the city on three sides, and the former pillow Cheng Lake was like a treasure belt.

In fact, Xin Qiqian vaguely felt that because of his "clumsy and confident" personality, it was easy to offend some people in his career, just as he said in the article "On Thieves", he would fall into a situation of "not tolerated by everyone", so he was already ready to go into hiding.

Sure enough, in November of the same year, he was impeached by the counselor, and his official position was removed, and just at this time, the new residence with Daihu was completed, and Xin abandoned his illness and returned to Shangrao and began his idle life after middle age.

It is no wonder that when the new residence of Shangrao Daihu is about to be completed, Xin Qiqian also wrote a poem, from which it is not difficult to see that he is very satisfied with the new residence with Daihu as a place to settle after retirement, this poem is "Qinyuan Spring with Lake New Residence Will Be Completed", the original words are as follows:

The three paths were first completed, the crane was shocked, and the future of Jiaxuan. Even Yunshan promised himself that he would be calm and business-like; The well-dressed man laughs and resists the dust. Tired and must be returned, idle and expensive, how can it be a sea bass? On the autumn river, watch the frightening geese evade, and the waves of the boat return.

Higashioka is more refined. Good to open the Xuan window to the water. If you want a small boat to fish, you should first plant willows; Loosen the fence and protect the bamboo, do not hinder the view of plum. Qiu Ju can be eaten, Chunlan can be admired, leave it to the gentleman's hand to plant. After a long silence, I was afraid that Jun En would not allow it, and this intention lingered.

Although this poem is written around the new residence with a lake, it can be said to be a record of the psychological activities of the lyricist from beginning to end.

The upper and lower pieces of the whole word have their own faces and characteristics.

The main reason why the lyricist intends to return to seclusion in the previous film, the feelings are gradual, from "the new home will become" slight joy, to "the well-dressed people laugh, resist the dust of death", to "tired must return" anger, and then to "frightened geese avoid, waves of boat back" indignation.

If you only read the film, it will bring people an emotional experience like watching the tide of the big river, the flow speed from slow to fast, and the tide surging from small to large.

If you only read the next film, the lyricist's vision of the blueprint for future life, gives people the feeling that boating in the river with rising tides, the current is slow and steady, and the sound of the surging tide can no longer be heard, and all you see in front of you is the sparkling expanse of the river.

Xin Jiujiang's poem "Qinyuan Spring with Lake New Residence Will Be Completed", although the upper and lower pieces have different expressions, different writing techniques, and different tastes.

However, the whole word will be connected from beginning to end by the event of "the new residence with the lake", so there is no trace of the word meaning up and down, but there is a natural and natural feeling, which is unfinished reading.

Life is ups and downs, and the lyrics are beautiful

"Ugly Slave Shubo Mountain Road Middle Wall" is also a poem written by Xin when he abandoned his illness and lived idly with a lake. During his stay at Obito Lake, he wandered in the Boshan Road, but had no intention of enjoying the local scenery.

The road was bumpy, the state was in trouble, he couldn't do anything, and Xin Qiqi's sorrow could not be discharged, so he inscribed this poem on a wall in Boshan Road:

The teenager does not know what it is like to be worried, and falls in love with the floor. Fall in love with the floor. Worry about giving new words.

And now I know all the sorrows, and I want to say it and rest. If you want to say it, take a break. But the sky was cool for a good autumn.

This is a sentimental word that speaks sadly and hatefully, but the lyricist does not say sadness, instead of saying sorrow, he says "I don't know sorrow", and the opening word of sorrow sets the tone of the whole word sadness.

At the time of writing this poem, Xin was idly living in his new residence in Shangraodai Lake in Jiangxi Province, and he was leisurely traveling in Boshan Mountain, climbing high and looking far away. The scenery with lake and Boshan are picturesque, just as Xin Jiu wrote in another poem, it is a beautiful scenery that "I see the green mountains are more charming, and I expect the green mountains to see me as they should be".

Xin's poem tells people about the lyricist's mental journey after experiencing the ups and downs of life, and the whole word takes "sadness" as a lyrical clue, and the emotions are even more sung and sighed. Therefore, the emotional atmosphere of this poem is shrouded in a kind of sadness that wants to say and rest, and the lyricist obviously wants to say the sorrow, but does not say it directly.

Because whether you can't say it or don't say it, it doesn't matter anymore, the important thing is that this kind of sadness already exists between the lines and infects the reader's heart.

The whole word is only eight short sentences, but it contains two completely different sadnesses, which can be described as short and long, and it makes people sigh when reading.

Happy life, unparalleled

Among Xin Qiqi's extravagant lyrics, "Breaking the Formation, Giving Chen Tongfu Strong Words to Send It" can be called the ceiling of the bold words, and it is also a lyric full of patriotic pride. The original words are as follows:

Drunkenly picked up the lamp to look at the sword, and dreamed of blowing back the horn company camp. Eight hundred miles under the command, fifty strings to turn over the outside, the battlefield autumn soldiers.

Lu of the horse is fast, and the bow is like a thunderbolt. But the king did everything in the world and won the posthumous name before his death. Poor white happens!

According to the small order in the word, "Give Chen Tongfu strong words to send them", it can be seen that this is a poem written by Xin Qiqian to Chen Tongfu.

Chen Liang, character Tongfu, a native of Yongkang, Wuzhou (present-day Yongkang City, Zhejiang Province), was a good friend of Xin Qiqiang, the two were like-minded and confidants, and after Chen Liang's death, his friend Xin Qiqian wrote "Sacrifice to Chen Tongfu" to commemorate.

Chen Liang is a very literary person, especially his political essays are imposing, and they often get to the point. Chen Liang's bold words are very distinctive.

History records that Chen Liang "was born with bright eyes, super talented, liked to talk about soldiers, talked about style, and wrote thousands of words immediately", Chen Liang since he was a teenager, he showed his intelligence, talent and extraordinary ambition, Chen Liang once claimed to be able to "overthrow the wisdom and courage of a lifetime, and open up the heart of eternity".

Chen Liang is also a figure who advocates reconquest, and he is a full supporter of the main war faction.

Chen Liang wrote the "Five Treatises on Zhongxing" and "The Book of Emperor Shangxiaozong", actively advocating the War of Resistance, so he was squeezed by the peace faction like Xin Qiqiao, and the same ambition and similar life experience made the two close confidants who talked about everything.

In the winter of the fifteenth year of Emperor Xiaozong of Song (1189), Chen Liang went to Shangrao Lead Mountain in Jiangxi to visit Xin Jiu, who had been idle here, and stayed for ten days.

Although the two are idle at home, they talk about family and country affairs together, talk freely, express their own opinions, place pride in wine beauty, and integrate ambition into friendship. After Chen Liang said goodbye, Xin wrote a poem "He Bridegroom" and presented it to Chen Tongfu.

In the preface to "He Bridegroom", Xin Qiqian recounted in detail the meeting between the two: "Chen Tongfu came from Dongyang and stayed for ten days. Swim with Goose Lake... In order to give "He Bridegroom" opinions. ”

The reason why Xiao Shuo quotes the record of Xin Qiqiang's "He Bridegroom" in this small preface is because this preface can be cross-referenced with the background of the creation of the lyrics of "Breaking the Formation: Giving Chen Tongfu Strong Words to Send It". After receiving Xin's words, Chen Liang returned a poem. Since then, the two have often exchanged letters and poems, maintaining close contact.

This song "Broken Formation" was written at this time, when Xin Qiqian was 50 years old, just as written in the phrase "Breaking the Formation, Giving Chen Tongfu Strong Words to Send It", the lyricist Xin Qiqian was already a late hero who "happened in poor vain".

The lyricist Xin's ambition is to kill the enemy and recover the great cause, but his wish cannot be realized in reality, he can only pin this wish in his dreams and use dreams to realize his ambitions, so the first two sentences of this poem "drunk to pick a lamp to see the sword, dream back to blow the horn company camp" is very easy to understand.

The camp in the lyricist's dream is a spectacular scene of "eight hundred miles under the sea, fifty strings turning over the outside, and autumn soldiers on the battlefield", in the lyricist's heart: the military camp is the place where his soul haunts, and it is also the place where he is most passionate.

Xin's lifelong wish is to regain the great cause, he has a strong patriotic ideology, although he has been repeatedly ostracized and attacked, but he is unswerving, and his enthusiasm for serving the country has never waned.

It is precisely because his ideals and ambitions have not been realized that the anger of unpaid ambition in his lyrics is even more somber and tragic. Therefore, in this song "Broken Formation", the lyricist will only exclaim "poor white happens" at the end of the song.

Move to Scoop Springs and fill in the words to help the fun

In the summer of the second year of Qingyuan (1196), the Daihu Manor caught fire, and Xin abandoned his illness and moved his family to Qiaoquan. Xin built a new residence in Lead Mountain, Shinshu (present-day Shangrao, Jiangxi Province), next to the Qiao Spring, and he also built gardens, pavilions and other leisure places in his new residence, including a "Stop Cloud Hall" named after the poetry of Tao Yuanming's "Stop the Clouds".

Xin Qiuquan lived a village life of wandering the mountains and waters, drinking and giving poetry, and idling clouds and wild cranes. The idyllic tranquility of the Qiaoquan countryside and the simplicity of the villagers made Xin Qiuqiao deeply moved, and his inspiration flew and sang, and he wrote a large number of poems describing the scenery of the four seasons of Qiaoquan, the world's folk customs and garden customs, and the joy and lyricism.

Xin Qiqian looked at the green mountain in front of his new residence, the mountains were so beautiful, and the flowing water around the green mountains was so moving, this scene, this scene, and this scene evoked his nostalgia for his former friends, and also made him recall Tao Yuanming's thoughts about his relatives and friends in the Eastern Jin Dynasty.

Xin Qiqian couldn't help but integrate all this he thought of into his heart, and composed a lyric "He Bridegroom" that contains the lyricist's deep and strong feelings, which is also his favorite lyric in his life:

It's even decaying. Scattered life, only a few left! The white hair hung in the air for 3,000 zhang, and he laughed at everything in the world. Q: What can make the public happy? I saw how charming Aoyama was, and I expected Aoyama to see me as such. Love and appearance, slightly similar.

A statue scratches its head in the east window. Think of Yuanming's "Stop the Clouds" poem, the flavor at this time. Jiang Zuo is a seeker of fame, how can he know the magic of turbid mash? Looking back, the clouds flew up. I don't hate the ancients and I don't see me, and I hate the ancients for not seeing me. He who knows me, the second and third sons.

According to the notes of Xin's contemporaries, whenever Xin Qiqian got together with friends, whenever he was in high spirits, he would let the singer sing the lyrics he filled in.

Among them, the most sung is this song "He Bridegroom", when the wine is in the mood, Xin Qiqian will also sing about the wine, beating in front of many friends and singing this word. He especially loves to sing the two couplets of "I see Qingshan is so charming, and I expect Qingshan to see me as I should be" and "I don't hate the ancients, I don't see me, I hate the ancients don't see me".

At this time, Xin Qiqian will be completely immersed in the melody of the lyrics, which will make him temporarily forget all his troubles and worries, and even make him smile like a child, and he will ask his relatives and friends here: Do you think these two couplets I sang are good?

"I see that Aoyama is so charming, I expect Qingshan to see me as I should be" is the beauty of the picture created by visual effects, which is the relationship between Aoyama and the lyricist, and "I don't hate the ancients and I don't see, hate the ancients and don't see my crazy ears" is the relationship between ancient and modern.

With such emotional sustenance, coupled with the atmosphere created by the lyrics when singing repeatedly, whether it is Xin Qiqian himself or us today, there will be a strong psychological resonance.

"Those who know me, the second and third sons", Xin Qiqian sighed over and over again the regret of knowing the scattered friends, this is his state of mind when he was idle in Lead Mountain, at this time, Xin Qiqiang's "I see the green mountains are more charming" and Tao Yuanming's "leisurely see the South Mountain" state of mind is so similar.

Xin was fifty-nine years old when he wrote this word, and he had lived idle for many years, and his circle of friends or circle of friends was becoming less and less dynamic, and he knew less and less about his friends. Because there are fewer and fewer confidant friends, Xin Qiqian said with emotion, which is very understandable.

Knowing each other is the norm in life.

Perhaps in the circle of friends established by Xin Qiqian in his life, with the change of the workplace and the passage of time, some friends are likely to become the existence of the world, become strangers in other places, and become friends who will be difficult to meet again in their lives, and can only be greeted by letters.

And with the development of life, life experience and cognition changes, the perception of friends and the understanding of friendship will become cautious, which often brings unique experiences, and it will be more and more difficult to find a confidant who really understands oneself.

The song ends and the cosine is more exciting. The movement also entered a climax, and the meaning of the words was also sung and expressed vividly by the lyricist.

"Love in the scene, love in the scene", this word is not simply praising beautiful scenery, borrowing the lyricism of the scenery is the core of the whole word, the lyricist has found some solace in the green mountains that he has imitated and given a strong emotional color, and found a spiritual fit in the illusion scene of the encounter between different generations. However, the deep regret and loneliness of the lyricist's heart are also particularly obvious.

It can be said that whether it is the description of the scenery or the description of emotions, the scenery and emotions are perfectly blended together, and the two complement each other.

Whether it is a portrayal of reality or a sustenance of the heart, grace and extravagance coexist organically, and music is played at the same time. Throughout the whole word, every stroke is perfected, no wonder Xin Qiqian likes this word.

In particular, Xin Qiqian was quite satisfied and conceited with the two couplings of "I see Qingshan how charming I should be" and "I don't hate the ancients, I don't see me, hate the ancients and don't see me". These two couplets have also become famous sentences in the world of famous lyrics, and they are constantly being sung, imagined, and interpreted by posterity.

Gentle and extravagant, intertwined

There are also some works in Xin Qiqiao's words that have both the beauty of extravagance and gentleness, they have both the beauty of extravagance and exuberance, and the beauty of grace and grace, and such a unique artistic style has also been praised as "Jiaxuan Body" by later generations.

Xin Qiqiang's "Touching the Fish" is a highly recognizable word in his lyrics, and it is also his classic masterpiece with both bold and gentle, and it is also a classic work in Song poetry. The original words are as follows:

More can dissipate, several storms, in a hurry spring and return. I am afraid that the flowers will bloom early, not to mention the countless reds. Spring and stay! See and say, there is no return for the end of the world. Resentful spring is silent. Even if there is only courtesy, painting cobwebs, and all the days are flying.

Nagato matter, quasi-good time and mistake. Moth eyebrows were once jealous. Thousands of gold longitudinal buying is like a fu, who complains about this situation? Jun Mo Wu, Jun Wan, Jade Ring Feiyan are all dust. Idleness is the hardest. Hugh went to lean on the danger fence, the slanting sun was on, and the smoke willow was broken.

There is a small preface before the words: "Chunxi Jihai, from Hubei to Hunan, the same official Wang Zhengzhi placed wine in the small mountain pavilion, for Fu." ”

Chunxi Jihai, that is, in 1179 AD, when Xin abandoned his illness at the age of forty, changed from Hubei as deputy envoy of Hunan transfer, from Ezhou to Tanzhou. Xin's colleague and friend, Wang Zhengzhi, who served as a transfer judge in Hubei, saw him off.

In the twilight of spring when this spring is about to return in a hurry, Xin Qiqian is also about to embark on a trip to leave Ezhou, his parting this time is like the footsteps of this spring, even if there is a lot of reluctance and nostalgia in his heart, he has to embark on the trip, and the lyrics kicked off in such a season and atmosphere.

In any case, such a spring must be inseparable from a pleasant and pleasant mood, but the same spring, the same beauty, for a poet full of melancholy and full of worries, the spring in his eyes may be different.

Carefully tasting the meaning of the words, it is not difficult to see that the spring in the words is endowed with personality by the lyricist, and the spring written by the lyricist is like a woman who loves people, and the lyricist's love for spring is really endless: it is spring pity, spring retention, and resentment of spring.

In the last film, the lyricist wrote the three aspects of cherishing spring, staying spring, and complaining about spring in turn, and the layers were orderly, expressing the lyricist's helpless love for spring. If we connect the next film of the word and the background of the times, we will find that the spring of the lyricist is sentimental about life.

Looking back on Xin's life, he returned to the Southern Song Dynasty at the age of twenty-one, to the age of twenty-six devoted himself to the book "Ten Treatises on Meiqin", discussing state affairs, but at the age of forty he had to choose to stay away from the career and live an idle life for decades.

Such a life is a life of being misunderstood and a life of being delayed, so Xin Qiqian had to sigh.

Take Xin Qiqiang, for example, he is both a famous lyricist, a literary scholar, and a scholar who served as an official, and his works often contain the superposition of dual identities, which dooms his works to be inclusive and compatible, specifically to know how to grasp the scale between ambiguity and clarity, caution and sincerity.

In other words, the reason why Xin Qiqian uses allusions to express his emotions and express his feelings that he has not met his talents. He is trying to find a balance between straightforward and subtle euphemism, or to show a higher level of artistry.

Xin's words are straightforward and impassioned in his criticism, and although his courage is commendable, the euphemistic and subtle irony is more thought-provoking and penetrating.

A few sentences at the end of the next film, the lyricist opens up the description of historical figures and returns to the scene. The two sentences "Hugh to lean on the danger column, the slanting sun is now, and the smoke willow is broken", ending with Jing Yu, containing endless charm.

In classical literature, especially poetry, people attach great importance to the ending, because a good ending can often create the effect of "endless words and endless meanings", giving people an extraordinary sense of beauty.

The ending method of "endless words and endless meanings" is an art form with lasting vitality in poetry creation, which not only provides a broad artistic field for poets to express their feelings, but also creates an artistic space for readers who appreciate poetry to explore the poetic context.

In this poem, Xin chose the ending method of "ending with the scene" and "blending the love in the scene".

Blending in scenery is to integrate feelings into specific natural scenes or life scenes, and express feelings through the depiction of these natural scenes or scenes, which is an indirect and implicit lyrical way.

The ending form of the scene is generally focused on the evocative aria of emotions, and here is not the twists and turns conveyed by writing the scenery and depiction, but more focused on the deepening of the dot dye of emotions, is the interweaving of a variety of complex emotions, really a feeling, nowhere to tell, mixed feelings, want to say and rest.

The deeper reason why this song "Touch the Fish" has become a classic in Song lyrics is that the lyrics show the proud personality of Xin Qiqiang, a great patriotic lyricist.

Xin's career path was not smooth, and it can even be said that he struggled through the turbulence of wind and rain, and he was repeatedly jealous and ostracized, but he never lost his heart. A talent but nowhere to show, full of blood but snubbed, so can only put the heroic emotions in a deep gentle contract.

From the Golden Iron Horse to "Ten Treatises on Meiqin", from traveling to idling and living in a lake, Xin's life is a combination of diverse personalities: there are bold generosity and deep detours, and there are also beautiful and melancholy.

Xin Qiqiang's lyrics are colorful, and the diverse lives are linked with colorful lyrics to form the heroic lyricist Xin Qiqiang's distinctive personality, singing and crying life.

In the case of this song "Touch the Fish" alone, the gestures in the words are flying, the depression is sudden, the allegory is placed in the gentle, and the subtlety is greater than the subtlety. Read this masterpiece carefully, feel the lyricist's heart and home and country feelings, appreciate the unique aesthetic style of the work, and discover its unique mystery of ancient and modern.

We are easily moved by the affection contained in the lyrics, because there is no style that can express human subtle emotions so delicately and tactfully, and can describe those inexplicable emotions so aptly and movingly, Xin Qiqiao's "Touch the Fish" can be said to be an outstanding representative of this genre.

Xin's "Touching the Fish" can be said to be a work that has reached the classic realm by writing "helpless", which is a typical example of a desolate artistic style.

This poem is also the condensation of one contradiction after another that plagues Xin Qiqiao, so it highly reflects the personality charm of the lyricist; The words are beautiful, the essence of the words, so it is very artistic and appealing.

The martyrs are in their twilight years, and their hearts are strong

In the fourth year of the Qing Dynasty (1198), Xin was given the post of supervisor of Okyo-kan. In the third year of Jiatai (1203), Han Kanxuan, who advocated the Northern Expedition, raised the main war faction, and Xin, who was 64 years old, was appointed as the prefect of Shaoxing and the pacifying envoy of eastern Zhejiang, and the spirit of the elderly Xin abandoned illness was lifted.

The old Ji is determined to be thousands of miles, and the martyrs are in their twilight years, and their hearts are strong. Since then, Xin Qiqiao, who is over the age of Huajia, has successively served as the prefect of Shaoxing and Zhenjiang with the heart of a child.

In the following year, he wrote "Miscellaneous Notes of the Dynasty and the Wild Since the Founding of Yan", and met with Emperor Ningzong of Song, believing that the Jin Kingdom "will be chaotic and will die", and was added to the Baomu Pavilion to be subdued, raised to the Youshen Temple, and invited by the court. Soon after, he was appointed to the prefecture of Zhenjiang and was given a gold belt.

When Xin abandoned his illness as the prefect of Zhenjiang, he landed in Beigu Pavilion, lamented his disappointment that he had no way to serve the country, and looked far ahead, reminiscing about the past, so he wrote "Yongyule Jingkou Beiguting Huaigu", a work that has been sung through the ages:

Through the ages, heroes have no place to find Sun Zhong. On the dance stage, the wind is always blown away by the rain and wind. Xianyang grass trees, ordinary alleys, humane slaves once lived. I think back then, the golden iron horse swallowed thousands of miles like a tiger.

Yuan Jia was hastily, sealed the wolf Juxu, and won the Canghuang Northern Gu. Forty-three years, looking forward to remembering, beacon Yangzhou Road. Can look back, under the Buddha Shrine, a shrine of crows. Who asks: Lian Po is old, can he still eat?

Xin's words of abandoning illness, the style is bold, the momentum is majestic, the realm is open, has become immortal, is the consensus of scholars, but when it comes to the works that best represent his style, everyone recommends "Yongyule Jingkou Beiguting Huaigu", which is very inappropriate.

Although this poem has the element of extravagance, a closer study shows that the style of this word can not be comprehensively summarized by the word extravagant. On the whole, this word is not a passionate and scrappy poem, but a melancholy, tragic and desolate work.

In the last film, Xin Qiqian is associated with the historical heroes Sun Quan and Liu Yu related to Jingkou from the historical city of Jingkou, and writes in this way, naturally and smoothly, implicitly, and contains three meanings:

First, it expresses the infinite melancholy feeling brought to the author by the passage of time and the inhabitation of the years: time is like a gushing flowing water, not only removing the great achievements of historical heroes, but also sweeping away the charm of popular characters, and the heroes of that year left only barren "slanting sun grass trees".

Second, because there are no heroes in the world, traitors are in charge, and the emperor is mediocre, the splendid rivers and mountains that were once heroes have fallen into the hands of the enemy, and the people of the Central Plains have become slaves of foreign countries, and there is no hope of recovering the old country. This situation and scene all aroused the pain of losing power and humiliating the country in the author's heart.

Third, he compared his own difficulties of not meeting talents and unrewarded ambitions with the achievements of historical heroes and famous in history, expressing his admiration and remembrance of heroes, envious that they were able to display their talents and make meritorious achievements, but they were repeatedly belittled and encountered ups and downs, expressing their helpless state of mind that they cherished talents but could not display and that their ambitions were difficult to achieve. The feeling of sadness and melancholy is overflowing with words, laying a somber and desolate emotional tone for the whole text.

These three layers of meaning, layer by layer, step by step, full of feelings and sincerity, warm and low emotions, perfectly sketch the image of a patriot who worries about the country and the people, is eager to recover his old land but is repeatedly excluded.

The next transitional sentence "Yuan Jia is hastily, seals the wolf Juxu, and wins the Canghuang North Gu." It is a narrative and commentary that the lyricist uses history as a guide, borrows ancient metaphors from the present, and has feelings.

Yuan Jia is the year name of Liu Yilong, Emperor Wen of the Southern Song Dynasty, in the 27th year of Yuan Jia, Emperor Wen of Song ordered Wang Xuanmo to the Northern Expedition Tuoba clan, due to insufficient preparation, and greedy for merit, he returned with a great defeat, and was chased to the Yangtze River by the Northern Wei Taiwu Emperor Tuoba Tao, threatening to cross the Yangtze River. Emperor Wen of Song climbed the building and looked north, sad.

These three sentences are based on ancient metaphors and present, putting forward constructive opinions and advising Han Kanji not to send troops rashly, but Han Kanji did not heed Xin's advice and rushed to battle, which directly led to the defeat of the Northern Expedition in the second year of the Kaixi and the double rebellion in the third year of the Kaixi.

The "looking back" in the next three sentences should be followed by the previous sentence, from recalling the past to writing about the real scene in front of you. It is worth discussing here that the Buddha Beaver was the emperor of the Northern Wei Dynasty, seven or eight hundred years after the Southern Song Dynasty, and the people in the northern occupied areas regarded him as an idol.

Jiangsu Zhenjiang North Gushan

Xin Qiqian is using "Buddha Fox" to refer to the gold lord's complete appearance. 43 years before writing this poem, the Jin lord Yan Liang sent troops to the south, used Yangzhou as a base to cross the river, and also stationed on the Guabu Mountain where the Buddha Temple is located, strictly supervising the Jin soldiers to rush to cross the Yangtze River. The lyricist uses ancient metaphors to the present, and the fox naturally becomes a shadow of complete beauty.

In those days, the people of the north fought indomitably with the Jin State, and the smoke was everywhere, but now the Central Plains has long been calm, and the people in the occupied areas have been content with the rule of the Jin State, and it is a sad thing for the rulers of the Jin State to be submissive.

Xin Qiqian couldn't bear to look back on the past, in fact, he couldn't bear to see the facts in front of him, so he wrote again and again, so as to warn the royal family of the Southern Song Dynasty that it was urgent to recover the lost land, and if it continued to delay, the people's hearts would fade, and the Central Plains would not be able to recover it.

In the end, the lyricist compares himself to Lian, and this dictionary is very apt and very rich:

The first is to confess his determination, just like Lianpo served Zhao Guo in the past, he was loyal to the imperial court, as long as he used it, he should not let it go, fight bravely, and go to the frontier at any time;

The second is to show ability, although he is old, he is still the same as Lianpo in the past, old and strong, brave and martial arts are not reduced in those years, and he can serve as the commander of the Northern Expedition.

Lian Po had made great achievements for Zhao Guoguo, but he could be killed by a traitor, and he was left his hometown, although he was willing to serve the country, but he had no way to serve the country, and the lyricist thought that Lian Po was self-sufficient, worried that he might repeat the mistakes of the past, and the imperial court abandoned it and did not use it, and if he did not believe in it, his talents could not be carried out, and his ambitions could not be realized.

Xin's worries were justified, and sure enough, the clique of civil officials headed by Han Kanxun did not adopt his opinion, was dissatisfied with him, and on the eve of the Northern Expedition, he was removed from his official post on the pretext of "improper employment of personnel", and Xin's desire to contribute to the restoration of the great cause was once again in vain.

Although many allusions are used in this poem, these allusions are used seamlessly, just right, and the role they play, the energy in language art, is not a direct narrative and description. Therefore, as far as this poem is concerned, the use of classics is not a shortcoming of Xin's abandonment, and this poem reflects his special achievements in language arts.

Beigu Mountain

A generation of lyricists, regret to end

When Xin was appointed as the prefect of Zhenjiang, he was constantly impeached and attacked by the imperial historian, so he was demoted to the rank of Chaosan Dafu, Tiju Chong Youguan, and was pacified by Shaoxing Mansion and Liangzhe East Road, but he resigned and did not take office. After that, he was also worshiped as Baowen Pavilion, and then entered Longtu Pavilion to be systematized, and Zhijiangling Mansion. The imperial court ordered Xin to rush to the palace and tried to serve as a military attendant, but Xin resigned again.

In the autumn of the third year of the founding of the millennium (1207), the imperial court once again appointed Xin Qiqian as the privy councillor, and ordered him to quickly go to Lin'an (Hangzhou) to take up the post. However, when the edict arrived at Lead Mountain, Xin was seriously ill and bedridden, so he had to resign.

On the 10th day of September (October 3) of the same year, Xin died with a sense of sorrow and patriotism at the age of 68. After the imperial court heard the news, he gave him a robe and a gold belt, and regarded him as a servant of the Dragon Pavilion, and specially presented four officials.

In the sixth year of Shaoding (1233), he was posthumously presented to Guanglu Daifu. In the first year of Deyou (1275), upon the application of Xie Fangde, Emperor Gong of Song posthumously presented Xin as a young master, with the nickname "Zhongmin".

Xin abandoned his illness in his life like a roller coaster, experiencing too many ups and downs, but he was unswerving in his life, and his heart of fists and fists did not change. He took restoration as his ambition and prided himself on his meritorious deeds, but his fate was ill-fated, he was ostracized, and his ambitions were difficult to reward, but his patriotic belief in restoring the Central Plains never wavered, but he put all his passion and concern and worry about the rise and fall of the country and the fate of the nation in his writings.

Although there are too many regrets in Xin's life, his lyrics have been continuously praised by later generations. Xin Qiqiang's lyrics and artistic styles are diverse, mainly extravagant, and the style is majestic and heroic, but there is no lack of delicate and soft charm. His lyrics are broad in subject matter and good at allusions, expressing patriotic enthusiasm for trying to restore national unity, pouring out the sorrow and indignation that great ambitions are difficult to reward, and condemning the humiliation and humiliation of the ruling people at that time; There are also many works that praise the motherland.