"Mannequin floor tiles" are easier to get out of the loop?

The film and television drama "Character Ceiling" is familiar to everyone, so what about "Human Floor Tiles"?

 As we all know, the "human ceiling" means that the characters in the play are perfectly set, all the way highlight, unsurpassable, and is the existence that everyone wants to play. As the name implies, "character floor tiles" is a kind of role setting opposite it, and the behavior, speech, way of acting, personality and mood are not pleasant, mostly negative images, and may even be the role that bears the most audience scolding in the play.

But even "floor tiles" are now receiving more and more attention and discussion, because after the actors add unique shaping, "human floor tiles" are still out of the circle.

Distinctive character traits

The "floor tile" people are set to conform to the "floor" attribute, most of them have no aura, so that the audience remembers that there may only be clear and flamboyant character characteristics, presenting character characteristics that are diametrically opposed to the protagonist or the traditional true, good, and beautiful characters, attracting the attention of the public. However, due to the different themes and expression methods of costume dramas and modern dramas, the characteristics of the characters of "floor tiles" are also presented differently.

Most of the characters who can be called "floor tiles" in costume works are crazy and vicious and evil-free characters, such as Ye Bingchang, the second female of "Long Moon Ember Ming" who exploded in the circle some time ago, and she betrayed her husband and turned to Tangtai Ember, pushed the maid to block the knife, and poisoned her grandmother, each of which can attract countless infamy.

The role of Concubine Hua in Gong Dou's classic "The Legend of Zhen Huan" is even worse to the extreme. Drowning maids and punishing Zhen Huan, who was pregnant by kneeling, led to her miscarriage, mutilated concubines many times, and sold official titles, and her years of palace fighting career made her understand that people are bullies and afraid of hard, so don't be kind and appeased, and it is best to rule with an iron fist. With an iron fist and an iron heart, no one dares to disregard the law and discipline under heavy punishment. So she is clearly bad, and she is releasing her malice in a bright way.

The distinctive and flamboyant character traits and clear love-hate character traits make such characters have a distinct degree of recognition, and the bad ones are completely so that people can not forget after watching the play. The overhead setting of the costume drama gives the characters enough space to play, as long as the story line is reasonable and the logic is smooth, the "floor tile" can also attract attention.

The characters in modern dramas are more realistic due to the background setting of the story, and the presentation methods generally include scumbag cheating, junior green tea, criminal investigation villains, etc. Du Chun played by Yi Ming in "Wife's New World", is a scumbag with a perfect family who still chooses to cheat, can't resist the temptation of the heroine's sister, cheats his wife while stepping on two boats, making people hate their teeth itching, and was even rated by netizens as "the most hated scumbag in recent times".

"Crazy" Gao Qiqiang is a heinous triad leader with blood on his hands, burning his younger brother's family, buying high-ranking officials, and embezzling. Do not stop Gao Qisheng's actions, let him step by step into the abyss; In order to be angry for him, his stepson Gao Xiaochen was self-defeating and caused Chen Shuting to lose his life, and Gao Qiqiang also killed him. Step by step, climbing up, covering the sky with one hand in Jinghai City, the bad things he did were shocking.

The portrayal of negative characters in realistic themes is mostly presented with strong destructiveness, and this "floor tile" character highlights the diversity and complexity of human nature, not black and white, with strong before and after contrast to produce a more exciting viewing experience.

The reason why the ancient costumes and modern characters mentioned above can be impressive, in addition to the flamboyant and distinctive character characteristics, but also gradually show the tragic and unavoidable side of the characters as the plot unfolds. For example, Concubine Hua's cruelty comes from her love for the emperor, Gao Qiqiang's original purity was bullied before he fought back, degenerated step by step, portrayed more vivid and full characters, and dissolved some negative impressions, which may be the reason why many "floor tile characters" have attracted attention.

Test the actor's characterization

The role is presented by the actor, so its performance method, personal characteristics, acting skills, etc. play a pivotal role in shaping the character, if the actor understands the role well and is fully committed, then the character is alive and can be deeply rooted in the hearts of the people.

The first is the actor's personal acting skills. Zhang Songwen, the actor of Gao Qiqiang in "Crazy", was commented by netizens when the drama was broadcast "recommended to check, not like acting", through delicate performance and in-depth role mining, Zhang Songwen vividly showed the inner world and emotional changes of Gao Qiqiang's character. Through a variety of ways such as eyes, actions and language, he shows Gao Qiqiang's multiple personality traits such as ruthlessness, insidiousness, and cunning very well.

Gangster bosses also have flesh-and-blood, humane sides. When the drama was broadcast, "Sun Tzu's Art of War" was successfully brought to fruition, "Qiqiang Literature" continued to create memes, and the performance of "Desperate Fisherman" Gao Qiqiang was discussed by netizens, setting off an overwhelming wave of emotions discussed by the whole people.

Secondly, actors need to explore the charm of the character and give the character new vitality. For example, not too sharp facial features and a simple dull temperament can dilute the slag sense to a certain extent. Lei Jiayin, the actor of "scumbag" Chen Junsheng in "My First Half of Life", does not look aggressive, but has its own affinity, even if he cheats, he can get the love name of "ex-husband".

Bai Lin, played by Liu Xueyi in "Liuli", is an unpleasant male second who has repeatedly wanted to put the male and female protagonists to death, but the appearance in the play is very cold and noble, so that many audiences "follow the five senses with three views" and can also circle fans.

Of course, it is indispensable for the actor to inject unique self-characteristics to dissolve the original guilt. For example, accents or poor speech styles add a comedic element to the character. "Two Conjectures of Marriage" Yang Zheng is also a "cheating scumbag", and its actor Peng Guanying interprets the role funny and natural with his own comedy temperament and interpretation methods. The "father" Su Daqiang in "It's All Good" made the chickens and dogs jump at home, but he was remembered by the audience for the phrase "I want to drink hand-ground coffee", which added cute colors to the character's selfish background.

It can be seen that the actors project their own charm into the characters, and can also shape the "everyone shouting" floor tile characters with highlights and memories. Therefore, many artists have attracted attention with such roles, and have single-handedly proved the interpretable space of "floor tile characters".

Li Zefeng became popular after starring in the "scumbag" Xu Fengshan of "Thirty Only". At the airport, the audience who was too deeply involved in the drama called "fired", received green tea from netizens, and accepted ruthless "spitting" from the staff. In addition to being the audience's proof of a character's entry into the play, this phenomenon can also more directly reflect his popularity.

Some people know him through Xu Fengshan, and he has previously starred in Wang Shijun in "That Year the Flower Blooms and the Moon is Full", Wang Hao in "Dear, Love", Shen Yingjie in "Perfect Relationship", and Duluocheng in "Sideburns Are Not Begonia Red", but they are not as "famous" as Xu Fengshan. After "Thirty Only", his resources have been visibly improved, and the opportunity to show his face has also increased.

It can be seen that "floor tiles" are not only negative, as long as they are used reasonably and appropriately, they can also gain no less popularity than the protagonist. With the diversification of the audience's aesthetics, the radiation radius and bearing connotation of the "floor tile" characters are also expanding accordingly, and many artists have also chosen to start from the characters with negative colors and "curve out of the circle" with small broadness. At the same time, this is also the way for actors to broaden their theatrical paths, Zhao Liying in "Who is the Murderer", Shunde Xian Ji in "Acquaintance with Jun Chu", and Qin Hao in "Hidden Corner" all extend the interpretation dimension of the artist through the villain.

The secret of "floor tiles" out of the loop

There are generally three reasons why the "floor tile" character can be out of the circle, which is a strong sense of refreshment, a high degree of topicality, and a wide degree of communication.

If the audience is usually depressed by the rules and regulations of life, then the fictional scenes such as "escape", "destruction" and "arbitrary" in film and television works seem to provide a short escape and release, and even in the reversal and extreme of the drama, the audience can feel the inner resonance.

Ye Bingchang in "Long Night Embers" once harvested a large number of followers with her self-exclusion of "not admitting mistakes, not correcting and not whitewashing" and "regardless of the feelings of others, only caring about their own happiness", her outrageous behavior is very refreshing, doing what the audience has always wanted to do but dare not do, providing a cathartic outlet for long-suppressed emotions.

Secondly, the topic is high, which is easy to trigger the collision of different views. "Thirty Only" Xu Fengshan, a married man with a successful career, chooses and responds between his "perfect" wife Gu Jia and the enthusiastic and young Lin Youyou, which deeply pokes at the pain points of the current middle class. From a female point of view, Xu Fengshan is a "cheating scumbag", and from a male point of view, he is a giant baby who does not grow up. Perfect for harvesting the attention of male and female audiences.

"My First Half of Life" Ling Ling is a disgusting junior character, in order to get on the top, she fanned the flames and blew the pillow wind on Chen Junsheng; Treating the two children differently, and also looking like a righteous Virgin, stepping on the public's pain points, will cause public indignation, actor Wu Yue said that she did not dare to open Weibo comments for a long time, in order to protect her family and shirked a lot of work.

At that time, these roles sparked national discussion and became a social issue, which is not limited to the field of film and television. In particular, urban dramas can be directly connected with the audience's real life, about family and responsibilities, and can deeply resonate with the audience, and at the same time lay the high popularity of the drama itself while the topical characters are out of the circle.

It is also worth noting that the second creation has become an important part of IP derivation, and the scissorhands are happy to change their lives on certain topics, giving new character arcs and gaining popularity and attention. "The Temptation to Go Home" Hong Shixian was discovered by the UP lord by the scumbag who was originally shouted and beaten by the UP lord to speak soberly in the world, and the memes in the play were also popular on the Internet. "Deep Rain" Aunt Xue from the vicious stepmother who spat on the door, and after editing, became a "strong mouth king" and "a spokesperson for women's rights thought".

 As the audience's acceptance of the content of film and television dramas has increased, the functions of "floor tile characters" in the dramas have become more diversified and richer, and some controversial characters, although not pleasant, are also a way to be remembered.

As a result, actors' acceptance of such roles is also increasing, and some actors have said in interviews that when they have not yet had the opportunity to receive the role of male and female, some "floor tile" roles may be good choices, "breaking the audience's presupposition of black and white roles, adding multi-dimensional emotional interpretation to the harmonious logic and motivation, which can achieve surprising results." It's also a way to get the audience to remember actors quickly."

Today's "floor tile" characters often have a certain space to play, which also provides "soil" for acting actors, which can contribute more exquisite performances, which not only improves the texture and watchability of the play, but also raises the appreciation threshold of the "floor tile" character.