<h1 class= "pgc-h-arrow-right" > special reviewer: Zhu Yongfang</h1>
Member of the China Book Association,
Deputy Director and Secretary General of the Creative Committee of Shaoxing Book Association,
2012 Calligraphy Newspaper and Calligraphy Audition "Lanting Zhuzi" Award-winning calligrapher
< h1 class="pgc-h-arrow-right" > review works</h1>
Figure 1 Section 2 of "Ni Kuanzan" Specifications 138cm×35cm×2
Comments:
The author has invested considerable energy in Chu Kai, and the two screens of "Ni Kuanzan" (Figure 1) are natural and smooth, and it is not easy to basically grasp the characteristics of the post! On this basis, we should strive to start from the details to go deep into the model, in order to have a qualitative improvement, so as to require the observation of the work, we will find that there is still a large room for improvement.
Now just start with the "Han" character (Figure 2), and make a brief analysis of the original post (Figure 3):
Figure 2 The character "Han" on the second screen of "Ni Kuanzan" is in section 2
Figure 3 The word "Han" in Ni Kuanzan
The word "Han" is short on the left and long on the right, the left "氵" is full and subtle and tightened, the right part is opened horizontally and left, and the left is short and the right is long. The author's pen is not round enough, the middle is fast, and the beginning and end are exposed. For example, at the end of the "yin", it is obviously out of control, and we should strive to be calm and subtle. The end of the right part is not open and round, the vertical apostrophe is also under-eaten, thin and into the paper, and the end point should be rounded and heavy, in stark contrast to the vertical apostrophe. In addition, the right part of the "艹" is two vertical, obviously thick and abrupt, not round and natural enough, and the grasp of the point of emphasis with the pen is not accurate enough.
It is recommended that the author make more accurate and in-depth copying of the part, and strive to grasp the characteristics of Chu Kai's pen and knot characters as a whole, in order to have new breakthroughs.
<h1 class="pgc-h-arrow-right" > a brief analysis of the opening six words of Chu Suiliang's "Ni Kuanzan"</h1>
■ Zhu Yongfang
Chu Suiliang's "Ni Kuan Zan" is a classic Law Post of the Book of Letters, the whole writing is peaceful, the pen is full of changes, the plain reference uses free pen and ink, the pen is light or heavy, the pen is calm and powerful, the knot is neat and beautiful, the gesture is stretched, giving people a peaceful and elegant feeling. The opening paragraph perfectly presents its classical height, and this article only briefly analyzes this six words (Figure 4).
Figure 4 Chu Suiliang's "Ni Kuanzan" begins with six characters
"Ni Kuanzan" is thin and long, but the middle palace is not cramped, the whole is wide, the strokes are more subordinate, and the ancient meaning is full of meaning. For example, the writing of horizontal paintings is mostly heavier, the line pen is lighter, and the pen is slightly lower to the right. For example, the long horizontal of "Xing, Zai", the writing style of this horizontal painting, had a great influence on the later Yan Zhenqing. For example, the three-character long horizontal drawing of "Han, Six, Ten" closes the pen upwards, and the transformation is subordinate to the kai, which is also interesting. These words with long horizontals, the horizontal painting slope is properly grasped, the overall flattening, the vertical painting is divided into horizontal paintings, the left is long and the right is short, and the knot is stretched and retracted properly.
"Ni Kuanzan" stroke lines, lines, and three sections are round and simple, introverted and full, not exposed, such as the word "load" oblique hook round round, but the gesture implied in between, very attractive. This post has rich pen movements in the air, a large range of presses, and extremely high requirements for pen control ability, which is a difficult point.
"More than sixty years of Hanxing" The six characters are shaped by the characters and fall generously. The "Han" character is folded to the left and put to the right, and the right part is tightened in the middle palace, and the lower horizontal opening is opened; the "Xing" character is in a closed-put-retract posture, and the spatial rhythm is rich and changeable; the "sixty" two characters are flattened, stretched horizontally, and the pen is clean and neat; the "Yu" character is narrow left and right, the "load" word is left wide and right is narrow, and the strokes are retracted and placed. The opening six words are as easy as ever.
"Ni Kuanzan" has been comfortable in the opening and closing of the knot, the severity of the disease, and the treatment of the same word and the same kind of strokes, which is extremely varied. Sometimes it goes in and out, sometimes it returns to the front and hides the tail; sometimes it cuts the iron, sometimes it lays out, sometimes it sweeps along the way, and sometimes it curls the pen to condense the hook. In these extremely varied and rich and colorful brush movements, a rambling heavenly machine is created, presenting the rich rhyme of grace, silent music and beautiful dance.
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Chu Suiliang's selected books, all 2 volumes of ¥62 to buy
<h1 class="pgc-h-arrow-right" > Chu Suiliang's book "Ni Kuanzan" 24.6cm×170.1cm Collection of the National Palace Museum in Taipei</h1>
【Recommended Calligraphy Newspaper Life Hall】
The "Collection of Famous Works of Xiao Kai" runs through the main line with a historical timeline, and selects the best works in the history of Xiao Kai calligraphy for 2,000 years. It includes 60 classic small works such as Zhong Xuan's "Declaration Table", Wang Yizhi's "Huangting Jing", and Wang Xianzhi's "Thirteen Elements of Luoshen", which can be described as treasures. The appendix appreciates the use of pens, structures, characteristics, styles, and charms of Xiao Kai's works, providing an important reference for readers to learn and understand the original post.
Printed with a special matte ink, it is not reflective, even at night under the table lamp.
"Xiao Kai Famous Works" selects the best works in the history of Xiao Kai calligraphy for 2,000 years ¥128 to purchase